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“Get well and keep well,” said Beatty. He turned and went out through the open door. Montag watched through the window as Beatty drove away in his gleaming yellow?flame?coloured beetle with the black, char?coloured tyres. Across the street and down the way the other houses stood with their flat fronts. What was it Clarisse had said one afternoon? “No front porches. My uncle says there used to be front porches. And people sat there sometimes at night, talking when they wanted to talk, rocking, and not talking when they didn’t want to talk. Sometimes they just sat there and thought about things, turned things over. My uncle says the architects got rid of the front porches because they didn’t look well. But my uncle says that was merely rationalizing it; the real reason, hidden underneath, might be they didn’t want people sitting like that, doing nothing, rocking, talking; that was the wrong kind of social life. People talked too much. And they had time to think. So they ran off with the porches. And the gardens, too. Not many gardens any more to sit around in. And look at the furniture. No rocking?chairs any more. They’re too comfortable. Get people up and running around. My uncle says … and … my uncle … and … my uncle …” Her voice faded. Montag turned and looked at his wife, who sat in the middle of the parlour talking to an announcer, who in turn was talking to her. “Mrs. Montag,” he was saying. This, that and the other. “Mrs. Montag?” Something else and still another. The converter attachment, which had cost them one hundred dollars, automatically supplied her name whenever the announcer addressed his anonymous audience, leaving a blank where the proper syllables could be filled in. A special spot?wavex?scrambler also caused his televised image, in the area immediately about his lips, to mouth the vowels and consonants beautifully. He was a friend, no doubt of it, a good friend. “Mrs. Montag?now look right here.” Her head turned. Though she quite obviously was not listening. Montag said, “It’s only a step from not going to work today to not working tomorrow, to not working at the firehouse ever again.” , “You are going to work tonight, though, aren’t you?” said Mildred. “I haven’t decided. Right now I’ve got an awful feeling I want to smash things and kill things :’ “Go take the beetle.” “No thanks.” “The keys to the beetle are on the night table. I always like to drive fast when I feel that way. You get it up around ninetyfive and you feel wonderful. Sometimes I drive all night and come back and you don’t know it. It’s fun out in the country. You hit rabbits, sometimes you hit dogs. Go take the beetle.” “No, I don’t want to, this time. I want to hold on to this funny thing. God, it’s gotten big on me. I don’t know what it is.


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I’m so damned unhappy, I’m so mad, and I don’t know why I feel like I’m putting on weight. I feel fat. I feel like I’ve been saving up a lot of things, and don’t know what. I might even start reading books.” “They’d put you in jail, wouldn’t they?” She looked at him as if he were behind the glass wall. He began to put on his clothes, moving restlessly about the bedroom. “Yes, and it might be a good idea. Before I hurt someone. Did you hear Beatty? Did you listen to him? He knows all the answers. He’s right. Happiness is important. Fun is everything. And yet I kept sitting there saying to myself, I’m not happy, I’m not happy.” “I am.” Mildred’s mouth beamed. “And proud of it.” “I’m going to do something,” said Montag. “I don’t even know what yet, but I’m going to do something big.” “I’m tired of listening to this junk,” said Mildred, turning from him to the announcer again Montag touched the volume control in the wall and the announcer was speechless. “Millie?” He paused. “This is your house as well as mine. I feel it’s only fair that I tell you something now. I should have told you before, but I wasn’t even admitting it to myself. I have something I want you to see, something I’ve put away and hid during the past year, now and again, once in a while, I didn’t know why, but I did it and I never told you.” He took hold of a straight?backed chair and moved it slowly and steadily into the hall near the front door and climbed up on it and stood for a moment like a statue on a pedestal, his wife standing under him, waiting. Then he reached up and pulled back the grille of the air?conditioning system and reached far back inside to the right and moved still another sliding sheet of metal and took out a book. Without looking at it he dropped it to the floor. He put his hand back up and took out two books and moved his hand down and dropped the two books to the floor. He kept moving his hand and dropping books, small ones, fairly large ones, yellow, red, green ones. When he was done he looked down upon some twenty books lying at his wife’s feet. “I’m sorry,” he said. “I didn’t really think. But now it looks as if we’re in this together.” Mildred backed away as if she were suddenly confronted by a pack of mice that had come up out of the floor. He could hear her breathing rapidly and her face was paled out and her eyes were fastened wide. She said his name over, twice, three times. Then moaning, she ran forward, seized a book and ran toward the kitchen incinerator. He caught her, shrieking. He held her and she tried to fight away from him, scratching. “No, Millie, no! Wait!


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Stop it, will you? You don’t know … stop it!” He slapped her face, he grabbed her again and shook her. She said his name and began to cry. “Millie! ”’ he said. “Listen. Give me a second, will you? We can’t do anything. We can’t burn these. I want to look at them, at least look at them once. Then if what the Captain says is true, we’ll burn them together, believe me, we’ll burn them together. You must help me.” He looked down into her face and took hold of her chin and held her firmly. He was looking not only at her, but for himself and what he must do, in her face. “Whether we like this or not, we’re in it. I’ve never asked for much from you in all these years, but I ask it now, I plead for it. We’ve got to start somewhere here, figuring out why we’re in such a mess, you and the medicine at night, and the car, and me and my work. We’re heading right for the cliff, Millie. God, I don’t want to go over. This isn’t going to be easy. We haven’t anything to go on, but maybe we can piece it out and figure it and help each other. I need you so much right now, I can’t tell you. If you love me at all you’ll put up with this, twenty?four, forty?eight hours, that’s all I ask, then it’ll be over. I promise, I swear! And if there is something here, just one little thing out of a whole mess of things, maybe we can pass it on to someone else.” She wasn’t fighting any more, so he let her go. She sagged away from him and slid down the wall, and sat on the floor looking at the books. Her foot touched one and she saw this and pulled her foot away. “That woman, the other night, Millie, you weren’t there. You didn’t see her face. And Clarisse. You never talked to her. I talked to her. And men like Beatty are afraid of her. I can’t understand it. Why should they be so afraid of someone like her? But I kept putting her alongside the firemen in the house last night, and I suddenly realized I didn’t like them at all, and I didn’t like myself at all any more. And I thought maybe it would be best if the firemen themselves were burnt.” “Guy! “ The front door voice called softly: “Mrs. Montag, Mrs. Montag, someone here, someone here, Mrs. Montag, Mrs. Montag, someone here.” Softly. They turned to stare at the door and the books toppled everywhere, everywhere in heaps. “Beatty!” said Mildred. “It can’t be him.” “He’s come back!” she whispered. The front door voice called again softly. “Someone here …” “We won’t answer.” Montag lay back against the wall and then slowly sank to a crouching position and began to nudge the books, bewilderedly, with his thumb, his forefinger.


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He was shivering and he wanted above all to shove the books up through the ventilator again, but he knew he could not face Beatty again. He crouched and then he sat and the voice of the front door spoke again, more insistently. Montag picked a single small volume from the floor. “Where do we begin?” He opened the book half?way and peered at it. “We begin by beginning, I guess.” “He’ll come in,” said Mildred, “and burn us and the books!” The front door voice faded at last. There was a silence. Montag felt the presence of someone beyond the door, waiting, listening. Then the footsteps going away down the walk and over the lawn. “Let’s see what this is,” said Montag. He spoke the words haltingly and with a terrible selfconsciousness. He read a dozen pages here and there and came at last to this: ” `It is computed that eleven thousand persons have at several times suffered death rather than submit to break eggs at the smaller end.”’ Mildred sat across the hall from him. “What does it mean? It doesn’t mean anything! The Captain was right! “ “Here now,” said Montag. “We’ll start over again, at the beginning.”


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39aqujvo PART II THE SIEVE AND THE SAND THEY read the long afternoon through, while the cold November rain fell from the sky upon the quiet house. They sat in the hall because the parlour was so empty and grey-looking without its walls lit with orange and yellow confetti and skyrockets and women in gold-mesh dresses and men in black velvet pulling one-hundred-pound rabbits from silver hats. The parlour was dead and Mildred kept peering in at it with a blank expression as Montag paced the floor and came back and squatted down and read a page as many as ten times, aloud. ” `We cannot tell the precise moment when friendship is formed. As in filling a vessel drop by drop, there is at last a drop which makes it run over, so in a series of kindnesses there is at last one which makes the heart run over.’” Montag sat listening to the rain. “Is that what it was in the girl next door? I’ve tried so hard to figure.” “She’s dead. Let’s talk about someone alive, for goodness’ sake.” Montag did not look back at his wife as he went trembling along the hall to the kitchen, where he stood a long .time watching the rain hit the windows before he came back down the hall in the grey light, waiting for the tremble to subside. He opened another book. ” `That favourite subject, Myself.”’ He squinted at the wall. ” `The favourite subject, Myself.”’ “I understand that one,” said Mildred. “But Clarisse’s favourite subject wasn’t herself. It was everyone else, and me. She was the first person in a good many years I’ve really liked. She was the first person I can remember who looked straight at me as if I counted.” He lifted the two books. “These men have been dead a long time, but I know their words point, one way or another, to Clansse.” Outside the front door, in the rain, a faint scratching. Montag froze. He saw Mildred thrust herself back to the wall and gasp. “I shut it off.” “Someone—the door—why doesn’t the door-voice tell us—” Under the door-sill, a slow, probing sniff, an exhalation of electric steam. Mildred laughed. “It’s only a dog, that’s what! You want me to shoo him away?” “Stay where you are!” Silence. The cold rain falling. And the smell of blue electricity blowing under the locked door. “Let’s get back to work,” said Montag quietly. Mildred kicked at a book. “Books aren’t people. You read and I look around, but there isn’t anybody!” He stared at the parlour that was dead and grey as the waters of an ocean that might teem with life if they switched on the electronic sun. “Now,” said Mildred, “my `family’ is people. They tell me things; I laugh, they laugh! And the colours!” “Yes, I know.” “And besides, if Captain Beatty knew about those books—” She thought about it. Her face grew amazed and then horrified.


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“He might come and bum the house and the `family.’ That’s awful! Think of our investment. Why should I read? What for?” “What for! Why!” said Montag. “I saw the damnedest snake in the world the other night. It was dead but it was alive. It could see but it couldn’t see. You want to see that snake. It’s at Emergency Hospital where they filed a report on all the junk the snake got out of you! Would you like to go and check their file? Maybe you’d look under Guy Montag or maybe under Fear or War. Would you like to go to that house that burnt last night? And rake ashes for the bones of the woman who set fire to her own house! What about Clarisse McClellan, where do we look for her? The morgue! Listen!” The bombers crossed the sky and crossed the sky over the house, gasping, murmuring, whistling like an immense, invisible fan, circling in emptiness. “Jesus God,” said Montag. “Every hour so many damn things in the sky! How in hell did those bombers get up there every single second of our lives! Why doesn’t someone want to talk about it? We’ve started and won two atomic wars since 1960. Is it because we’re having so much fun at home we’ve forgotten the world? Is it because we’re so rich and the rest of the world’s so poor and we just don’t care if they are? I’ve heard rumours; the world is starving, but we’re well-fed. Is it true, the world works hard and we play? Is that why we’re hated so much? I’ve heard the rumours about hate, too, once in a long while, over the years. Do you know why? I don’t, that’s sure! Maybe the books can get us half out of the cave. They just might stop us from making the same damn insane mistakes! I don’t hear those idiot bastards in your parlour talking about it. God, Millie, don’t you see? An hour a day, two hours, with these books, and maybe…” The telephone rang. Mildred snatched the phone. “Ann!” She laughed. “Yes, the White Clown’s on tonight!” Montag walked to the kitchen and threw the book down. “Montag,” he said, “you’re really stupid. Where do we go from here? Do we turn the books in, forget it?” He opened the book to read over Mildred’s laughter. Poor Millie, he thought. Poor Montag, it’s mud to you, too. But where do you get help, where do you find a teacher this late? Hold on. He shut his eyes. Yes, of course. Again he found himself thinking of the green park a year ago. The thought had been with him many times recently, but now he remembered how it was that day in the city park when he had seen that old man in the black suit hide something, quickly in his coat . … The old man leapt up as if to run. And Montag said, “Wait !


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“ “I haven’t done anything! ” cried the old man trembling. “No one said you did.” They had sat in the green soft light without saying a word for a moment, and then Montag talked about the weather, and then the old man responded with a pale voice. It was a strange quiet meeting. The old man admitted to being a retired English professor who had been thrown out upon the world forty years ago when the last liberal arts college shut for lack of students and patronage. His name was Faber, and when he finally lost his fear of Montag, he talked in a cadenced voice, looking at the sky and the trees and the green park, and when an hour had passed he said something to Montag and Montag sensed it was a rhymeless poem. Then the old man grew even more courageous and said something else and that was a poem, too. Faber held his hand over his left coat-pocket and spoke these words gently, and Montag knew if he reached out, he might pull a book of poetry from the man’s coat. But he did not reach out. His. hands stayed on his knees, numbed and useless. “I don’t talk things, sir,” said Faber. “I talk the meaning of things. I sit here and know I’m alive.” That was all there was to it, really. An hour of monologue, a poem, a comment, and then without even acknowledging the fact that Montag was a fireman, Faber with a certain trembling, wrote his address on a slip of paper. “For your file,” he said, “in case you decide to be angry with me.” “I’m not angry,” Montag said, surprised. Mildred shrieked with laughter in the hall. Montag went to his bedroom closet and flipped through his file-wallet to the heading: FUTURE INVESTIGATIONS (?). Faber’s name was there. He hadn’t turned it in and he hadn’t erased it. He dialled the call on a secondary phone. The phone on the far end of the line called Faber’s name a dozen times before the professor answered in a faint voice. Montag identified himself and was met with a lengthy silence. “Yes, Mr. Montag?” “Professor Faber, I have a rather odd question to ask. How many copies of the Bible are left in this country?” “I don’t know what you’re talking about! “ “I want to know if there are any copies left at all.” “This is some sort of a trap! I can’t talk to just anyone on the phone!” “How many copies of Shakespeare and Plato?” “None ! You know as well as I do. None!” Faber hung up. Montag put down the phone. None. A thing he knew of course from the firehouse listings. But somehow he had wanted to hear it from Faber himself. In the hall Mildred’s face was suffused with excitement. “Well, the ladies are coming over!” Montag showed her a book.


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“This is the Old and New Testament, and-” “Don’t start that again!” “It might be the last copy in this part of the world.” “You’ve got to hand it back tonight, don’t you know? Captain Beatty knows you’ve got it, doesn’t he?” “I don’t think he knows which book I stole. But how do I choose a substitute? Do I turn in Mr. Jefferson? Mr. Thoreau? Which is least valuable? If I pick a substitute and Beatty does know which book I stole, he’ll guess we’ve an entire library here!” Mildred’s mouth twitched. “See what you’re doing? You’ll ruin us! Who’s more important, me or that Bible?” She was beginning to shriek now, sitting there like a wax doll melting in its own heat. He could hear Beatty’s voice. “Sit down, Montag. Watch. Delicately, like the petals of a flower. Light the first page, light the second page. Each becomes a black butterfly. Beautiful, eh? Light the third page from the second and so on, chainsmoking, chapter by chapter, all the silly things the words mean, all the false promises, all the second-hand notions and time-worn philosophies.” There sat Beatty, perspiring gently, the floor littered with swarms of black moths that had died in a single storm Mildred stopped screaming as quickly as she started. Montag was not listening. “There’s only one thing to do,” he said. “Some time before tonight when I give the book to Beatty, I’ve got to have a duplicate made.” “You’ll be here for the White Clown tonight, and the ladies coming over?” cried Mildred. Montag stopped at the door, with his back turned. “Millie?” A silence “What?” “Millie? Does the White Clown love you?” No answer. “Millie, does—” He licked his lips. “Does your `family’ love you, love you very much, love you with all their heart and soul, Millie?” He felt her blinking slowly at the back of his neck. “Why’d you ask a silly question like that?” He felt he wanted to cry, but nothing would happen to his eyes or his mouth. “If you see that dog outside,” said Mildred, “give him a kick for me.” He hesitated, listening at the door. He opened it and stepped out. The rain had stopped and the sun was setting in the clear sky. The street and the lawn and the porch were empty. He let his breath go in a great sigh. He slammed the door. He was on the subway. I’m numb, he thought. When did the numbness really begin in my face? In my body? The night I kicked the pill-bottle in the dark, like kicking a buried mine. The numbness will go away, he thought. It’ll take time, but I’ll do it, or Faber will do it for me. Someone somewhere will give me back the old face and the old hands the way they were. Even the smile, he thought, the old burnt-in smile, that’s gone. I’m lost without it.


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The subway fled past him, cream-tile, jet-black, cream-tile, jet-black, numerals and darkness, more darkness and the total adding itself. Once as a child he had sat upon a yellow dune by the sea in the middle of the blue and hot summer day, trying to fill a sieve with sand, because some cruel cousin had said, “Fill this sieve and you’ll get a dime!” `And the faster he poured, the faster it sifted through with a hot whispering. His hands were tired, the sand was boiling, the sieve was empty. Seated there in the midst of July, without a sound, he felt the tears move down his cheeks. Now as the vacuum-underground rushed him through the dead cellars of town, jolting him, he remembered the terrible logic of that sieve, and he looked down and saw that he was carrying the Bible open. There were people in the suction train but he held the book in his hands and the silly thought came to him, if you read fast and read all, maybe some of the sand will stay in the sieve. But he read and the words fell through, and he thought, in a few hours, there will be Beatty, and here will be me handing this over, so no phrase must escape me, each line must be memorized. I will myself to do it. He clenched the book in his fists. Trumpets blared. “Denham’s Dentrifice.” Shut up, thought Montag. Consider the lilies of the field. “Denham’s Dentifrice.” They toil not- “Denham’s—” Consider the lilies of the field, shut up, shut up. “Dentifrice ! “ He tore the book open and flicked the pages and felt them as if he were blind, he picked at the shape of the individual letters, not blinking. “Denham’s. Spelled : D-E.N “ They toil not, neither do they … A fierce whisper of hot sand through empty sieve. “Denham’s does it!” Consider the lilies, the lilies, the lilies… “Denham’s dental detergent.” “Shut up, shut up, shut up!” It was a plea, a cry so terrible that Montag found himself on his feet, the shocked inhabitants of the loud car staring, moving back from this man with the insane, gorged face, the gibbering, dry mouth, the flapping book in his fist. The people who had been sitting a moment before, tapping their feet to the rhythm of Denham’s Dentifrice, Denham’s Dandy Dental Detergent, Denham’s Dentifrice Dentifrice Dentifrice, one two, one two three, one two, one two three. The people whose mouths had been faintly twitching the words Dentifrice Dentifrice Dentifrice. The train radio vomited upon Montag, in retaliation, a great ton-load of music made of tin, copper, silver, chromium, and brass. The people wcre pounded into submission; they did not run, there was no place to run; the great air-train fell down its shaft in the earth. “Lilies of the field.” “Denham’s.” “Lilies, I said!” The people stared. “Call the guard.” “The man’s off—” “Knoll View!” The train hissed to its stop.


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“Knoll View!” A cry. “Denham’s.” A whisper. Montag’s mouth barely moved. “Lilies…” The train door whistled open. Montag stood. The door gasped, started shut. Only then .did he leap past the other passengers, screaming in his mind, plunge through the slicing door only in time. He ran on the white tiles up through the tunnels, ignoring the escalators, because he wanted to feel his feet-move, arms swing, lungs clench, unclench, feel his throat go raw with air. A voice drifted after him, “Denham’s Denham’s Denham’s,” the train hissed like a snake. The train vanished in its hole. “Who is it?” “Montag out here.” “What do you want?” “Let me in.” “I haven’t done anything l” “I’m alone, dammit ! “ “You swear it?” “I swear!” The front door opened slowly. Faber peered out, looking very old in the light and very fragile and very much afraid. The old man looked as if he had not been out of the house in years. He and the white plaster walls inside were much the same. There was white in the flesh of his mouth and his cheeks and his hair was white and his eyes had faded, with white in the vague blueness there. Then his eyes touched on the book under Montag’s arm and he did not look so old any more and not quite as fragile. Slowly his fear went. “I’m sorry. One has to be careful.” He looked at the book under Montag’s arm and could not stop. “So it’s true.” Montag stepped inside. The door shut. “Sit down.” Faber backed up, as if he feared the book might vanish if he took his eyes from it. Behind him, the door to a bedroom stood open, and in that room a litter of machinery and steel tools was strewn upon a desk-top. Montag had only a glimpse, before Faber, seeing Montag’s attention diverted, turned quickly and shut the bedroom door and stood holding the knob with a trembling hand. His gaze returned unsteadily to Montag, who was now seated with the book in his lap. “The book-where did you-?” “I stole it.” Faber, for the first time, raised his eyes and looked directly into Montag’s face. “You’re brave.” “No,” said Montag. “My wife’s dying. A friend of mine’s already dead. Someone who may have been a friend was burnt less than twenty-four hours ago. You’re the only one I knew might help me. To see. To see. .” Faber’s hands itched on his knees. “May I?” “Sorry.” Montag gave him the book. “It’s been a long time. I’m not a religious man. But it’s been a long time.” Faber turned the pages, stopping here and there to read. “It’s as good as I remember. Lord, how they’ve changed it-in our `parlours’ these days. Christ is one of the `family’ now. I often wonder it God recognizes His own son the way we’ve dressed him up, or is it dressed him down?


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He’s a regular peppermint stick now, all sugar-crystal and saccharine when he isn’t making veiled references to certain commercial products that every worshipper absolutely needs.” Faber sniffed the book. “Do you know that books smell like nutmeg or some spice from a foreign land? I loved to smell them when I was a boy. Lord, there were a lot of lovely books once, before we let them go.” Faber turned the pages. “Mr. Montag, you are looking at a coward. I saw the way things were going, a long time back. I said nothing. I’m one of the innocents who could have spoken up and out when no one would listen to the `guilty,’ but I did not speak and thus became guilty myself. And when finally they set the structure to burn the books, using the, firemen, I grunted a few times and subsided, for there were no others grunting or yelling with me, by then. Now, it’s too late.” Faber closed the Bible. “Well—suppose you tell me why you came here?” “Nobody listens any more. I can’t talk to the walls because they’re yelling at me. I can’t talk to my wife; she listens to the walls. I just want someone to hear what I have to say. And maybe if I talk long enough, it’ll make sense. And I want you to teach me to understand what I read.” Faber examined Montag’s thin, blue-jowled face. “How did you get shaken up? What knocked the torch out of your hands?” “I don’t know. We have everything we need to be happy, but we aren’t happy. Something’s missing. I looked around. The only thing I positively knew was gone was the books I’d burned in ten or twelve years. So I thought books might help.” “You’re a hopeless romantic,” said Faber. “It would be funny if it were not serious. It’s not books you need, it’s some of the things that once were in books. The same things could be in the `parlour families’ today. The same infinite detail and awareness could be projected through the radios and televisors, but are not. No, no, it’s not books at all you’re looking for! Take it where you can find it, in old phonograph records, old motion pictures, and in old friends; look for it in nature and look for it in yourself. Books were only one type of receptacle where we stored a lot of things we were afraid we might forget. There is nothing magical in them at all. The magic is only in what books say, how they stitched the patches of the universe together into one garment for us. Of course you couldn’t know this, of course you still can’t understand what I mean when I say all this. You are intuitively right, that’s what counts. Three things are missing. “Number one: Do you know why books such as this are so important? Because they have quality. And what does the word quality mean?


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To me it means texture. This book has pores. It has features. This book can go under the microscope. You’d find life under the glass, streaming past in infinite profusion. The more pores, the more truthfully recorded details of life per square inch you can get on a sheet of paper, the more `literary’ you are. That’s my definition, anyway. Telling detail. Fresh detail. The good writers touch life often. The mediocre ones run a quick hand over her. The bad ones rape her and leave her for the flies. “So now do you see why books are hated and feared? They show the pores in the face of life. The comfortable people want only wax moon faces, poreless, hairless, expressionless. We are living in a time when flowers are trying to live on flowers, instead of growing on good rain and black loam. Even fireworks, for all their prettiness, come from the chemistry of the earth. Yet somehow we think we can grow, feeding on flowers and fireworks, without completing the cycle back to reality. Do you know the legend of Hercules and Antaeus, the giant wrestler, whose strength was incredible so long as he stood firmly on the earth. But when he was held, rootless, in mid-air, by Hercules, he perished easily. If there isn’t something in that legend for us today, in this city, in our time, then I am completely insane. Well, there we have the first thing I said we needed. Quality, texture of information.” “And the second?” “Leisure.” “Oh, but we’ve plenty of off-hours.” “Off-hours, yes. But time to think? If you’re not driving a hundred miles an hour, at a clip where you can’t think of anything else but the danger, then you’re playing some game or sitting in some room where you can’t argue with the fourwall televisor. Why? The televisor is ‘real.’ It is immediate, it has dimension. It tells you what to think and blasts it in. It must be, right. It seems so right. It rushes you on so quickly to its own conclusions your mind hasn’t time to protest, ‘What nonsense!’” “Only the ‘family’ is ‘people.’” “I beg your pardon?” “My wife says books aren’t ‘real.’” “Thank God for that. You can shut them, say, ‘Hold on a moment.’ You play God to it. But who has ever torn himself from the claw that encloses you when you drop a seed in a TV parlour? It grows you any shape it wishes! It is an environment as real as the world. It becomes and is the truth. Books can be beaten down with reason. But with all my knowledge and scepticism, I have never been able to argue with a one-hundred-piece symphony orchestra, full colour, three dimensions, and I being in and part of those incredible parlours. As you see, my parlour is nothing but four plaster walls. And here ” He held out two small rubber plugs.


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“For my ears when I ride the subway-jets.” “Denham’s Dentifrice; they toil not, neither do they spin,” said Montag, eyes shut. “Where do we go from here? Would books help us?” “Only if the third necessary thing could be given us. Number one, as I said, quality of information. Number two: leisure to digest it. And number three: the right to carry out actions based on what we learn from the inter-action of the first two. And I hardly think a very old man and a fireman turned sour could do much this late in the game…” “I can get books.” “You’re running a risk.” “That’s the good part of dying; when you’ve nothing to lose, you run any risk you want.” “There, you’ve said an interesting thing,” laughed Faber, “without having read it!” “Are things like that in books. But it came off the top of my mind!” “All the better. You didn’t fancy it up for me or anyone, even yourself.” Montag leaned forward. “This afternoon I thought that if it turned out that books were worth while, we might get a press and print some extra copies—” ” We?” “You and I” “Oh, no ! ” Faber sat up. “But let me tell you my plan–” “If you insist on telling me, I must ask you to leave.” “But aren’t you interested?” “Not if you start talking the sort of talk that might get me burnt for my trouble. The only way I could possibly listen to you would be if somehow the fireman structure itself could be burnt. Now if you suggest that we print extra books and arrange to have them hidden in firemen’s houses all over the country, so that seeds of suspicion would be sown among these arsonists, bravo, I’d say!” “Plant the books, turn in an alarm, and see the firemen’s houses bum, is that what you mean?” Faber raised his brows and looked at Montag as if he were seeing a new man. “I was joking.” “If you thought it would be a plan worth trying, I’d have to take your word it would help.” “You can’t guarantee things like that! After all, when we had all the books we needed, we still insisted on finding the highest cliff to jump off. But we do need a breather. We do need knowledge. And perhaps in a thousand years we might pick smaller cliffs to jump off. The books are to remind us what asses and fools we are. They’re Caesar’s praetorian guard, whispering as the parade roars down the avenue, `Remember, Caesar, thou art mortal.’ Most of us can’t rush around, talking to everyone, know all the cities of the world, we haven’t time, money or that many friends. The things you’re looking for, Montag, are in the world, but the only way the average chap will ever see ninety-nine per cent of them is in a book. Don’t ask for guarantees.


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And don’t look to be saved in any one thing, person, machine, or library. Do your own bit of saving, and if you drown, at least die knowing you were headed for shore.” Faber got up and began to pace the room. “Well?” asked Montag. “You’re absolutely serious?” “Absolutely.” “It’s an insidious plan, if I do say so myself.” Faber glanced nervously at his bedroom door. “To see the firehouses burn across the land, destroyed as hotbeds of treason. The salamander devours his tail! Ho, God! “ “I’ve a list of firemen’s residences everywhere. With some sort of underground “ “Can’t trust people, that’s the dirty part. You and I and who else will set the fires?” “Aren’t there professors like yourself, former writers, historians, linguists …?” “Dead or ancient.” “The older the better; they’ll go unnoticed. You know dozens, admit it ! “ “Oh, there are many actors alone who haven’t acted Pirandello or Shaw or Shakespeare for years because their plays are too aware of the world. We could use their anger. And we could use the honest rage of those historians who haven’t written a line for forty years. True, we might form classes in thinking and reading.” “Yes! “ “But that would just nibble the edges. The whole culture’s shot through. The skeleton needs melting and re-shaping. Good God, it isn’t as simple as just picking up a book you laid down half a century ago. Remember, the firemen are rarely necessary. The public itself stopped reading of its own accord. You firemen provide a circus now and then at which buildings are set off and crowds gather for the pretty blaze, but it’s a small sideshow indeed, and hardly necessary to keep things in line. So few want to be rebels any more. And out of those few, most, like myself, scare easily. Can you dance faster than the White Clown, shout louder than `Mr. Gimmick’ and the parlour `families’? If you can, you’ll win your way, Montag. In any event, you’re a fool. People are having fun” “Committing suicide! Murdering!” A bomber flight had been moving east all the time they talked, and only now did the two men stop and listen, feeling the great jet sound tremble inside themselves. “Patience, Montag. Let the war turn off the `families.’ Our civilization is flinging itself to pieces. Stand back from the centrifuge.” “There has to be someone ready when it blows up.” “What? Men quoting Milton? Saying, I remember Sophocles? Reminding the survivors that man has his good side, too? They will only gather up their stones to hurl at each other. Montag, go home. Go to bed. Why waste your final hours racing about your cage denying you’re a squirrel?” “Then you don’t care any more?” “I care so much I’m sick.” “And you won’t help me?” “Good night, good night.” Montag’s hands picked up the Bible. He saw what his hands had done and he looked surprised.


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“Would you like to own this?” Faber said, “I’d give my right arm.” Montag stood there and waited for the next thing to happen. His hands, by themselves, like two men working together, began to rip the pages from the book. The hands tore the flyleaf and then the first and then the second page. “Idiot, what’re you doing!” Faber sprang up, as if he had been struck. He fell, against Montag. Montag warded him off and let his hands continue. Six more pages fell to the floor. He picked them up and wadded the paper under Faber’s gaze. “Don’t, oh, don’t ! ” said the old man. “Who can stop me? I’m a fireman. I can bum you!” The old man stood looking at him. “You wouldn’t.” “I could ! “ “The book. Don’t tear it any more.” Faber sank into a chair, his face very white, his mouth trembling. “Don’t make me feel any more tired. What do you want?” “I need you to teach me.” “All right, all right.” Montag put the book down. He began to unwad the crumpled paper and flatten it out as the old man watched tiredly. Faber shook his head as if he were waking up. “Montag, have you some money?” “Some. Four, five hundred dollars. Why?” “Bring it. I know a man who printed our college paper half a century ago. That was the year I came to class at the start of the new semester and found only one student to sign up for Drama from Aeschylus to O’Neill. You see? How like a beautiful statue of ice it was, melting in the sun. I remember the newspapers dying like huge moths. No one wanted them back. No one missed them. And the Government, seeing how advantageous it was to have people reading only about passionate lips and the fist in the stomach, circled the situation with your fire-eaters. So, Montag, there’s this unemployed printer. We might start a few books, and wait on the war to break the pattern and give us the push we need. A few bombs and the `families’ in the walls of all the houses, like harlequin rats, will shut up! In silence, our stage-whisper might carry.” They both stood looking at the book on the table. “I’ve tried to remember,” said Montag. “But, hell, it’s gone when I turn my head. God, how I want something to say to the Captain. He’s read enough so he has all the answers, or seems to have. His voice is like butter. I’m afraid he’ll talk me back the way I was. Only a week ago, pumping a kerosene hose, I thought: God, what fun!” The old man nodded. “Those who don’t build must burn. It’s as old as history and juvenile delinquents.” “So that’s what I am.” “There’s some of it in all of us.” Montag moved towards the front door. “Can you help me in any way tonight, with the Fire Captain?


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I need an umbrella to keep off the rain. I’m so damned afraid I’ll drown if he gets me again.” The old man said nothing, but glanced once more nervously, at his bedroom. Montag caught the glance. “Well?” The old man took a deep breath, held it, and let it out. He took another, eyes closed, his mouth tight, and at last exhaled. “Montag…” The old man turned at last and said, “Come along. I would actually have let you walk right out of my house. I am a cowardly old fool.” Faber opened the bedroom door and led Montag into a small chamber where stood a table upon which a number of metal tools lay among a welter of microscopic wire-hairs, tiny coils, bobbins, and crystals. “What’s this?” asked Montag. “Proof of my terrible cowardice. I’ve lived alone so many years, throwing images on walls with my imagination. Fiddling with electronics, radio-transmission, has been my hobby. My cowardice is of such a passion, complementing the revolutionary spirit that lives in its shadow, I was forced to design this.” He picked up a small green-metal object no larger than a .22 bullet. “I paid for all this-how? Playing the stock-market, of course, the last refuge in the world for the dangerous intellectual out of a job. Well, I played the market and built all this and I’ve waited. I’ve waited, trembling, half a lifetime for someone to speak to me. I dared speak to no one. That day in the park when we sat together, I knew that some day you might drop by, with fire or friendship, it was hard to guess. I’ve had this little item ready for months. But I almost let you go, I’m that afraid!” “It looks like a Seashell radio.” “And something more! It listens! If you put it in your ear, Montag, I can sit comfortably home, warming my frightened bones, and hear and analyse the firemen’s world, find its weaknesses, without danger. I’m the Queen Bee, safe in the hive. You will be the drone, the travelling ear. Eventually, I could put out ears into all parts of the city, with various men, listening and evaluating. If the drones die, I’m still safe at home, tending my fright with a maximum of comfort and a minimum of chance. See how safe I play it, how contemptible I am?” Montag placed the green bullet in his ear. The old man inserted a similar object in his own ear and moved his lips. “Montag! “ The voice was in Montag’s head. “I hear you! “ The old man laughed. “You’re coming over fine, too!” Faber whispered, but the voice in Montag’s head was clear. “Go to the firehouse when it’s time. I’ll be with you. Let’s listen to this Captain Beatty together. He could be one of us. God knows. I’ll give you things to say. We’ll give him a good show. Do you hate me for this electronic cowardice of mine?


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Here I am sending you out into the night, while I stay behind the lines with my damned ears listening for you to get your head chopped off.” “We all do what we do,” said Montag. He put the Bible in the old man’s hands. “Here. I’ll chance turning in a substitute. Tomorrow—” “I’ll see the unemployed printer, yes; that much I can do.” “Good night, Professor.” “Not good night. I’ll be with you the rest of the night, a vinegar gnat tickling your ear when you need me. But good night and good luck, anyway.” The door opened and shut. Montag was in the dark street again, looking at the world. You could feel the war getting ready in the sky that night. The way the clouds moved aside and came back, and the way the stars looked, a million of them swimming between the clouds, like the enemy discs, and the feeling that the sky might fall upon the city and turn it to chalk dust, and the moon go up in red fire; that was how the night felt. Montag walked from the subway with the money in his pocket (he had visited the bank which was open all night and every night with robot tellers in attendance) and as he walked he was listening to the Seashell radio in one car… “We have mobilized a million men. Quick victory is ours if the war comes .. ..” Music flooded over the voice quickly and it was gone. “Ten million men mobilized,” Faber’s voice whispered in his other ear. “But say one million. It’s happier.” “Faber?” “Yes?” “I’m not thinking. I’m just doing like I’m told, like always. You said get the money and I got it. I didn’t really think of it myself. When do I start working things out on my own?” “You’ve started already, by saying what you just said. You’ll have to take me on faith.” “I took the others on faith ! “ “Yes, and look where we’re headed. You’ll have to travel blind for a while. Here’s my arm to hold on to.” “I don’t want to change sides and just be told what to do. There’s no reason to change if I do that.” “You’re wise already!” Montag felt his feet moving him on the sidewalk.toward his house. “Keep talking.” “Would you like me to read? I’ll read so you can remember. I go to bed only five hours a night. Nothing to do. So if you like; I’ll read you to sleep nights. They say you retain knowledge even when you’re sleeping, if someone whispers it in your ear.” “Yes.” “Here.” Far away across town in the night, the faintest whisper of a turned page. “The Book of Job.” The moon rose in the sky as Montag walked, his lips moving just a trifle.


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He was eating a light supper at nine in the evening when the front door cried out in the hall and Mildred ran from the parlour like a native fleeing an eruption of Vesuvius. Mrs. Phelps and Mrs. Bowles came through the front door and vanished into the volcano’s mouth with martinis in their hands: Montag stopped eating. They were like a monstrous crystal chandelier tinkling in a thousand chimes, he saw their Cheshire Cat smiles burning through the walls of the house, and now they were screaming at each other above the din. Montag found himself at the parlour door with his food still in his mouth. “Doesn’t everyone look nice!” “Nice.” “You look fine, Millie! “ “Fine.” “Everyone looks swell.” “Swell! “Montag stood watching them. “Patience,” whispered Faber. “I shouldn’t be here,” whispered Montag, almost to himself. “I should be on my way back to you with the money!” “Tomorrow’s time enough. Careful!” “Isn’t this show wonderful?” cried Mildred. “Wonderful!” On one wall a woman smiled and drank orange juice simultaneously. How does she do both at once, thought Montag, insanely. In the other walls an X-ray of the same woman revealed the contracting journey of the refreshing beverage on its way to her delightful stomach! Abruptly the room took off on a rocket flight into the clouds, it plunged into a lime-green sea where blue fish ate red and yellow fish. A minute later, Three White Cartoon Clowns chopped off each other’s limbs to the accompaniment of immense incoming tides of laughter. Two minutes more and the room whipped out of town to the jet cars wildly circling an arena, bashing and backing up and bashing each other again. Montag saw a number of bodies fly in the air. “Millie, did you see that?” “I saw it, I saw it! “ Montag reached inside the parlour wall and pulled the main switch. The images drained away, as if the water had been let out from a gigantic crystal bowl of hysterical fish. The three women turned slowly and looked with unconcealed irritation and then dislike at Montag. “When do you suppose the war will start?” he said. “I notice your husbands aren’t here tonight?” “Oh, they come and go, come and go,” said Mrs. Phelps. “In again out again Finnegan, the Army called Pete yesterday. He’ll be back next week. The Army said so. Quick war. Forty-eight hours they said, and everyone home. That’s what the Army said. Quick war. Pete was called yesterday and they said he’d be, back next week. Quick…” The three women fidgeted and looked nervously at the empty mud-coloured walls. “I’m not worried,” said Mrs. Phelps. “I’ll let Pete do all the worrying.” She giggled. “I’ll let old Pete do all the worrying. Not me. I’m not worried.” “Yes,” said Millie. “Let old Pete do the worrying.” “It’s always someone else’s husband dies, they say.” “I’ve heard that, too. I’ve never known any dead man killed in a war.


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Killed jumping off buildings, yes, like Gloria’s husband last week, but from wars? No.” “Not from wars,” said Mrs. Phelps. “Anyway, Pete and I always said, no tears, nothing like that. It’s our third marriage each and we’re independent. Be independent, we always said. He said, if I get killed off, you just go right ahead and don’t cry, but get married again, and don’t think of me.” “That reminds me,” said Mildred. “Did you see that Clara Dove five-minute romance last night in your wall? Well, it was all about this woman who—” Montag said nothing but stood looking at the women’s faces as he had once looked at the faces of saints in a strange church he had entered when he was a child. The faces of those enamelled creatures meant nothing to him, though he talked to them and stood in that church for a long time, trying to be of that religion, trying to know what that religion was, trying to get enough of the raw incense and special dust of the place into his lungs and thus into his blood to feel touched and concerned by the meaning of the colourful men and women with the porcelain eyes and the blood-ruby lips. But there was nothing, nothing; it was a stroll through another store, and his currency strange and unusable there, and his passion cold, even when he touched the wood and plaster and clay. So it was now, in his own parlour, with these women twisting in their chairs under his gaze, lighting cigarettes, blowing smoke, touching their sun-fired hair and examining their blazing fingernails as if they had caught fire from his look. Their faces grew haunted with silence. They leaned forward at the sound of Montag’s swallowing his final bite of food. They listened to his feverish breathing. The three empty walls of the room were like the pale brows of sleeping giants now, empty of dreams. Montag felt that if you touched these three staring brows you would feel a fine salt sweat on your finger-tips. The perspiration gathered with the silence and the sub-audible trembling around and about and in the women who were burning with tension. Any moment they might hiss a long sputtering hiss and explode. Montag moved his lips. “Let’s talk.” The women jerked and stared. “How’re your children, Mrs. Phelps?” he asked. “You know I haven’t any! No one in his right mind, the Good Lord knows; would have children!” said Mrs. Phelps, not quite sure why she was angry with this man. “I wouldn’t say that,” said Mrs. Bowles. “I’ve had two children by Caesarian section. No use going through all that agony for a baby. The world must reproduce, you know, the race must go on. Besides, they sometimes look just like you, and that’s nice. Two Caesarians tamed the trick, yes, sir.


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Oh, my doctor said, Caesarians aren’t necessary; you’ve got the, hips for it, everything’s normal, but I insisted.” “Caesarians or not, children are ruinous; you’re out of your mind,” said Mrs. Phelps. “I plunk the children in school nine days out of ten. I put up with them when they come home three days a month; it’s not bad at all. You heave them into the ‘parlour’ and turn the switch. It’s like washing clothes; stuff laundry in and slam the lid.” Mrs. Bowles tittered. “They’d just as soon kick as kiss me. Thank God, I can kick back! “ The women showed their tongues, laughing. Mildred sat a moment and then, seeing that Montag was still in the doorway, clapped her hands. “Let’s talk politics, to please Guy!” “Sounds fine,” said Mrs. Bowles. “I voted last election, same as everyone, and I laid it on the line for President Noble. I think he’s one of the nicest-looking men who ever became president.” “Oh, but the man they ran against him!” “He wasn’t much, was he? Kind of small and homely and he didn’t shave too close or comb his hair very well.” “What possessed the ‘Outs’ to run him? You just don’t go running a little short man like that against a tall man. Besides -he mumbled. Half the time I couldn’t hear a word he said. And the words I did hear I didn’t understand!” “Fat, too, and didn’t dress to hide it. No wonder the landslide was for Winston Noble. Even their names helped. Compare Winston Noble to Hubert Hoag for ten seconds and you can almost figure the results.” “Damn it!” cried Montag. “What do you know about Hoag and Noble?” “Why, they were right in that parlour wall, not six months ago. One was always picking his nose; it drove me wild.” “Well, Mr. Montag,” said Mrs. Phelps, “do you want us to vote for a man like that?” Mildred beamed. “You just run away from the door, Guy, and don’t make us nervous.” But Montag was gone and back in a moment with a book in his hand. “Guy!” “Damn it all, damn it all, damn it!” “What’ve you got there; isn’t that a book? I thought that all special training these days was done by film.” Mrs. Phelps blinked. “You reading up on fireman theory?” “Theory, hell,” said Montag. “It’s poetry.” “Montag.” A whisper. “Leave me alone! ” Montag felt himself turning in a great circling roar and buzz and hum. “Montag, hold on, don’t…” “Did you hear them, did you hear these monsters talking about monsters? Oh God, the way they jabber about people and their own children and themselves and the way they talk about their husbands and the way they talk about war, dammit, I stand here and I can’t believe it!” “I didn’t say a single word about any war, I’ll have you know,” said Mrs, Phelps. “As for poetry, I hate it,” said Mrs. Bowles.


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“Have you ever read any?” “Montag,” Faber’s voice scraped away at him. “You’ll ruin everything. Shut up, you fool!” “All three women were on their feet. “Sit down!” They sat. “I’m going home,” quavered Mrs. Bowles. “Montag, Montag, please, in the name of God, what are you up to?” pleaded Faber. “Why don’t you just read us one of those poems from your little book,” Mrs. Phelps nodded. “I think that’d he very interesting.” “That’s not right,” wailed Mrs. Bowles. “We can’t do that!” “Well, look at Mr. Montag, he wants to, I know he does. And if we listen nice, Mr. Montag will be happy and then maybe we can go on and do something else.” She glanced nervously at the long emptiness of the walls enclosing them. “Montag, go through with this and I’ll cut off, I’ll leave.” The beetle jabbed his ear. “What good is this, what’ll you prove?” “Scare hell out of them, that’s what, scare the living daylights out!” Mildred looked at the empty air. “Now Guy, just who are you talking to?” A silver needle pierced his brain. “Montag, listen, only one way out, play it as a joke, cover up, pretend you aren’t mad at all. Then-walk to your wall-incinerator, and throw the book in!” Mildred had already anticipated this in a quavery voice. “Ladies, once a year, every fireman’s allowed to bring one book home, from the old days, to show his family how silly it all was, how nervous that sort of thing can make you, how crazy. Guy’s surprise tonight is to read you one sample to show how mixed-up things were, so none of us will ever have to bother our little old heads about that junk again, isn’t that right, darling?” He crushed the book in his fists. “Say `yes.’” His mouth moved like Faber’s. “Yes.” Mildred snatched the book with a laugh. “Here! Read this one. No, I take it back. Here’s that real funny one you read out loud today. Ladies, you won’t understand a word. It goes umpty-tumpty-ump. Go ahead, Guy, that page, dear.” He looked at the opened page. A fly stirred its wings softly in his ear. “Read.” “What’s the title, dear?” “Dover Beach.” His mouth was numb. “Now read in a nice clear voice and go slow.” The room was blazing hot, he was all fire, he was all coldness; they sat in the middle of an empty desert with three chairs and him standing, swaying, and him waiting for Mrs. Phelps to stop straightening her dress hem and Mrs. Bowles to take her fingers away from her hair.


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Then he began to read in a low, stumbling voice that grew firmer as he progressed from line to line, and his voice went out across the desert, into the whiteness, and around the three sitting women there in the great hot emptiness: “`The Sea of Faith Was once, too, at the full, and round earth’s shore Lay like the folds of a bright girdle furled.


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39aqujvo But now I only hear Its melancholy, long, withdrawing roar, Retreating, to the breath Of the night-wind, down the vast edges drear And naked shingles of the world.”’ The chairs creaked under the three women. Montag finished it out: “‘Ah, love, let us be true To one another! for the world, which seems To lie before us like a land of dreams, So various, so beautiful, so new, Hath really neither joy, nor love, nor light, Nor certitude, nor peace, nor help for pain; And we are here as on a darkling plain Swept with confused alarms of struggle and flight, Where ignorant armies clash by night.’” Mrs. Phelps was crying. The others in the middle of the desert watched her crying grow very loud as her face squeezed itself out of shape. They sat, not touching her, bewildered by her display. She sobbed uncontrollably. Montag himself was stunned and shaken. “Sh, sh,” said Mildred. “You’re all right, Clara, now, Clara, snap out of it! Clara, what’s wrong?” “I-I,”, sobbed Mrs. Phelps, “don’t know, don’t know, I just don’t know, oh oh…” Mrs. Bowles stood up and glared at Montag. “You see? I knew it, that’s what I wanted to prove! I knew it would happen! I’ve always said, poetry and tears, poetry and suicide and crying and awful feelings, poetry and sickness; all that mush! Now I’ve had it proved to me. You’re nasty, Mr. Montag, you’re nasty! “ Faber said, “Now…” Montag felt himself turn and walk to the wall-slot and drop the book in through the brass notch to the waiting flames. “Silly words, silly words, silly awful hurting words,” said Mrs. Bowles. “Why do people want to hurt people? Not enough hurt in the world, you’ve got to tease people with stuff like that ! “ “Clara, now, Clara,” begged Mildred, pulling her arm. “Come on, let’s be cheery, you turn the `family’ on, now. Go ahead. Let’s laugh and be happy, now, stop crying, we’ll have a party!” “No,” said Mrs. Bowles. “I’m trotting right straight home. You want to visit my house and `family,’ well and good. But I won’t come in this fireman’s crazy house again in my lifetime! “ “Go home.” Montag fixed his eyes upon her, quietly. “Go home and think of your first husband divorced and your second husband killed in a jet and your third husband blowing his brains out, go home and think of the dozen abortions you’ve had, go home and think of that and your damn Caesarian sections, too, and your children who hate your guts! Go home and think how it all happened and what did you ever do to stop it? Go home, go home!” he yelled. “Before I knock you down and kick you out of the door!” Doors slammed and the house was empty. Montag stood alone in the winter weather, with the parlour walls the colour of dirty snow. In the bathroom, water ran.


1954 Ray Bradbury - Fahrenheit 451 -- Fahrenheit 451 -- 41bd94c5bf3c38fd175459091b94772e -- Anna’s Archive.2

He heard Mildred shake the sleeping tablets into her hand. “Fool, Montag, fool, fool, oh God you silly fool…” “Shut up!” He pulled the green bullet from his ear and jammed it into his pocket. It sizzled faintly. “… fool … fool …” He searched the house and found the books where Mildred had stacked them behind the refrigerator. Some were missing and he knew that she had started on her own slow process of dispersing the dynamite in her house, stick by stick. But he was not angry now, only exhausted and bewildered with himself. He carried the books into the backyard and hid them in the bushes near the alley fence. For tonight only, he thought, in case she decides to do any more burning. He went back through the house. “Mildred?” He called at the door of the darkened bedroom. There was no sound. Outside, crossing the lawn, on his way to work, he tried not to see how completely dark and deserted Clarisse McClellan’s house was …. On the way downtown he was so completely alone with his terrible error that he felt the necessity for the strange warmness and goodness that came from a familiar and gentle voice speaking in the night. Already, in a few short hours, it seemed that he had known Faber a lifetime. Now he knew that he was two people, that he was above all Montag, who knew nothing, who did not even know himself a fool, but only suspected it. And he knew that he was also the old man who talked to him and talked to him as the train was sucked from one end of the night city to the other on one long sickening gasp of motion. In the days to follow, and in the nights when there was no moon and in the nights when there was a very bright moon shining on the earth, the old man would go on with this talking and this talking, drop by drop, stone by stone, flake by flake. His mind would well over at last and he would not be Montag any more, this the old man told him, assured him, promised him. He would be Montag-plus-Faber, fire plus water, and then, one day, after everything had mixed and simmered and worked away in silence, there would be neither fire nor water, but wine. Out of two separate and opposite things, a third. And one day he would look back upon the fool and know the fool. Even now he could feel the start of the long journey, the leave-taking, the going away from the self he had been. It was good listening to the beetle hum, the sleepy mosquito buzz and delicate filigree murmur of the old man’s voice at first scolding him and then consoling him in the late hour of night as he emerged from the steaming subway toward the firehouse world. “Pity, Montag, pity.


1954 Ray Bradbury - Fahrenheit 451 -- Fahrenheit 451 -- 41bd94c5bf3c38fd175459091b94772e -- Anna’s Archive.3

Don’t haggle and nag them; you were so recently one o f them yourself. They are so confident that they will run on for ever. But they won’t run on. They don’t know that this is all one huge big blazing meteor that makes a pretty fire in space, but that some day it’ll have to hit. They see only the blaze, the pretty fire, as you saw it. “Montag, old men who stay at home, afraid, tending their peanut-brittle bones, have no right to criticize. Yet you almost killed things at the start. Watch it! I’m with you, remember that. I understand how it happened. I must admit that your blind raging invigorated me. God, how young I felt! But now-I want you to feel old, I want a little of my cowardice to be distilled in you tonight. The next few hours, when you see Captain Beatty, tiptoe round him, let me hear him for you, let me feel the situation out. Survival is our ticket. Forget the poor, silly women ….” “I made them unhappier than they have been in years, Ithink,” said Montag. “It shocked me to see Mrs. Phelps cry. Maybe they’re right, maybe it’s best not to face things, to run, have fun. I don’t know. I feel guilty—” “No, you mustn’t! If there were no war, if there was peace in the world, I’d say fine, have fun! But, Montag, you mustn’t go back to being just a fireman. All isn’t well with the world.” Montag perspired. “Montag, you listening?” “My feet,” said Montag. “I can’t move them. I feel so damn silly. My feet won’t move!” “Listen. Easy now,” said the old man gently. “I know, I know. You’re afraid of making mistakes. Don’t be. Mistakes can be profited by. Man, when I was young I shoved my ignorance in people’s faces. They beat me with sticks. By the time I was forty my blunt instrument had been honed to a fine cutting point for me. If you hide your ignorance, no one will hit you and you’ll never learn. Now, pick up your feet, into the firehouse with you! We’re twins, we’re not alone any more, we’re not separated out in different parlours, with no contact between. If you need help when Beatty pries at you, I’ll be sitting right here in your eardrum making notes!” Montag felt his right foot, then his left foot, move. “Old man,” he said, “stay with me.” The Mechanical Hound was gone. Its kennel was empty and the firehouse stood all about in plaster silence and the orange Salamander slept with its kerosene in its belly and the firethrowers crossed upon its flanks and Montag came in through the silence and touched the brass pole and slid up in the dark air, looking back at the deserted kennel, his heart beating, pausing, beating. Faber was a grey moth asleep in his ear, for the moment.


1954 Ray Bradbury - Fahrenheit 451 -- Fahrenheit 451 -- 41bd94c5bf3c38fd175459091b94772e -- Anna’s Archive.4

Beatty stood near the drop-hole waiting, but with his back turned as if he were not waiting. “Well,” he said to the men playing cards, “here comes a very strange beast which in all tongues is called a fool.” He put his hand to one side, palm up, for a gift. Montag put the book in it. Without even glancing at the title, Beatty tossed the book into the trash-basket and lit a cigarette. “`Who are a little wise, the best fools be.’ Welcome back, Montag. I hope you’ll be staying, with us, now that your fever is done and your sickness over. Sit in for a hand of poker?” They sat and the cards were dealt. In Beatty’s sight, Montag felt the guilt of his hands. His fingers were like ferrets that had done some evil and now never rested, always stirred and picked and hid in pockets, moving from under Beatty’s alcohol-flame stare. If Beatty so much as breathed on them, Montag felt that his hands might wither, turn over on their sides, and never be shocked to life again; they would be buried the rest of his life in his coat-sleeves, forgotten. For these were the hands that had acted on their own, no part of him, here was where the conscience first manifested itself to snatch books, dart off with job and Ruth and Willie Shakespeare, and now, in the firehouse, these hands seemed gloved with blood. Twice in half an hour, Montag had to rise from the game and go to the latrine to wash his hands. When he came back he hid his hands under the table. Beatty laughed. “Let’s have your hands in sight, Montag. Not that we don’t trust you, understand, but—” They all laughed. “Well,” said Beatty, “the crisis is past and all is well, the sheep returns to the fold. We’re all sheep who have strayed at times. Truth is truth, to the end of reckoning, we’ve cried. They are never alone that are accompanied with noble thoughts, we’ve shouted to ourselves. `Sweet food of sweetly uttered knowledge,’ Sir Philip Sidney said. But on the other hand: `Words are like leaves and where they most abound, Much fruit of sense beneath is rarely found.’ Alexander Pope. What do you think of that?” “I don’t know.” “Careful,” whispered Faber, living in another world, far away. “Or this? ‘A little learning is a dangerous thing. Drink deep, or taste not the Pierian spring; There shallow draughts intoxicate the brain, and drinking largely sobers us again.’ Pope. Same Essay. Where does that put you?” Montag bit his lip. “I’ll tell you,” said Beatty, smiling at his cards. “That made you for a little while a drunkard. Read a few lines and off you go over the cliff. Bang, you’re ready to blow up the world, chop off heads, knock down women and children, destroy authority. I know, I’ve been through it all.” “I’m all right,” said Montag, nervously. “Stop blushing.


1954 Ray Bradbury - Fahrenheit 451 -- Fahrenheit 451 -- 41bd94c5bf3c38fd175459091b94772e -- Anna’s Archive.5

I’m not needling, really I’m not. Do you know, I had a dream an hour ago. I lay down for a cat-nap and in this dream you and I, Montag, got into a furious debate on books. You towered with rage, yelled quotes at me. I calmly parried every thrust. Power, I said, And you, quoting Dr. Johnson, said `Knowledge is more than equivalent to force!’ And I said, `Well, Dr. Johnson also said, dear boy, that “He is no wise man that will quit a certainty for an uncertainty.’” Stick with the fireman, Montag. All else is dreary chaos!” “Don’t listen,” whispered Faber. “He’s trying to confuse. He’s slippery. Watch out!” Beatty chuckled. “And you said, quoting, `Truth will come to light, murder will not be hid long!’ And I cried in good humour, ‘Oh God, he speaks only of his horse!’ And `The Devil can cite Scripture for his purpose.’ And you yelled, ‘This age thinks better of a gilded fool, than of a threadbare saint in wisdom’s school!’ And I whispered gently, ‘The dignity of truth is lost with much protesting.’ And you screamed, ‘Carcasses bleed at the sight of the murderer!’ And I said, patting your hand, ‘What, do I give you trench mouth?’ And you shrieked, ‘Knowledge is power!’ and ‘A dwarf on a giant’s shoulders of the furthest of the two!’ and I summed my side up with rare serenity in, ‘The folly of mistaking a metaphor for a proof, a torrent of verbiage for a spring of capital truths, and oneself as an oracle, is inborn in us, Mr. Valery once said.’” Montag’s head whirled sickeningly. He felt beaten unmercifully on brow, eyes, nose, lips, chin, on shoulders, on upflailing arms. He wanted to yell, “No! shut up, you’re confusing things, stop it!” Beatty’s graceful fingers thrust out to seize his wrist. “God, what a pulse! I’ve got you going, have I, Montag. Jesus God, your pulse sounds like the day after the war. Everything but sirens and bells! Shall I talk some more? I like your look of panic. Swahili, Indian, English Lit., I speak them all. A kind of excellent dumb discourse, Willie!” “Montag, hold on! ” The moth brushed Montag’s ear. “He’s muddying the waters!” “Oh, you were scared silly,” said Beatty, “for I was doing a terrible thing in using the very books you clung to, to rebut you on every hand, on every point! What traitors books can be! You think they’re backing you up, and they turn on you. Others can use them, too, and there you are, lost in the middle of the moor, in a great welter of nouns and verbs and adjectives. And at the very end of my dream, along I came with the Salamander and said, Going my way? And you got in and we drove back to the firehouse in beatific silence, all -dwindled away to peace.” Beatty let Montag’s wrist go, let the hand slump limply on the table.


1954 Ray Bradbury - Fahrenheit 451 -- Fahrenheit 451 -- 41bd94c5bf3c38fd175459091b94772e -- Anna’s Archive.6

“All’s well that is well in the end.” Silence. Montag sat like a carved white stone. The echo of the final hammer on his skull died slowly away into the black cavern where Faber waited for the echoes to subside. And then when the startled dust had settled down about Montag’s mind, Faber began, softly, “All right, he’s had his say. You must take it in. I’ll say my say, too, in the next few hours. And you’ll take it in. And you’ll try to judge them and make your decision as to which way to jump, or fall. But I want it to be your decision, not mine, and not the Captain’s. But remember that the Captain belongs to the most dangerous enemy of truth and freedom, the solid unmoving cattle of the majority. Oh, God, the terrible tyranny of the majority. We all have our harps to play. And it’s up to you now to know with which ear you’ll listen.” Montag opened his mouth to answer Faber and was saved this error in the presence of others when the station bell rang. The alarm-voice in the ceiling chanted. There was a tacking-tacking sound as the alarm-report telephone typed out the address across the room. Captain Beatty, his poker cards in one pink hand, walked with exaggerated slowness to the phone and ripped out the address when the report was finished. He glanced perfunctorily at it, and shoved it in his pocket. He came back and sat down. The others looked at him. “It can wait exactly forty seconds while I take all the money away from you,” said Beatty, happily. Montag put his cards down. “Tired, Montag? Going out of this game?” “Yes.” “Hold on. Well, come to think of it, we can finish this hand later. Just leave your cards face down and hustle the equipment. On the double now.” And Beatty rose up again. “Montag, you don’t look well? I’d hate to think you were coming down with another fever…” “I’ll be all right.” “You’ll be fine. This is a special case. Come on, jump for it!” They leaped into the air and clutched the brass pole as if it were the last vantage point above a tidal wave passing below, and then the brass pole, to their dismay slid them down into darkness, into the blast and cough and suction of the gaseous dragon roaring to life!


1954 Ray Bradbury - Fahrenheit 451 -- Fahrenheit 451 -- 41bd94c5bf3c38fd175459091b94772e -- Anna’s Archive.7

“Hey !” They rounded a corner in thunder and siren, with concussion of tyres, with scream of rubber, with a shift of kerosene bulk in the glittery brass tank, like the food in the stomach of a giant; with Montag’s fingers jolting off the silver rail, swinging into cold space, with the wind tearing his hair back from his head, with the wind whistling in his teeth, and him all the while thinking of the women, the chaff women in his parlour tonight, with the kernels blown out from under them by a neon wind, and his silly damned reading of a book to them. How like trying to put out fires with water-pistols, how senseless and insane. One rage turned in for another. One anger displacing another. When would he stop being entirely mad and be quiet, be very quiet indeed? “Here we go!” Montag looked up. Beatty never drove, but he was driving tonight, slamming the Salamander around corners, leaning forward high on the driver’s throne, his massive black slicker flapping out behind so that he seemed a great black bat flying above the engine, over the brass numbers, taking the full wind. “Here we go to keep the world happy, Montag !” Beatty’s pink, phosphorescent cheeks glimmered in the high darkness, and he was smiling furiously. “Here we are!” The Salamander boomed to a halt, throwing men off in slips and clumsy hops. Montag stood fixing his raw eyes to the cold bright rail under his clenched fingers. I can’t do it, he thought. How can I go at this new assignment, how can I go on burning things? I can’t go in this place. Beatty, smelling of the wind through which he had rushed, was at Montag’s elbow. “All right, Montag?” The men ran like cripples in their clumsy boots, as quietly as spiders. At last Montag raised his eyes and turned. Beatty was watching his face. “Something the matter, Montag?” “Why,” said Montag slowly, “we’ve stopped in front of my house.”


39aqujvo PART III BURNING BRIGHT LIGHTS flicked on and house-doors opened all down the street, to watch the carnival set up. Montag and Beatty stared, one with dry satisfaction, the other with disbelief, at the house before them, this main ring in which torches would be juggled and fire eaten. “Well,” said Beatty, “now you did it. Old Montag wanted to fly near the sun and now that he’s burnt his damn wings, he wonders why. Didn’t I hint enough when I sent the Hound around your place?” Montag’s face was entirely numb and featureless; he felt his head turn like a stone carving to the dark place next door, set in its bright borders of flowers. Beatty snorted. “Oh, no! You weren’t fooled by that little idiot’s routine, now, were you? Flowers, butterflies, leaves, sunsets, oh, hell! It’s all in her file. I’ll be damned. I’ve hit the bullseye. Look at the sick look on your face. A few grass-blades and the quarters of the moon. What trash. What good did she ever do with all that?” Montag sat on the cold fender of the Dragon, moving his head half an inch to the left, half an inch to the right, left, right, left right, left …. “She saw everything. She didn’t do anything to anyone. She just let them alone.” “Alone, hell ! She chewed around you, didn’t she? One of those damn do-gooders with their shocked, holier-than-thou silences, their one talent making others feel guilty. God damn, they rise like the midnight sun to sweat you in your bed!” The front door opened; Mildred came down the steps, running, one suitcase held with a dream-like clenching rigidity in her fist, as a beetle-taxi hissed to the curb. “Mildred! “ She ran past with her body stiff, her face floured with powder, her mouth gone, without lipstick. “Mildred, you didn’t put in the alarm!” She shoved the valise in the waiting beetle, climbed in, and sat mumbling, “Poor family, poor family, oh everything gone, everything, everything gone now ….” Beatty grabbed Montag’s shoulder as the beetle blasted away and hit seventy miles an hour, far down the street, gone. There was a crash like the falling parts of a dream fashioned out of warped glass, mirrors, and crystal prisms. Montag drifted about as if still another incomprehensible storm had turned him, to see Stoneman and Black wielding axes, shattering windowpanes to provide cross-ventilation. The brush of a death’s-head moth against a cold black screen. “Montag, this is Faber. Do you hear me? What is happening “This is happening to me,” said Montag. “What a dreadful surprise,” said Beatty. “For everyone nowadays knows, absolutely is certain, that nothing will ever happen to me. Others die, I go on. There are no consequences and no responsibilities. Except that there are. But let’s not talk about them, eh? By the time the consequences catch up with you, it’s too late, isn’t it, Montag?” “Montag, can you get away, run?” asked Faber.


Montag walked but did not feel his feet touch the cement and then the night grasses. Beatty flicked his igniter nearby and the small orange flame drew his fascinated gaze. “What is there about fire that’s so lovely? No matter what age we are, what draws us to it?” Beatty blew out the flame and lit it again. “It’s perpetual motion; the thing man wanted to invent but never did. Or almost perpetual motion. If you let it go on, it’d burn our lifetimes out. What is fire? It’s a mystery. Scientists give us gobbledegook about friction and molecules. But they don’t really know. Its real beauty is that it destroys responsibility and consequences. A problem gets too burdensome, then into the furnace with it. Now, Montag, you’re a burden. And fire will lift you off my shoulders, clean, quick, sure; nothing to rot later. Antibiotic, aesthetic, practical.” Montag stood looking in now at this queer house, made strange by the hour of the night, by murmuring neighbour voices, by littered glass, and there on the floor, their covers torn off and spilled out like swan-feathers, the incredible books that looked so silly and really not worth bothering with, for these were nothing but black type and yellowed paper, and ravelled binding. Mildred, of course. She must have watched him hide the books in the garden and brought them back in. Mildred. Mildred. “I want you to do this job all by your lonesome, Montag. Not with kerosene and a match, but piecework, with a flamethrower. Your house, your clean-up.” “Montag, can’t you run, get away!” “No!” cried Montag helplessly. “The Hound! Because of the Hound!” Faber heard, and Beatty, thinking it was meant for him, heard. “Yes, the Hound’s somewhere about the neighbourhood, so don’t try anything. Ready?” “Ready.” Montag snapped the safety-catch on the flamethrower. “Fire!” A great nuzzling gout of flame leapt out to lap at the books and knock them against the wall. He stepped into the bedroom and fired twice and the twin beds went up in a great simmering whisper, with more heat and passion and light than he would have supposed them to contain. He burnt the bedroom walls and the cosmetics chest because he wanted to change everything, the chairs, the tables, and in the dining-room the silverware and plastic dishes, everything that showed that he had lived here in this empty house with a strange woman who would forget him tomorrow, who had gone and quite forgotten him already, listening to her Seashell radio pour in on her and in on her as she rode across town, alone. And as before, it was good to burn, he felt himself gush out in the fire, snatch, rend, rip in half with flame, and put away the senseless problem. If there was no solution, well then now there was no problem, either. Fire was best for everything!


“The books, Montag!” The books leapt and danced like roasted birds, their wings ablaze with red and yellow feathers. And then he came to the parlour where the great idiot monsters lay asleep with their white thoughts and their snowy dreams. And he shot a bolt at each of the three blank walls and the vacuum hissed out at him. The emptiness made an even emptier whistle, a senseless scream. He tried to think about the vacuum upon which the nothingness had performed, but he could not. He held his breath so the vacuum could not get into his lungs. He cut off its terrible emptiness, drew back, and gave the entire room a gift of one huge bright yellow flower of burning. The fireproof plastic sheath on everything was cut wide and the house began to shudder with flame. “When you’re quite finished,” said Beatty behind him. “You’re under arrest.” The house fell in red coals and black ash. It bedded itself down in sleepy pink-grey cinders and a smoke plume blew over it, rising and waving slowly back and forth in the sky. It was three-thirty in the morning. The crowd drew back into the houses; the great tents of the circus had slumped into charcoal and rubble and the show was well over. Montag stood with the flamethrower in his limp hands, great islands of perspiration drenching his armpits, his face smeared with soot. The other firemen waited behind him, in the darkness, their faces illuminated faintly by the smouldering foundation. Montag started to speak twice and then finally managed to put his thought together. “Was it my wife turned in the alarm?” Beatty nodded. “But her friends turned in an alarm earlier, that I let ride. One way or the other, you’d have got it. It was pretty silly, quoting poetry around free and easy like that. It was the act of a silly damn snob. Give a man a few lines of verse and he thinks he’s the Lord of all Creation. You think you can walk on water with your books. Well, the world can get by just fine without them. Look where they got you, in slime up to your lip. If I stir the slime with my little finger, you’ll drown ! “ Montag could not move. A great earthquake had come with fire and levelled the house and Mildred was under there somewhere and his entire life under there and he could not move. The earthquake was still shaking and falling and shivering inside him and he stood there, his knees half-bent under the great load of tiredness and bewilderment and outrage, letting Beatty hit him without raising a hand. “Montag, you idiot, Montag, you damn fool; why did you really do it?” Montag did not hear, he was far away, he was running with his mind, he was gone, leaving this dead soot-covered body to sway in front of another raving fool. “Montag, get out of there! ” said Faber.


Montag listened. Beatty struck him a blow on the head that sent him reeling back. The green bullet in which Faber’s voice whispered and cried, fell to the sidewalk. Beatty snatched it up, grinning. He held it half in, half out of his ear. Montag heard the distant voice calling, “Montag, you all right?” Beatty switched the green bullet off and thrust it in his pocket. “Well—so there’s more here than I thought. I saw you tilt your head, listening. First I thought you had a Seashell. But when you turned clever later, I wondered. We’ll trace this and drop it on your friend.” “No! ” said Montag. He twitched the safety catch on the flamethrower. Beatty glanced instantly at Montag’s fingers and his eyes widened the faintest bit. Montag saw the surprise there and himself glanced to his hands to see what new thing they had done. Thinking back later he could never decide whether the hands or Beatty’s reaction to the hands gave him the final push toward murder. The last rolling thunder of the avalanche stoned down about his ears, not touching him. Beatty grinned his most charming grin. “Well, that’s one way to get an audience. Hold a gun on a man and force him to listen to your speech. Speech away. What’ll it be this time? Why don’t you belch Shakespeare at me, you fumbling snob? `There is no terror, Cassius, in your threats, for I am arm’d so strong in honesty that they pass by me as an idle wind, which I respect not!’ How’s that? Go ahead now, you second-hand litterateur, pull the trigger.” He took one step toward Montag. Montag only said, “We never burned right…” “Hand it over, Guy,” said Beatty with a fixed smile. And then he was a shrieking blaze, a jumping, sprawling, gibbering mannikin, no longer human or known, all writhing flame on the lawn as Montag shot one continuous pulse of liquid fire on him. There was a hiss like a great mouthful of spittle banging a redhot stove, a bubbling and frothing as if salt had been poured over a monstrous black snail to cause a terrible liquefaction and a boiling over of yellow foam. Montag shut his eyes, shouted, shouted, and fought to get his hands at his ears to clamp and to cut away the sound. Beatty flopped over and over and over, and at last twisted in on himself like a charred wax doll and lay silent. The other two firemen did not move. Montag kept his sickness down long enough to aim the flamethrower. “Turn around!” They turned, their faces like blanched meat, streaming sweat; he beat their heads, knocking off their helmets and bringing them down on themselves. They fell and lay without moving. The blowing of a single autumn leaf. He turned and the Mechanical Hound was there.


It was half across the lawn, coming from the shadows, moving with such drifting ease that it was like a single solid cloud of black-grey smoke blown at him in silence. It made a single last leap into the air, coming down at Montag from a good three feet over his head, its spidered legs reaching, the procaine needle snapping out its single angry tooth. Montag caught it with a bloom of fire, a single wondrous blossom that curled in petals of yellow and blue and orange about the metal dog, clad it in a new covering as it slammed into Montag and threw him ten feet back against the bole of a tree, taking the flame-gun with him. He felt it scrabble and seize his leg and stab the needle in for a moment before the fire snapped the Hound up in the air, burst its metal bones at the joints, and blew out its interior in the single flushing of red colour like a skyrocket fastened to the street. Montag lay watching the dead-alive thing fiddle the air and die. Even now it seemed to want to get back at him and finish the injection which was now working through the flesh of his leg. He felt all of the mingled relief and horror at having pulled back only in time to have just his knee slammed by the fender of a car hurtling by at ninety miles an hour. He was afraid to get up, afraid he might not be able to gain his feet at all, with an anaesthetized leg. A numbness in a numbness hollowed into a numbness…. And now…? The street empty, the house burnt like an ancient bit of stage-scenery, the other homes dark, the Hound here, Beatty there, the three other firemen another place, and the Salamander … ? He gazed at the immense engine. That would have to go, too. Well, he thought, let’s see how badly off you are. On your feet now. Easy, easy … there. He stood and he had only one leg. The other was like a chunk of burnt pine-log he was carrying along as a penance for some obscure sin. When he put his weight on it, a shower of silver needles gushed up the length of the calf and went off in the knee. He wept. Come on! Come on, you, you can’t stay here! A few house-lights were going on again down the street, whether from the incidents just passed, or because of the abnormal silence following the fight, Montag did not know. He hobbled around the ruins, seizing at his bad leg when it lagged, talking and whimpering and shouting directions at it and cursing it and pleading with it to work for him now when it was vital. He heard a number of people crying out in the darkness and shouting. He reached the back yard and the alley. Beatty, he thought, you’re not a problem now.


You always said, don’t face a problem, bum it. Well, now I’ve done both. Goodbye, Captain. And he stumbled along the alley in the dark. A shotgun blast went off in his leg every time he put it down and he thought, you’re a fool, a damn fool, an awful fool, an idiot, an awful idiot, a damn idiot, and a fool, a damn fool; look at the mess and where’s the mop, look at the mess, and what do you do? Pride, damn it, and temper, and you’ve junked it all, at the very start you vomit on everyone and on yourself. But everything at once, but everything one on top of another; Beatty, the women, Mildred, Clarisse, everything. No excuse, though, no excuse. A fool, a damn fool, go give yourself up! No, we’ll save what we can, we’ll do what there is left to do. If we have to burn, let’s take a few more with us. Here! He remembered the books and turned back. Just on the off chance. He found a few books where he had left them, near the garden fence. Mildred, God bless her, had missed a few. Four books still lay hidden where he had put them. Voices were wailing in the night and flashbeams swirled about. Other Salamanders were roaring their engines far away, and police sirens were cutting their way across town with their sirens. Montag took the four remaining books and hopped, jolted, hopped his way down the alley and suddenly fell as if his head had been cut off and only his body lay there. Something inside had jerked him to a halt and flopped him down. He lay where he had fallen and sobbed, his legs folded, his face pressed blindly to the gravel. Beatty wanted to die. In the middle of the crying Montag knew it for the truth. Beatty had wanted to die. He had just stood there, not really trying to save himself, just stood there, joking, needling, thought Montag, and the thought was enough to stifle his sobbing and let him pause for air. How strange, strange, to want to die so much that you let a man walk around armed and then instead of shutting up and staying alive, you go on yelling at people and making fun of them until you get them mad, and then …. At a distance, running feet. Montag sat up. Let’s get out of here. Come on, get up, get up, you just can’t sit! But he was still crying and that had to be finished. It was going away now. He hadn’t wanted to kill anyone, not even Beatty. His flesh gripped him and shrank as if it had been plunged in acid. He gagged. He saw Beatty, a torch, not moving, fluttering out on the grass. He bit at his knuckles. I’m sorry, I’m sorry, oh God, sorry ….


He tried to piece it all together, to go back to the normal pattern of life a few short days ago before the sieve and the sand, Denham’s Dentifrice, moth-voices, fireflies, the alarms and excursions, too much for a few short days, too much, indeed, for a lifetime. Feet ran in the far end of the alley. “Get up!” he told himself. “Damn it, get up!” he said to the leg, and stood. The pains were spikes driven in the kneecap and then only darning needles and then only common, ordinary safety pins, and after he had dragged along fifty more hops and jumps, filling his hand with slivers from the board fence, the prickling was like someone blowing a spray of scalding water on that leg. And the leg was at last his own leg again. He had been afraid that running might break the loose ankle. Now, sucking all the night into his open mouth, and blowing it out pale, with all the blackness left heavily inside himself, he set out in a steady jogging pace. He carried the books in his hands. He thought of Faber. Faber was back there in the steaming lump of tar that had no name or identity now. He had burnt Faber, too. He felt so suddenly shocked by this that he felt Faber was really dead, baked like a roach in that small green capsule shoved and lost in the pocket of a man who was now nothing but a frame skeleton strung with asphalt tendons. You must remember, burn them or they’ll burn you, he thought. Right now it’s as simple as that. He searched his pockets, the money was there, and in his other pocket he found the usual Seashell upon which the city was talking to itself in the cold black morning. “Police Alert. Wanted: Fugitive in city. Has committed murder and crimes against the State. Name: Guy Montag. Occupation: Fireman. Last seen …” He ran steadily for six blocks, in the alley, and then the alley opened out on to a wide empty thoroughfare ten lanes wide. It seemed like a boatless river frozen there in the raw light of the high white arc-lamps; you could drown trying to cross it, he felt; it was too wide, it was too open. It was a vast stage without scenery, inviting him to run across, easily seen in the blazing illumination, easily caught, easily shot down. The Seashell hummed in his ear. “… watch for a man running … watch for the running man … watch for a man alone, on foot … watch…” Montag pulled back into the shadows. Directly ahead lay a gas station, a great chunk of porcelain snow shining there, and two silver beetles pulling in to fill up. Now he must be clean and presentable if he wished, to walk, not run, stroll calmly across that wide boulevard.


1954 Ray Bradbury - Fahrenheit 451 -- Fahrenheit 451 -- 41bd94c5bf3c38fd175459091b94772e -- Anna’s Archive.8

It would give him an extra margin of safety if he washed up and combed his hair before he went on his way to get where … ? Yes, he thought, where am I running? Nowhere. There was nowhere to go, no friend to turn to, really. Except Faber. And then he realized that he was indeed, running toward Faber’s house, instinctively. But Faber couldn’t hide him; it would be suicide even to try. But he knew that he would go to see Faber anyway, for a few short minutes. Faber’s would be the place where he might refuel his fast draining belief in his own ability to survive. He just wanted to know that there was a man like Faber in the world. He wanted to see the man alive and not burned back there like a body shelled in another body. And some of the money must be left with Faber, of course, to be spent after Montag ran on his way. Perhaps he could make the open country and live on or near the rivers and near the highways, in the fields and hills. A great whirling whisper made him look to the sky. The police helicopters were rising so far away that it seemed someone had blown the grey head off a dry dandelion flower. Two dozen of them flurried, wavering, indecisive, three miles off, like butterflies puzzled by autumn, and then they were plummeting down to land, one by one, here, there, softly kneading the streets where, turned back to beetles, they shrieked along the boulevards or, as suddenly, leapt back into the sir, continuing their search. And here was the gas station, its attendants busy now with customers. Approaching from the rear, Montag entered the men’s washroom. Through the aluminium wall he heard a radio voice saying, “War has been declared.” The gas was being pumped outside. The men in the beetles were talking and the attendants were talking about the engines, the gas, the money owed. Montag stood trying to make himself feel the shock of the quiet statement from the radio, but nothing would happen. The war would have to wait for him to come to it in his personal file, an hour, two hours from now. He washed his hands and face and towelled himself dry, making little sound. He came out of the washroom and shut the door carefully and walked into the darkness and at last stood again on the edge of the empty boulevard. There it lay, a game for him to win, a vast bowling alley in the cool morning. The boulevard was as clean as the surface of an arena two minutes before the appearance of certain unnamed victims and certain unknown killers. The air over and above the vast concrete river trembled with the warmth of Montag’s body alone; it was incredible how he felt his temperature could cause the whole immediate world to vibrate.


1954 Ray Bradbury - Fahrenheit 451 -- Fahrenheit 451 -- 41bd94c5bf3c38fd175459091b94772e -- Anna’s Archive.9

He was a phosphorescent target; he knew it, he felt it. And now he must begin his little walk. Three blocks away a few headlights glared. Montag drew a deep breath. His lungs were like burning brooms in his chest. His mouth was sucked dry from running. His throat tasted of bloody iron and there was rusted steel in his feet. What about those lights there? Once you started walking you’d have to gauge how fast those beetles could make it down here. Well, how far was it to the other curb? It seemed like a hundred yards. Probably not a hundred, but figure for that anyway, figure that with him going very slowly, at a nice stroll, it might take as much as thirty seconds, forty seconds to walk all the way. The beetles? Once started, they could leave three blocks behind them in about fifteen seconds. So, even if halfway across he started to run … ? He put his right foot out and then his left foot and then his right. He walked on the empty avenue. Even if the street were entirely empty, of course, you couldn’t be sure of a safe crossing, for a car could appear suddenly over the rise four blocks further on and be on and past you before you had taken a dozen breaths. He decided not to count his steps. He looked neither to left nor right. The light from the overhead lamps seemed as bright and revealing as the midday sun and just as hot. He listened to the sound of the car picking up speed two blocks away on his right. Its movable headlights jerked back and forth suddenly, and caught at Montag. Keep going. Montag faltered, got a grip on the books, and forced himself not to freeze. Instinctively he took a few quick, running steps then talked out loud to himself and pulled up to stroll again. He was now half across the street, but the roar from the beetle’s engines whined higher as it put on speed. The police, of course. They see me. But slow now; slow, quiet, don’t turn, don’t look, don’t seem concerned. Walk, that’s it, walls, walk. The beetle was rushing. The beetle was roaring. The beetle raised its speed. The beetle was whining. The beetle was in high thunder. The beetle came skimming. The beetle came in a single whistling trajectory, fired from an invisible rifle. It was up to 120 m.p.h. It was up to 130 at least. Montag clamped his jaws. The heat of the racing headlights burnt his cheeks, it seemed, and jittered his eyelids and flushed the sour sweat out all over his body. He began to shuffle idiotically and talk to himself and then he broke and just ran. He put out his legs as far as they would go and down and then far out again and down and back and out and down and back. God ! God!