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  1. davis2017_delta_AblationFirst512_stylized/log/blackswan/ref/0.npy +3 -0
  2. davis2017_delta_AblationFirst512_stylized/log/blackswan/ref/0.png +3 -0
  3. davis2017_delta_AblationFirst512_stylized/log/blackswan/stylized_prompt.txt +1 -0
  4. davis2017_delta_AblationFirst512_stylized/log/blackswan/track.npy +3 -0
  5. davis2017_delta_AblationFirst512_stylized/log/blackswan/video.mp4 +3 -0
  6. davis2017_delta_AblationFirst512_stylized/log/bmx-bumps/ref/0.npy +3 -0
  7. davis2017_delta_AblationFirst512_stylized/log/bmx-bumps/ref/0.png +3 -0
  8. davis2017_delta_AblationFirst512_stylized/log/bmx-bumps/stylized_prompt.txt +1 -0
  9. davis2017_delta_AblationFirst512_stylized/log/bmx-bumps/track.npy +3 -0
  10. davis2017_delta_AblationFirst512_stylized/log/bmx-bumps/video.mp4 +3 -0
  11. davis2017_delta_AblationFirst512_stylized/log/bmx-trees/ref/0.npy +3 -0
  12. davis2017_delta_AblationFirst512_stylized/log/bmx-trees/ref/0.png +3 -0
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  14. davis2017_delta_AblationFirst512_stylized/log/bmx-trees/track.npy +3 -0
  15. davis2017_delta_AblationFirst512_stylized/log/bmx-trees/video.mp4 +3 -0
  16. davis2017_delta_AblationFirst512_stylized/log/boxing-fisheye/ref/0.npy +3 -0
  17. davis2017_delta_AblationFirst512_stylized/log/boxing-fisheye/ref/0.png +3 -0
  18. davis2017_delta_AblationFirst512_stylized/log/boxing-fisheye/stylized_prompt.txt +1 -0
  19. davis2017_delta_AblationFirst512_stylized/log/boxing-fisheye/track.npy +3 -0
  20. davis2017_delta_AblationFirst512_stylized/log/boxing-fisheye/video.mp4 +3 -0
  21. davis2017_delta_AblationFirst512_stylized/log/breakdance-flare/ref/0.npy +3 -0
  22. davis2017_delta_AblationFirst512_stylized/log/breakdance-flare/ref/0.png +3 -0
  23. davis2017_delta_AblationFirst512_stylized/log/breakdance-flare/stylized_prompt.txt +1 -0
  24. davis2017_delta_AblationFirst512_stylized/log/breakdance-flare/track.npy +3 -0
  25. davis2017_delta_AblationFirst512_stylized/log/breakdance-flare/video.mp4 +3 -0
  26. davis2017_delta_AblationFirst512_stylized/log/breakdance/ref/0.npy +3 -0
  27. davis2017_delta_AblationFirst512_stylized/log/breakdance/ref/0.png +3 -0
  28. davis2017_delta_AblationFirst512_stylized/log/breakdance/stylized_prompt.txt +1 -0
  29. davis2017_delta_AblationFirst512_stylized/log/breakdance/track.npy +3 -0
  30. davis2017_delta_AblationFirst512_stylized/log/breakdance/video.mp4 +3 -0
  31. davis2017_delta_AblationFirst512_stylized/log/bus/ref/0.npy +3 -0
  32. davis2017_delta_AblationFirst512_stylized/log/bus/ref/0.png +3 -0
  33. davis2017_delta_AblationFirst512_stylized/log/bus/stylized_prompt.txt +1 -0
  34. davis2017_delta_AblationFirst512_stylized/log/bus/track.npy +3 -0
  35. davis2017_delta_AblationFirst512_stylized/log/bus/video.mp4 +3 -0
  36. davis2017_delta_AblationFirst512_stylized/log/car-turn/ref/0.npy +3 -0
  37. davis2017_delta_AblationFirst512_stylized/log/car-turn/ref/0.png +3 -0
  38. davis2017_delta_AblationFirst512_stylized/log/car-turn/stylized_prompt.txt +1 -0
  39. davis2017_delta_AblationFirst512_stylized/log/car-turn/track.npy +3 -0
  40. davis2017_delta_AblationFirst512_stylized/log/car-turn/video.mp4 +3 -0
  41. davis2017_delta_AblationFirst512_stylized/log/color-run/ref/0.npy +3 -0
  42. davis2017_delta_AblationFirst512_stylized/log/color-run/ref/0.png +3 -0
  43. davis2017_delta_AblationFirst512_stylized/log/color-run/stylized_prompt.txt +1 -0
  44. davis2017_delta_AblationFirst512_stylized/log/color-run/track.npy +3 -0
  45. davis2017_delta_AblationFirst512_stylized/log/color-run/video.mp4 +3 -0
  46. davis2017_delta_AblationFirst512_stylized/log/cows/ref/0.npy +3 -0
  47. davis2017_delta_AblationFirst512_stylized/log/cows/ref/0.png +3 -0
  48. davis2017_delta_AblationFirst512_stylized/log/cows/stylized_prompt.txt +1 -0
  49. davis2017_delta_AblationFirst512_stylized/log/cows/track.npy +3 -0
  50. davis2017_delta_AblationFirst512_stylized/log/cows/video.mp4 +3 -0
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+ A striking black swan with sleek, charcoal-colored feathers, an elegantly long neck, and a distinctive bright red beak tipped with white, gracefully glides across a tranquil, murky green pond or narrow canal. Its subtle propulsion through the water creates gentle ripples and a shimmering reflection of its dark form. The edges of the waterway are lined with a grey concrete barrier, over which lush, vibrant green foliage, possibly ivy, cascades, adding a touch of natural beauty to the scene. The water itself, with its deep green hue, reflects patches of bright sky and the surrounding greenery. The natural daylight brightly illuminates the scene, enhancing the textures of the swan's feathers and the surrounding vegetation. The camera maintains a static, medium-wide shot from a slightly elevated perspective, capturing the peaceful movement of the swan within its serene environment.
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+ A young rider, dressed in full BMX safety gear including a black full-face helmet, black and red long-sleeved jersey, white and black patterned pants with knee pads, and gloves, confidently navigates a dirt BMX track on a light-colored bicycle with blue wheel accents. The scene is bathed in bright, natural daylight, casting subtle shadows on the meticulously sculpted dirt jumps and rollers. As the camera tracks their motion from a slightly low angle, the rider smoothly pumps over a series of dirt mounds, skillfully lifting their wheels off the ground to maintain momentum. In the background, a red banner proclaiming "TEAM LE MARMOTTE" with various logos is stretched along a fence, behind which lush green trees, a grassy sports field with a white goal post, and a small building with colorful murals are visible under the clear sky. The dynamic tracking shot effectively captures the fluid movement and focused intensity of the rider on the sunlit track.
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+ A young boy with light-colored hair, dressed in a white t-shirt and patterned shorts, actively cycles a red and black bicycle from left to right across a paved path. The camera smoothly tracks his movement, creating a dynamic motion blur in the vibrant background and soft foreground, which features blurry green and brown grass and several out-of-focus tree trunks. Behind the boy, a building wall is adorned with striking, colorful graffiti, showcasing large, stylized figures and abstract designs in bright shades of orange, red, yellow, green, and blue, including elements resembling soccer balls. Dark rectangular windows punctuate the painted wall, and further right, glimpses of more distant green foliage are visible. The scene is bathed in bright, natural sunlight, casting subtle shadows and illuminating the area with a warm, clear light, suggesting a pleasant outdoor day as the boy continues his ride past the colorful mural.
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+ A young man with dark, disheveled hair, dressed in a loose-fitting light brown long-sleeved shirt and light blue pants with white sneakers, performs an impressive breakdancing routine on a dark grey paved surface. He fluidly transitions from a one-handed freeze, with one leg extended high and the other bent low, to a two-handed handstand where his legs are spread wide in a V-shape, demonstrating remarkable strength and balance. The background features an old stone wall constructed from varying shades of grey and beige blocks, adorned with two vibrant hanging baskets overflowing with purple flowers. To the right, a stone staircase with a dark metal railing leads upwards, while a dark wooden door is visible on the left. A coiled red hose hangs on the wall between the flower baskets. The scene is illuminated by soft, natural, and diffused daylight, suggesting an overcast sky or a shaded area, with no harsh shadows present. The camera remains static throughout the video, capturing a wide shot from an eye-level perspective, providing a clear and comprehensive view of the dancer and his immediate surroundings.
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+ Under the bright, natural light of a sunny day, a male breakdancer, clad in a red hoodie, light blue jeans, and red and white sneakers, executes a dynamic, inverted power move, transitioning from a handstand to a headstand spin on a light-brown wooden platform. His legs are extended upwards, and his body is rotated mid-air, showcasing his bare back and abdominal muscles. Around him, a diverse crowd of approximately 20-25 young adults and teenagers, casually dressed in t-shirts, hoodies, and jeans, forms an appreciative circle, watching his performance intently; some are crouching, others stand, with a few clapping, holding phones, or shading their eyes. The background features stately, light-colored old buildings with numerous windows, suggesting a vibrant city street or plaza, and strong shadows cast by the bright sun indicate a clear sky. The static camera captures this lively street performance at a medium-wide, slightly low angle, effectively highlighting both the energetic dancer and the engaged audience against the urban backdrop.
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+ The video captures a picturesque, sunny daytime scene of a silver two-door Suzuki Jimny SUV as it navigates a winding mountain road. The vehicle slowly drives into the frame from the right, making a gentle left turn on the asphalt road before coming to a complete stop in the foreground, angled slightly towards the left. No humans are visible within the car or in the surrounding landscape. The background is breathtaking, featuring majestic, rugged grey mountains under a bright, partly cloudy sky, with dense evergreen forests covering the lower slopes and a vibrant green meadow spreading across the mid-ground. The meadow is dotted with rocks and a few small trees, and a simple white rope fence runs alongside the road, separating it from the grassy area. The natural lighting is clear and bright, casting gentle shadows and highlighting the rich greens of the foliage and the grey tones of the mountains. The camera remains static throughout the shot, providing a stable, slightly elevated wide view of the car and its serene alpine environment.
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+ This first-person point-of-view video captures a vibrant color run under bright natural sunlight, immersing the viewer in a thick, swirling cloud of orange powder that blankets the ground and participants. In the immediate foreground, the cameraperson's fingers, already stained green from previous color throws, are partially visible. A woman in a white tank top and dark shorts, wearing a "COLOR RUN 340" bib and with blonde hair in a bun, stands with her back mostly to the camera, her clothes already heavily marked with orange powder, her arms slightly raised in a dynamic pose. To her right, a young girl, also covered in orange and wearing an orange t-shirt that says "THE COLOR" and a white bandana covering her nose and mouth, holds a squeeze bottle filled with powder. She grins and then playfully aims the bottle directly at the camera, releasing a sudden burst of orange powder that momentarily obscures the view as it fills the frame. In the background, a boy in an orange t-shirt kneels, actively scooping powder from a wooden barrel, while other blurred figures move through the hazy, orange-tinged air, all contributing to the energetic, celebratory atmosphere. A "SPEED LIMIT 25" sign on a utility pole is faintly visible against the clear blue sky, providing a slight urban backdrop to the otherwise outdoor, dusty event. The camera remains static, effectively capturing the immersive and chaotic joy of the color run as the orange dust dominates the scene.
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+ In a sun-drenched, natural outdoor setting, a solitary cow, distinctively marked with large patches of brown on its white coat, slowly ambles across a rough, muddy track. The cow is equipped with a traditional metal bell hanging from its black collar and a small yellow tag on its right ear. Initially moving with a steady gait, its tail occasionally swishing, the cow then slows down, lowering its head as if to graze or inspect the ground, pausing its forward movement. The background features a vibrant green grassy field under a bright, clear sky, suggesting a warm, sunny day, with harsh shadows cast by the cow and unseen elements in the foreground, indicating strong, direct sunlight. In the lower right corner of the frame, a concrete water trough, partially filled with water, is visible, alongside some simple wooden posts and a faint pink string that appears to be part of a makeshift fence. The camera maintains a static, medium-long shot, capturing the cow from a slightly elevated perspective, allowing for a clear view of its full body and a substantial portion of its natural habitat.
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