Datasets:

ShunchiZhang
/

ToM-in-AMC

movie_name stringclasses 776 values	ith_scene int64 0 373	scene_split stringclasses 2 values	scene_original stringlengths 41 52.1k	scene_perturbed stringlengths 41 51.5k	scene_anonymous stringlengths 39 50.8k	movie_chars_map sequencelengths 1 5	scene_chars_map sequencelengths 1 5
constantine	0	train	INT. APARTMENT 7B One scan of the situation is all it takes. The bed -- the child -- the panicked priest -- who rushes to {{ John }}. HENNESSEY: (whispering) Thank God you're here... {{ John }} shoots him a disgusted look. Hennessey gives him a wide berth. {{ John }} walks past the panic-stricken MOTHER without a glan...	INT. APARTMENT 7B One scan of the situation is all it takes. The bed -- the child -- the panicked priest -- who rushes to {{ Alex }}. HENNESSEY: (whispering) Thank God you're here... {{ Alex }} shoots him a disgusted look. Hennessey gives him a wide berth. {{ Alex }} walks past the panic-stricken MOTHER without a glan...	INT. APARTMENT 7B One scan of the situation is all it takes. The bed -- the child -- the panicked priest -- who rushes to {{ P0 }}. HENNESSEY: (whispering) Thank God you're here... {{ P0 }} shoots him a disgusted look. Hennessey gives him a wide berth. {{ P0 }} walks past the panic-stricken MOTHER without a glance, se...	[ [ "john", "alex" ], [ "chaz", "casey" ], [ "angela", "jordan" ] ]	[ [ "john", "alex", "P0" ], [ "chaz", "casey", "P1" ] ]
constantine	1	train	INT. APARTMENT 7B Hennessey can only watch as {{ John }} threads the drapery rope through the fire escape railing, drapes it back through the window and loops it over the ceiling fan. He climbs onto the bed, leans over the child whose eyes have closed and she's shaking badly. Her body seems to be going into shock. Isn'...	INT. APARTMENT 7B Hennessey can only watch as {{ Alex }} threads the drapery rope through the fire escape railing, drapes it back through the window and loops it over the ceiling fan. He climbs onto the bed, leans over the child whose eyes have closed and she's shaking badly. Her body seems to be going into shock. Isn'...	INT. APARTMENT 7B Hennessey can only watch as {{ P0 }} threads the drapery rope through the fire escape railing, drapes it back through the window and loops it over the ceiling fan. He climbs onto the bed, leans over the child whose eyes have closed and she's shaking badly. Her body seems to be going into shock. Isn't ...	[ [ "john", "alex" ], [ "chaz", "casey" ], [ "angela", "jordan" ] ]	[ [ "john", "alex", "P0" ] ]
constantine	2	train	INT. APARTMENT BUILDING - STAIRWELL - LATER Hennessey follows {{ John }} down the spiraling stairs, passing the gathered tenants. A few are freaked, cross themselves. Others horrified. But many want to touch them, shake their hands. A shadowy FIGURE several floors up stares over the rail at the heroes below. Note the s...	INT. APARTMENT BUILDING - STAIRWELL - LATER Hennessey follows {{ Alex }} down the spiraling stairs, passing the gathered tenants. A few are freaked, cross themselves. Others horrified. But many want to touch them, shake their hands. A shadowy FIGURE several floors up stares over the rail at the heroes below. Note the s...	INT. APARTMENT BUILDING - STAIRWELL - LATER Hennessey follows {{ P0 }} down the spiraling stairs, passing the gathered tenants. A few are freaked, cross themselves. Others horrified. But many want to touch them, shake their hands. A shadowy FIGURE several floors up stares over the rail at the heroes below. Note the sli...	[ [ "john", "alex" ], [ "chaz", "casey" ], [ "angela", "jordan" ] ]	[ [ "john", "alex", "P0" ] ]
constantine	3	train	INT. FOYER {{ John }} and Hennessey stop near the front entrance. {{ John }} rips the white collar from Hennessey's neck. HENNESSEY: I know, I know, but I didn't think she was really possessed, not like that. {{ JOHN }}: I'm not back an hour and you drag me into -- HENNESSEY: -- Don't be mad, {{ John }}, don't be -- ...	INT. FOYER {{ Alex }} and Hennessey stop near the front entrance. {{ Alex }} rips the white collar from Hennessey's neck. HENNESSEY: I know, I know, but I didn't think she was really possessed, not like that. {{ ALEX }}: I'm not back an hour and you drag me into -- HENNESSEY: -- Don't be mad, {{ Alex }}, don't be -- ...	INT. FOYER {{ P0 }} and Hennessey stop near the front entrance. {{ P0 }} rips the white collar from Hennessey's neck. HENNESSEY: I know, I know, but I didn't think she was really possessed, not like that. {{ P0 }}: I'm not back an hour and you drag me into -- HENNESSEY: -- Don't be mad, {{ P0 }}, don't be -- {{ P0 }...	[ [ "john", "alex" ], [ "chaz", "casey" ], [ "angela", "jordan" ] ]	[ [ "john", "alex", "P0" ] ]
constantine	4	train	EXT. ALLEY BY THE APARTMENT {{ John }} turns the corner, spots {{ Chaz }} punching a dent from the taxi's hood. {{ JOHN }}: I told you to move it. {{ CHAZ }}: Well maybe if you had told me you were dropping a three-hundred pound mirror with a pissed-off demon in it I would have moved it further. {{ Chaz }} slams the ...	EXT. ALLEY BY THE APARTMENT {{ Alex }} turns the corner, spots {{ Casey }} punching a dent from the taxi's hood. {{ ALEX }}: I told you to move it. {{ CASEY }}: Well maybe if you had told me you were dropping a three-hundred pound mirror with a pissed-off demon in it I would have moved it further. {{ Casey }} slams t...	EXT. ALLEY BY THE APARTMENT {{ P0 }} turns the corner, spots {{ P1 }} punching a dent from the taxi's hood. {{ P0 }}: I told you to move it. {{ P1 }}: Well maybe if you had told me you were dropping a three-hundred pound mirror with a pissed-off demon in it I would have moved it further. {{ P1 }} slams the hood. They...	[ [ "john", "alex" ], [ "chaz", "casey" ], [ "angela", "jordan" ] ]	[ [ "john", "alex", "P0" ], [ "chaz", "casey", "P1" ] ]
constantine	5	train	INT. SUBWAY - DAY {{ Angela }}'S (30) weary eyes open. She's on her belly hidden between track ties and shadows even deeper. Grips a police-issue revolver tight. She's pinned down, unable to move. {{ ANGELA }}: Yeah... The MAN is thirty feet down the same track. Their VOICES ECHO off the curved walls, come from everyw...	INT. SUBWAY - DAY {{ Jordan }}'S (30) weary eyes open. She's on her belly hidden between track ties and shadows even deeper. Grips a police-issue revolver tight. She's pinned down, unable to move. {{ JORDAN }}: Yeah... The MAN is thirty feet down the same track. Their VOICES ECHO off the curved walls, come from everyw...	INT. SUBWAY - DAY {{ P0 }}'S (30) weary eyes open. She's on her belly hidden between track ties and shadows even deeper. Grips a police-issue revolver tight. She's pinned down, unable to move. {{ P0 }}: Yeah... The MAN is thirty feet down the same track. Their VOICES ECHO off the curved walls, come from everywhere. Ho...	[ [ "john", "alex" ], [ "chaz", "casey" ], [ "angela", "jordan" ] ]	[ [ "angela", "jordan", "P0" ] ]
constantine	6	train	EXT. 20 LANES BOWLING ALLEY - DAY {{ Chaz }}'s taxi pulls up, parks. TAXI TRUNK OPENS, REVEALS suitcases stamped with AIR INDIA. {{ John }} starts inside, pauses as {{ Chaz }} yells -- {{ CHAZ }}: There are four bags. I have two hands. This give you any ideas? {{ JOHN }}: Make two trips? {{ John }} walks in. {{ Chaz ...	EXT. 20 LANES BOWLING ALLEY - DAY {{ Casey }}'s taxi pulls up, parks. TAXI TRUNK OPENS, REVEALS suitcases stamped with AIR INDIA. {{ Alex }} starts inside, pauses as {{ Casey }} yells -- {{ CASEY }}: There are four bags. I have two hands. This give you any ideas? {{ ALEX }}: Make two trips? {{ Alex }} walks in. {{ Ca...	EXT. 20 LANES BOWLING ALLEY - DAY {{ P0 }}'s taxi pulls up, parks. TAXI TRUNK OPENS, REVEALS suitcases stamped with AIR INDIA. {{ P1 }} starts inside, pauses as {{ P0 }} yells -- {{ P0 }}: There are four bags. I have two hands. This give you any ideas? {{ P1 }}: Make two trips? {{ P1 }} walks in. {{ P0 }} curses unde...	[ [ "john", "alex" ], [ "chaz", "casey" ], [ "angela", "jordan" ] ]	[ [ "chaz", "casey", "P0" ], [ "john", "alex", "P1" ] ]
constantine	7	train	INT. {{ John }}'S APARTMENT Seems small until you walk in and realize it's as long as a bowling lane. Makes that cage enclosed bed at one end seem like it's a mile away. {{ Chaz }} throws the suitcases on it as {{ John }} arrives. {{ CHAZ }}: (yells across room) Simple question. How much longer do I have to be your sla...	INT. {{ Alex }}'S APARTMENT Seems small until you walk in and realize it's as long as a bowling lane. Makes that cage enclosed bed at one end seem like it's a mile away. {{ Casey }} throws the suitcases on it as {{ Alex }} arrives. {{ CASEY }}: (yells across room) Simple question. How much longer do I have to be your s...	INT. {{ P1 }}'S APARTMENT Seems small until you walk in and realize it's as long as a bowling lane. Makes that cage enclosed bed at one end seem like it's a mile away. {{ P0 }} throws the suitcases on it as {{ P1 }} arrives. {{ P0 }}: (yells across room) Simple question. How much longer do I have to be your slave? {{ ...	[ [ "john", "alex" ], [ "chaz", "casey" ], [ "angela", "jordan" ] ]	[ [ "chaz", "casey", "P0" ], [ "john", "alex", "P1" ] ]
constantine	8	train	INT. LOCKER ROOM Locker door opens and {{ Angela }} is there, covered in the grime of the subway. She's pained as she pulls off her shoulder holster. Looks at herself in the door mirror. Tired, aging eyes stare back. WEISS: Gutsy move out there, Dodson. {{ Angela }} glances at DETECTIVE WEISS as he opens his locker. {...	INT. LOCKER ROOM Locker door opens and {{ Jordan }} is there, covered in the grime of the subway. She's pained as she pulls off her shoulder holster. Looks at herself in the door mirror. Tired, aging eyes stare back. WEISS: Gutsy move out there, Dodson. {{ Jordan }} glances at DETECTIVE WEISS as he opens his locker. {...	INT. LOCKER ROOM Locker door opens and {{ P0 }} is there, covered in the grime of the subway. She's pained as she pulls off her shoulder holster. Looks at herself in the door mirror. Tired, aging eyes stare back. WEISS: Gutsy move out there, Dodson. {{ P0 }} glances at DETECTIVE WEISS as he opens his locker. {{ P0 }}:...	[ [ "john", "alex" ], [ "chaz", "casey" ], [ "angela", "jordan" ] ]	[ [ "angela", "jordan", "P0" ] ]
constantine	9	train	EXT. CLUB MIDNITE - 10 PM So exclusive there's not even a line out front. Just a pair of bouncers waiting to roll someone just for fun. CONTINUED: {{ Chaz }} follows {{ John }} from the cab to the entrance. A Bouncer selects a PICTURE CARD from a deck. On the front are TWO FLYING DOLPHINS. Only we can see the back, whi...	EXT. CLUB MIDNITE - 10 PM So exclusive there's not even a line out front. Just a pair of bouncers waiting to roll someone just for fun. CONTINUED: {{ Casey }} follows {{ Alex }} from the cab to the entrance. A Bouncer selects a PICTURE CARD from a deck. On the front are TWO FLYING DOLPHINS. Only we can see the back, wh...	EXT. CLUB MIDNITE - 10 PM So exclusive there's not even a line out front. Just a pair of bouncers waiting to roll someone just for fun. CONTINUED: {{ P1 }} follows {{ P0 }} from the cab to the entrance. A Bouncer selects a PICTURE CARD from a deck. On the front are TWO FLYING DOLPHINS. Only we can see the back, which i...	[ [ "john", "alex" ], [ "chaz", "casey" ], [ "angela", "jordan" ] ]	[ [ "john", "alex", "P0" ], [ "chaz", "casey", "P1" ] ]
constantine	10	train	INT. HALLWAY {{ John }} starts up a long flight of stairs, stops in front of two very large doors. CONTINUED: Their surface is ancient, the wood petrified over countless centuries. {{ John }} places his fingers into the gnarled folds, closes his eyes -- {{ JOHN }}: Numquam leadatur a morsu. A living GROAN BELLOWS from...	INT. HALLWAY {{ Alex }} starts up a long flight of stairs, stops in front of two very large doors. CONTINUED: Their surface is ancient, the wood petrified over countless centuries. {{ Alex }} places his fingers into the gnarled folds, closes his eyes -- {{ ALEX }}: Numquam leadatur a morsu. A living GROAN BELLOWS from...	INT. HALLWAY {{ P0 }} starts up a long flight of stairs, stops in front of two very large doors. CONTINUED: Their surface is ancient, the wood petrified over countless centuries. {{ P0 }} places his fingers into the gnarled folds, closes his eyes -- {{ P0 }}: Numquam leadatur a morsu. A living GROAN BELLOWS from the r...	[ [ "john", "alex" ], [ "chaz", "casey" ], [ "angela", "jordan" ] ]	[ [ "john", "alex", "P0" ] ]
constantine	11	train	INT. MIDNITE'S OFFICE SWEEP ACROSS a meticulously-crafted ORRERY, a scientific sculpture that normally displays our solar system in relative motion. But the planets here are ancient RELICS with symbols and names -- MATERIAL, ASTRAL, SPIRITUAL, ICONIC, etc. And the globe at the center -- "CREATOR." This is an orrery of ...	INT. MIDNITE'S OFFICE SWEEP ACROSS a meticulously-crafted ORRERY, a scientific sculpture that normally displays our solar system in relative motion. But the planets here are ancient RELICS with symbols and names -- MATERIAL, ASTRAL, SPIRITUAL, ICONIC, etc. And the globe at the center -- "CREATOR." This is an orrery of ...	INT. MIDNITE'S OFFICE SWEEP ACROSS a meticulously-crafted ORRERY, a scientific sculpture that normally displays our solar system in relative motion. But the planets here are ancient RELICS with symbols and names -- MATERIAL, ASTRAL, SPIRITUAL, ICONIC, etc. And the globe at the center -- "CREATOR." This is an orrery of ...	[ [ "john", "alex" ], [ "chaz", "casey" ], [ "angela", "jordan" ] ]	[ [ "john", "alex", "P0" ] ]
constantine	12	train	EXT. CLUB MIDNITE {{ John }} SLAMS out the exit -- coughing. He pulls the Vicks 44 from his jacket, struggles with the child protector cap. HENNESSEY: Hey, {{ John }}. CONTINUED: {{ John }} is surprised to see Hennessey waiting. He chokes, is about to bust the Vicks 44 bottle. Hennessey grabs hold, twists off the cap ...	EXT. CLUB MIDNITE {{ Alex }} SLAMS out the exit -- coughing. He pulls the Vicks 44 from his jacket, struggles with the child protector cap. HENNESSEY: Hey, {{ Alex }}. CONTINUED: {{ Alex }} is surprised to see Hennessey waiting. He chokes, is about to bust the Vicks 44 bottle. Hennessey grabs hold, twists off the cap ...	EXT. CLUB MIDNITE {{ P0 }} SLAMS out the exit -- coughing. He pulls the Vicks 44 from his jacket, struggles with the child protector cap. HENNESSEY: Hey, {{ P0 }}. CONTINUED: {{ P0 }} is surprised to see Hennessey waiting. He chokes, is about to bust the Vicks 44 bottle. Hennessey grabs hold, twists off the cap with o...	[ [ "john", "alex" ], [ "chaz", "casey" ], [ "angela", "jordan" ] ]	[ [ "john", "alex", "P0" ] ]
constantine	13	train	INT. ST. ANTHONY'S CHURCH - CONFESSION BOOTH - NIGHT {{ Angela }} sits inside. {{ ANGELA }}: I killed a man today. Another one. FATHER GARRET sits on the other side of the mesh window. FATHER GARRET: I'm sorry, {{ Angela }}. {{ ANGELA }}: Most cops go twenty years without firing their gun. Not me. I always seem to ...	INT. ST. ANTHONY'S CHURCH - CONFESSION BOOTH - NIGHT {{ Jordan }} sits inside. {{ JORDAN }}: I killed a man today. Another one. FATHER GARRET sits on the other side of the mesh window. FATHER GARRET: I'm sorry, {{ Jordan }}. {{ JORDAN }}: Most cops go twenty years without firing their gun. Not me. I always seem to ...	INT. ST. ANTHONY'S CHURCH - CONFESSION BOOTH - NIGHT {{ P0 }} sits inside. {{ P0 }}: I killed a man today. Another one. FATHER GARRET sits on the other side of the mesh window. FATHER GARRET: I'm sorry, {{ P0 }}. {{ P0 }}: Most cops go twenty years without firing their gun. Not me. I always seem to be in the wrong ...	[ [ "john", "alex" ], [ "chaz", "casey" ], [ "angela", "jordan" ] ]	[ [ "angela", "jordan", "P0" ] ]
constantine	14	train	INT. APARTMENT BUILDING - SERIES OF SHOTS - NIGHT {{ Angela }} arrives home. Pours milk for a cat. Lets her hair down. Slips off her shoes. {{ ANGELA }}: I didn't even see his face. I just pulled the trigger and he went away. Just like all the others... {{ Angela }} in the SHOWER -- trying to wash off the guilt. FATHE...	INT. APARTMENT BUILDING - SERIES OF SHOTS - NIGHT {{ Jordan }} arrives home. Pours milk for a cat. Lets her hair down. Slips off her shoes. {{ JORDAN }}: I didn't even see his face. I just pulled the trigger and he went away. Just like all the others... {{ Jordan }} in the SHOWER -- trying to wash off the guilt. FATHE...	INT. APARTMENT BUILDING - SERIES OF SHOTS - NIGHT {{ P0 }} arrives home. Pours milk for a cat. Lets her hair down. Slips off her shoes. {{ P0 }}: I didn't even see his face. I just pulled the trigger and he went away. Just like all the others... {{ P0 }} in the SHOWER -- trying to wash off the guilt. FATHER GARRET: Th...	[ [ "john", "alex" ], [ "chaz", "casey" ], [ "angela", "jordan" ] ]	[ [ "angela", "jordan", "P0" ] ]
constantine	15	train	INT. JOHN'S APARTMENT - BATHROOM John switches on the light, leans up from the sink and wipes his mouth with a towel. It's covered with blood. More runs down the drain. He stares at himself in the mirror. ON John's worried eyes -- ANGLE - {{ Angela }}'S EYES looking equally distraught. WEISS: It's her, {{ Angela }}... ...	INT. JOHN'S APARTMENT - BATHROOM John switches on the light, leans up from the sink and wipes his mouth with a towel. It's covered with blood. More runs down the drain. He stares at himself in the mirror. ON John's worried eyes -- ANGLE - {{ Jordan }}'S EYES looking equally distraught. WEISS: It's her, {{ Jordan }}... ...	INT. JOHN'S APARTMENT - BATHROOM John switches on the light, leans up from the sink and wipes his mouth with a towel. It's covered with blood. More runs down the drain. He stares at himself in the mirror. ON John's worried eyes -- ANGLE - {{ P0 }}'S EYES looking equally distraught. WEISS: It's her, {{ P0 }}... DAY {{ ...	[ [ "john", "alex" ], [ "chaz", "casey" ], [ "angela", "jordan" ] ]	[ [ "angela", "jordan", "P0" ] ]
constantine	16	train	INT. DOCTOR'S OFFICE A LINE OF LIGHT BOXES illuminate several CHEST X-RAYS. A DARK sinister splotch snakes through both LUNGS. {{ John }} stands there, stares at this wall of death with disbelief. {{ JOHN }}: No -- I've beaten things, insurmountable things, things most people have never even heard of and after all that...	INT. DOCTOR'S OFFICE A LINE OF LIGHT BOXES illuminate several CHEST X-RAYS. A DARK sinister splotch snakes through both LUNGS. {{ Alex }} stands there, stares at this wall of death with disbelief. {{ ALEX }}: No -- I've beaten things, insurmountable things, things most people have never even heard of and after all that...	INT. DOCTOR'S OFFICE A LINE OF LIGHT BOXES illuminate several CHEST X-RAYS. A DARK sinister splotch snakes through both LUNGS. {{ P0 }} stands there, stares at this wall of death with disbelief. {{ P0 }}: No -- I've beaten things, insurmountable things, things most people have never even heard of and after all that you...	[ [ "john", "alex" ], [ "chaz", "casey" ], [ "angela", "jordan" ] ]	[ [ "john", "alex", "P0" ] ]
constantine	17	train	INT. RAVENSCAR - HALLWAY {{ Angela }} is on the move. Emotions are coming in strong. She can't get out of here fast enough. She aims for the elevators, sees a MAN has just entered one. {{ ANGELA }}: (rushing toward it) Wait, hold the door! {{ Angela }}, gets to the elevator, looks in. {{ John }} stands inside alone. T...	INT. RAVENSCAR - HALLWAY {{ Jordan }} is on the move. Emotions are coming in strong. She can't get out of here fast enough. She aims for the elevators, sees a MAN has just entered one. {{ JORDAN }}: (rushing toward it) Wait, hold the door! {{ Jordan }}, gets to the elevator, looks in. {{ Alex }} stands inside alone. T...	INT. RAVENSCAR - HALLWAY {{ P0 }} is on the move. Emotions are coming in strong. She can't get out of here fast enough. She aims for the elevators, sees a MAN has just entered one. {{ P0 }}: (rushing toward it) Wait, hold the door! {{ P0 }}, gets to the elevator, looks in. {{ P1 }} stands inside alone. This should be ...	[ [ "john", "alex" ], [ "chaz", "casey" ], [ "angela", "jordan" ] ]	[ [ "angela", "jordan", "P0" ], [ "john", "alex", "P1" ] ]
constantine	18	train	EXT. ECHO PARK {{ John }} sits at a park bench. Motionless. Taking in the world. Clouds passing the sun. Shadows drifting across the city. Leaves swirling after passing cars. {{ John }} just sits there, HEARING every breath he takes, wondering which one will be his last. ELLIE: Lung cancer? Lung cancer?! {{ John }} ...	EXT. ECHO PARK {{ Alex }} sits at a park bench. Motionless. Taking in the world. Clouds passing the sun. Shadows drifting across the city. Leaves swirling after passing cars. {{ Alex }} just sits there, HEARING every breath he takes, wondering which one will be his last. ELLIE: Lung cancer? Lung cancer?! {{ Alex }} ...	EXT. ECHO PARK {{ P0 }} sits at a park bench. Motionless. Taking in the world. Clouds passing the sun. Shadows drifting across the city. Leaves swirling after passing cars. {{ P0 }} just sits there, HEARING every breath he takes, wondering which one will be his last. ELLIE: Lung cancer? Lung cancer?! {{ P0 }} turns ...	[ [ "john", "alex" ], [ "chaz", "casey" ], [ "angela", "jordan" ] ]	[ [ "john", "alex", "P0" ] ]
constantine	19	train	INT./EXT. {{ Chaz }}'S TAXI - DAY Seen through a mild rain is the Theological Society building, a foreboding structure that looks out of place for this city. {{ John }} stares out the back seat window, takes a swig from a bottle of hard liquor. He turns to {{ Chaz }} -- {{ JOHN }}: I'm sure I can get you in here. {{ C...	INT./EXT. {{ Casey }}'S TAXI - DAY Seen through a mild rain is the Theological Society building, a foreboding structure that looks out of place for this city. {{ Alex }} stares out the back seat window, takes a swig from a bottle of hard liquor. He turns to {{ Casey }} -- {{ ALEX }}: I'm sure I can get you in here. {{...	INT./EXT. {{ P1 }}'S TAXI - DAY Seen through a mild rain is the Theological Society building, a foreboding structure that looks out of place for this city. {{ P0 }} stares out the back seat window, takes a swig from a bottle of hard liquor. He turns to {{ P1 }} -- {{ P0 }}: I'm sure I can get you in here. {{ P1 }} giv...	[ [ "john", "alex" ], [ "chaz", "casey" ], [ "angela", "jordan" ] ]	[ [ "john", "alex", "P0" ], [ "chaz", "casey", "P1" ] ]
constantine	20	train	INT. THEOLOGICAL SOCIETY - LATER A few bishops talk quietly. A cardinal studies Scriptures. Definitely not the place for atheists. {{ John }} walks through the vaulted chamber room to the -- LIBRARY {{ John }} stops, fixes on the two gentlemen standing in front of a fireplace. One is a young man of pure class wrapped i...	INT. THEOLOGICAL SOCIETY - LATER A few bishops talk quietly. A cardinal studies Scriptures. Definitely not the place for atheists. {{ Alex }} walks through the vaulted chamber room to the -- LIBRARY {{ Alex }} stops, fixes on the two gentlemen standing in front of a fireplace. One is a young man of pure class wrapped i...	INT. THEOLOGICAL SOCIETY - LATER A few bishops talk quietly. A cardinal studies Scriptures. Definitely not the place for atheists. {{ P0 }} walks through the vaulted chamber room to the -- LIBRARY {{ P0 }} stops, fixes on the two gentlemen standing in front of a fireplace. One is a young man of pure class wrapped in Ar...	[ [ "john", "alex" ], [ "chaz", "casey" ], [ "angela", "jordan" ] ]	[ [ "john", "alex", "P0" ], [ "angela", "jordan", "P1" ] ]
constantine	21	train	EXT. THEOLOGICAL SOCIETY - MINUTES LATER Angela stands on the porch at the edge of a downpour. She hears a cough, looks over to see {{ John }} standing on the other side, looking equally frayed. They share another glance. CONTINUED: {{ John }} fishes a pack of cigarettes from his pocket. Empty. {{ JOHN }}: He has a rot...	EXT. THEOLOGICAL SOCIETY - MINUTES LATER Angela stands on the porch at the edge of a downpour. She hears a cough, looks over to see {{ Alex }} standing on the other side, looking equally frayed. They share another glance. CONTINUED: {{ Alex }} fishes a pack of cigarettes from his pocket. Empty. {{ ALEX }}: He has a rot...	EXT. THEOLOGICAL SOCIETY - MINUTES LATER Angela stands on the porch at the edge of a downpour. She hears a cough, looks over to see {{ P0 }} standing on the other side, looking equally frayed. They share another glance. CONTINUED: {{ P0 }} fishes a pack of cigarettes from his pocket. Empty. {{ P0 }}: He has a rotten se...	[ [ "john", "alex" ], [ "chaz", "casey" ], [ "angela", "jordan" ] ]	[ [ "john", "alex", "P0" ], [ "chaz", "casey", "P1" ] ]
constantine	22	train	INT. {{ Angela }}'S APARTMENT - DAY That surveillance VIDEO FOOTAGE from Ravenscar plays again. There's Isabel in her nightgown walking across the roof. Spread out on a cluttered coffee table is Isabel's case file. CORONER'S REPORT is opened. Let's see "NO DRUGS IN SYSTEM" and the biggie -- "Cause of Death -- SUICIDE."...	INT. {{ Jordan }}'S APARTMENT - DAY That surveillance VIDEO FOOTAGE from Ravenscar plays again. There's Isabel in her nightgown walking across the roof. Spread out on a cluttered coffee table is Isabel's case file. CORONER'S REPORT is opened. Let's see "NO DRUGS IN SYSTEM" and the biggie -- "Cause of Death -- SUICIDE."...	INT. {{ P0 }}'S APARTMENT - DAY That surveillance VIDEO FOOTAGE from Ravenscar plays again. There's Isabel in her nightgown walking across the roof. Spread out on a cluttered coffee table is Isabel's case file. CORONER'S REPORT is opened. Let's see "NO DRUGS IN SYSTEM" and the biggie -- "Cause of Death -- SUICIDE." {{ ...	[ [ "john", "alex" ], [ "chaz", "casey" ], [ "angela", "jordan" ] ]	[ [ "angela", "jordan", "P0" ] ]
constantine	23	train	INT. MIDNITE'S OFFICE {{ John }} paces as Midnite works on that Universal orrery, adjusting components but balance continues to elude him. {{ JOHN }}: A few months, maybe a year. That's it. End of story. Game over. {{ JOHN }}: (as Midnite doesn't react) Well, don't break down on my account. MIDNITE: What do you want ...	INT. MIDNITE'S OFFICE {{ Alex }} paces as Midnite works on that Universal orrery, adjusting components but balance continues to elude him. {{ ALEX }}: A few months, maybe a year. That's it. End of story. Game over. {{ ALEX }}: (as Midnite doesn't react) Well, don't break down on my account. MIDNITE: What do you want ...	INT. MIDNITE'S OFFICE {{ P0 }} paces as Midnite works on that Universal orrery, adjusting components but balance continues to elude him. {{ P0 }}: A few months, maybe a year. That's it. End of story. Game over. {{ P0 }}: (as Midnite doesn't react) Well, don't break down on my account. MIDNITE: What do you want from m...	[ [ "john", "alex" ], [ "chaz", "casey" ], [ "angela", "jordan" ] ]	[ [ "john", "alex", "P0" ] ]
constantine	24	train	INT. LAPD OFFICE - LATER The name JOHN CONSTANTINE is center screen on a monitor -- typed into the police station's SEARCH ENGINE. {{ Angela }} sits alone in the squad room, rain streaking across the windows. Interpol comes back with results and a list of priors scroll under John's name. Must be a hundred PARKING VIOLA...	INT. LAPD OFFICE - LATER The name JOHN CONSTANTINE is center screen on a monitor -- typed into the police station's SEARCH ENGINE. {{ Jordan }} sits alone in the squad room, rain streaking across the windows. Interpol comes back with results and a list of priors scroll under John's name. Must be a hundred PARKING VIOLA...	INT. LAPD OFFICE - LATER The name JOHN CONSTANTINE is center screen on a monitor -- typed into the police station's SEARCH ENGINE. {{ P0 }} sits alone in the squad room, rain streaking across the windows. Interpol comes back with results and a list of priors scroll under John's name. Must be a hundred PARKING VIOLATION...	[ [ "john", "alex" ], [ "chaz", "casey" ], [ "angela", "jordan" ] ]	[ [ "angela", "jordan", "P0" ] ]
constantine	25	train	INT. 20 LANES - THE BAR {{ John }} drinks alone. Pissed at life. At death. That small black box of his lies on the table unopened. Spider runs across the table. {{ John }} flips an empty glass, traps it underneath. He takes a drag on his cigarette, tips the glass and blows smoke inside. Spider can't escape the poison a...	INT. 20 LANES - THE BAR {{ Alex }} drinks alone. Pissed at life. At death. That small black box of his lies on the table unopened. Spider runs across the table. {{ Alex }} flips an empty glass, traps it underneath. He takes a drag on his cigarette, tips the glass and blows smoke inside. Spider can't escape the poison a...	INT. 20 LANES - THE BAR {{ P0 }} drinks alone. Pissed at life. At death. That small black box of his lies on the table unopened. Spider runs across the table. {{ P0 }} flips an empty glass, traps it underneath. He takes a drag on his cigarette, tips the glass and blows smoke inside. Spider can't escape the poison air, ...	[ [ "john", "alex" ], [ "chaz", "casey" ], [ "angela", "jordan" ] ]	[ [ "john", "alex", "P0" ], [ "angela", "jordan", "P1" ] ]
constantine	26	train	EXT. 20 LANES BOWLING ALLEY - NIGHT Cars are lined all the way down the street. {{ Angela }} walks along the sidewalk unaware of the shadow following her. It's joined by another in the trees -- both closing in with each step. {{ JOHN }}: Detective! {{ Angela }} looks back, sees {{ John }} in the street. {{ JOHN }}: Ho...	EXT. 20 LANES BOWLING ALLEY - NIGHT Cars are lined all the way down the street. {{ Jordan }} walks along the sidewalk unaware of the shadow following her. It's joined by another in the trees -- both closing in with each step. {{ ALEX }}: Detective! {{ Jordan }} looks back, sees {{ Alex }} in the street. {{ ALEX }}: Ho...	EXT. 20 LANES BOWLING ALLEY - NIGHT Cars are lined all the way down the street. {{ P1 }} walks along the sidewalk unaware of the shadow following her. It's joined by another in the trees -- both closing in with each step. {{ P0 }}: Detective! {{ P1 }} looks back, sees {{ P0 }} in the street. {{ P0 }}: How open is your...	[ [ "john", "alex" ], [ "chaz", "casey" ], [ "angela", "jordan" ] ]	[ [ "john", "alex", "P0" ], [ "angela", "jordan", "P1" ] ]
constantine	27	train	EXT. HOLY CROSS CEMETERY They make it through the gate, pass through an alley of overhanging trees. Something RIPPLES through the branches -- flitters right past {{ Angela }}'s face. She swats at it, manages to get a branch across the cheek. They near the Good Shepherd and the floodlights FLICKER, fade out. Statues of ...	EXT. HOLY CROSS CEMETERY They make it through the gate, pass through an alley of overhanging trees. Something RIPPLES through the branches -- flitters right past {{ Jordan }}'s face. She swats at it, manages to get a branch across the cheek. They near the Good Shepherd and the floodlights FLICKER, fade out. Statues of ...	EXT. HOLY CROSS CEMETERY They make it through the gate, pass through an alley of overhanging trees. Something RIPPLES through the branches -- flitters right past {{ P0 }}'s face. She swats at it, manages to get a branch across the cheek. They near the Good Shepherd and the floodlights FLICKER, fade out. Statues of sain...	[ [ "john", "alex" ], [ "chaz", "casey" ], [ "angela", "jordan" ] ]	[ [ "angela", "jordan", "P0" ], [ "john", "alex", "P1" ] ]
constantine	28	train	INT. {{ Angela }}'S APARTMENT - NIGHT {{ John }} stares at a photo of {{ Angela }} and her father in police uniform. Obviously happier times. {{ Angela }} walks out of her bedroom holding a cardboard box. That gray cat follows close to her heels. {{ ANGELA }}: These are all Isabel's things. {{ JOHN }}: The cat too? {...	INT. {{ Jordan }}'S APARTMENT - NIGHT {{ Alex }} stares at a photo of {{ Jordan }} and her father in police uniform. Obviously happier times. {{ Jordan }} walks out of her bedroom holding a cardboard box. That gray cat follows close to her heels. {{ JORDAN }}: These are all Isabel's things. {{ ALEX }}: The cat too? {...	INT. {{ P0 }}'S APARTMENT - NIGHT {{ P1 }} stares at a photo of {{ P0 }} and her father in police uniform. Obviously happier times. {{ P0 }} walks out of her bedroom holding a cardboard box. That gray cat follows close to her heels. {{ P0 }}: These are all Isabel's things. {{ P1 }}: The cat too? {{ P0 }}: Yeah, why.....	[ [ "john", "alex" ], [ "chaz", "casey" ], [ "angela", "jordan" ] ]	[ [ "angela", "jordan", "P0" ], [ "john", "alex", "P1" ] ]
constantine	29	train	EXT. HELL LOS ANGELES {{ John }} walks out onto the top overpass of a crumbling maze of intersecting freeways. Burnt-out husks of long- forgotten vehicles sit in rows of gridlock. A low DRONE penetrates the silence. {{ JOHN }}: Is she here? On the horizon is a dying RED SUN. It strains to cut through the putrid brown ...	EXT. HELL LOS ANGELES {{ Alex }} walks out onto the top overpass of a crumbling maze of intersecting freeways. Burnt-out husks of long- forgotten vehicles sit in rows of gridlock. A low DRONE penetrates the silence. {{ ALEX }}: Is she here? On the horizon is a dying RED SUN. It strains to cut through the putrid brown ...	EXT. HELL LOS ANGELES {{ P0 }} walks out onto the top overpass of a crumbling maze of intersecting freeways. Burnt-out husks of long- forgotten vehicles sit in rows of gridlock. A low DRONE penetrates the silence. {{ P0 }}: Is she here? On the horizon is a dying RED SUN. It strains to cut through the putrid brown haze...	[ [ "john", "alex" ], [ "chaz", "casey" ], [ "angela", "jordan" ] ]	[ [ "john", "alex", "P0" ] ]
constantine	30	train	INT. ANGELA'S APARTMENT - HALLWAY In that same motion we left her in -- Angela finishes pushing the door closed. As it LATCHES -- {{ JOHN }}: (weakly) Angela... come back in... Confused, Angela pushes the door back open. Cat BOLTS out. Angela catches her breath, moves inside.	INT. ANGELA'S APARTMENT - HALLWAY In that same motion we left her in -- Angela finishes pushing the door closed. As it LATCHES -- {{ ALEX }}: (weakly) Angela... come back in... Confused, Angela pushes the door back open. Cat BOLTS out. Angela catches her breath, moves inside.	INT. ANGELA'S APARTMENT - HALLWAY In that same motion we left her in -- Angela finishes pushing the door closed. As it LATCHES -- {{ P0 }}: (weakly) Angela... come back in... Confused, Angela pushes the door back open. Cat BOLTS out. Angela catches her breath, moves inside.	[ [ "john", "alex" ], [ "chaz", "casey" ], [ "angela", "jordan" ] ]	[ [ "john", "alex", "P0" ] ]
constantine	31	train	INT. LIVING ROOM John sits slumped in the chair, drained. Steam rises off his skin. {{ Angela }} sees the water in the bucket has almost all boiled out. She walks in, kneels down to him. {{ ANGELA }}: John? What happened? CONTINUED: Sweat drips off as he looks up. He opens his palm -- reveals to {{ Angela }} a sim...	INT. LIVING ROOM John sits slumped in the chair, drained. Steam rises off his skin. {{ Jordan }} sees the water in the bucket has almost all boiled out. She walks in, kneels down to him. {{ JORDAN }}: John? What happened? CONTINUED: Sweat drips off as he looks up. He opens his palm -- reveals to {{ Jordan }} a sim...	INT. LIVING ROOM John sits slumped in the chair, drained. Steam rises off his skin. {{ P0 }} sees the water in the bucket has almost all boiled out. She walks in, kneels down to him. {{ P0 }}: John? What happened? CONTINUED: Sweat drips off as he looks up. He opens his palm -- reveals to {{ P0 }} a simple HOSPITAL...	[ [ "john", "alex" ], [ "chaz", "casey" ], [ "angela", "jordan" ] ]	[ [ "angela", "jordan", "P0" ] ]
constantine	32	train	INT. L.A. COUNTY MORGUE - NIGHT Body drawer slides open -- reveals Isabel. Lying in a cold, sterile room of death. A Hell of a different type. Hennessey stares down at her, looks around the room again, makes sure he's still alone. He reaches in, rips open the protective plastic and lowers his hand inside. Places it fir...	INT. L.A. COUNTY MORGUE - NIGHT Body drawer slides open -- reveals Isabel. Lying in a cold, sterile room of death. A Hell of a different type. Hennessey stares down at her, looks around the room again, makes sure he's still alone. He reaches in, rips open the protective plastic and lowers his hand inside. Places it fir...	INT. L.A. COUNTY MORGUE - NIGHT Body drawer slides open -- reveals Isabel. Lying in a cold, sterile room of death. A Hell of a different type. Hennessey stares down at her, looks around the room again, makes sure he's still alone. He reaches in, rips open the protective plastic and lowers his hand inside. Places it fir...	[ [ "john", "alex" ], [ "chaz", "casey" ], [ "angela", "jordan" ] ]	[ [ "john", "alex", "P0" ] ]
constantine	33	train	FLASHBACK - EXT. STREET - DAY A TEN-YEAR-OLD {{ John }} comes out of a corner store with milk in a bag. He slows, eyes a MAN at a mailbox. {{ JOHN }}: Things I wasn't supposed to. The man looks right at young {{ John }} as he passes. His face is distorted and his feet have sprouted roots which are dug into the ground....	FLASHBACK - EXT. STREET - DAY A TEN-YEAR-OLD {{ Alex }} comes out of a corner store with milk in a bag. He slows, eyes a MAN at a mailbox. {{ ALEX }}: Things I wasn't supposed to. The man looks right at young {{ Alex }} as he passes. His face is distorted and his feet have sprouted roots which are dug into the ground....	FLASHBACK - EXT. STREET - DAY A TEN-YEAR-OLD {{ P0 }} comes out of a corner store with milk in a bag. He slows, eyes a MAN at a mailbox. {{ P0 }}: Things I wasn't supposed to. The man looks right at young {{ P0 }} as he passes. His face is distorted and his feet have sprouted roots which are dug into the ground. WAITR...	[ [ "john", "alex" ], [ "chaz", "casey" ], [ "angela", "jordan" ] ]	[ [ "john", "alex", "P0" ] ]
constantine	34	train	INT. DINER - NIGHT {{ John }} looks up at the Waitress. {{ JOHN }}: Tea. She leaves. Angela sits across from him. They're at the table by the window. {{ JOHN }}: My parents sent me to a doctor, a shrink, a priest. I was in four different institutions by the time I was eighteen. Angela notes him rubbing his wrist. {{ ...	INT. DINER - NIGHT {{ Alex }} looks up at the Waitress. {{ ALEX }}: Tea. She leaves. Angela sits across from him. They're at the table by the window. {{ ALEX }}: My parents sent me to a doctor, a shrink, a priest. I was in four different institutions by the time I was eighteen. Angela notes him rubbing his wrist. {{ ...	INT. DINER - NIGHT {{ P0 }} looks up at the Waitress. {{ P0 }}: Tea. She leaves. Angela sits across from him. They're at the table by the window. {{ P0 }}: My parents sent me to a doctor, a shrink, a priest. I was in four different institutions by the time I was eighteen. Angela notes him rubbing his wrist. {{ P0 }}:...	[ [ "john", "alex" ], [ "chaz", "casey" ], [ "angela", "jordan" ] ]	[ [ "john", "alex", "P0" ] ]
constantine	35	train	FLASHBACK - INT. MENTAL INSTITUTION - HALLWAY The Doctor rushes toward distant SCREAMING. {{ JOHN }}: The revered Father made the brilliant deduction that I was possessed, said I needed to be exorcised...	FLASHBACK - INT. MENTAL INSTITUTION - HALLWAY The Doctor rushes toward distant SCREAMING. {{ ALEX }}: The revered Father made the brilliant deduction that I was possessed, said I needed to be exorcised...	FLASHBACK - INT. MENTAL INSTITUTION - HALLWAY The Doctor rushes toward distant SCREAMING. {{ P0 }}: The revered Father made the brilliant deduction that I was possessed, said I needed to be exorcised...	[ [ "john", "alex" ], [ "chaz", "casey" ], [ "angela", "jordan" ] ]	[ [ "john", "alex", "P0" ] ]
constantine	36	train	INT. ROOM - HIGH ANGLE The Doctor runs in. Sees the revered Father below, leaning over a bed where an 18-year-old {{ John }} is held down by three interns and that Doctor. {{ John }} angrily screams at them all. {{ JOHN }}: It was like someone trying to pull teeth that weren't there. Young {{ John }} clamps his eyes s...	INT. ROOM - HIGH ANGLE The Doctor runs in. Sees the revered Father below, leaning over a bed where an 18-year-old {{ Alex }} is held down by three interns and that Doctor. {{ Alex }} angrily screams at them all. {{ ALEX }}: It was like someone trying to pull teeth that weren't there. Young {{ Alex }} clamps his eyes s...	INT. ROOM - HIGH ANGLE The Doctor runs in. Sees the revered Father below, leaning over a bed where an 18-year-old {{ P0 }} is held down by three interns and that Doctor. {{ P0 }} angrily screams at them all. {{ P0 }}: It was like someone trying to pull teeth that weren't there. Young {{ P0 }} clamps his eyes shut tigh...	[ [ "john", "alex" ], [ "chaz", "casey" ], [ "angela", "jordan" ] ]	[ [ "john", "alex", "P0" ] ]
constantine	37	train	INT. DINER - {{ John }} Present-day {{ John }} does the same, remembering the pain. {{ JOHN }}: So I took things into my own hands and I found a way out. {{ ANGELA }}: You attempted suicide. {{ John }} sees she's looking at his wrist. The hint of a jagged scar can now be seen under the sleeve. {{ JOHN }}: I never att...	INT. DINER - {{ Alex }} Present-day {{ Alex }} does the same, remembering the pain. {{ ALEX }}: So I took things into my own hands and I found a way out. {{ JORDAN }}: You attempted suicide. {{ Alex }} sees she's looking at his wrist. The hint of a jagged scar can now be seen under the sleeve. {{ ALEX }}: I never att...	INT. DINER - {{ P0 }} Present-day {{ P0 }} does the same, remembering the pain. {{ P0 }}: So I took things into my own hands and I found a way out. {{ P1 }}: You attempted suicide. {{ P0 }} sees she's looking at his wrist. The hint of a jagged scar can now be seen under the sleeve. {{ P0 }}: I never attempt anything....	[ [ "john", "alex" ], [ "chaz", "casey" ], [ "angela", "jordan" ] ]	[ [ "john", "alex", "P0" ], [ "angela", "jordan", "P1" ] ]
constantine	38	train	INT. CLASSROOM Teenage {{ John }} looks up at a room filled with people from all walks of life. Teachers, doctors, lawyers, garbage men. All somewhat different than normal. They sit in school chairs and wait for {{ John }} to do the deed. He puts the blade to his wrist -- one swipe and the world around him accelerates ...	INT. CLASSROOM Teenage {{ Alex }} looks up at a room filled with people from all walks of life. Teachers, doctors, lawyers, garbage men. All somewhat different than normal. They sit in school chairs and wait for {{ Alex }} to do the deed. He puts the blade to his wrist -- one swipe and the world around him accelerates ...	INT. CLASSROOM Teenage {{ P1 }} looks up at a room filled with people from all walks of life. Teachers, doctors, lawyers, garbage men. All somewhat different than normal. They sit in school chairs and wait for {{ P1 }} to do the deed. He puts the blade to his wrist -- one swipe and the world around him accelerates away...	[ [ "john", "alex" ], [ "chaz", "casey" ], [ "angela", "jordan" ] ]	[ [ "angela", "jordan", "P0" ], [ "john", "alex", "P1" ] ]
constantine	39	train	EXT. LOS ANGELES The ambulance moves through a city that is transforming. From this world's Los Angeles to a barren Hell version. {{ JOHN }}: Officially I was dead for seven minutes. But believe me, seven minutes in Hell is a lifetime. Ambulance heads toward that dying RED SUN.	EXT. LOS ANGELES The ambulance moves through a city that is transforming. From this world's Los Angeles to a barren Hell version. {{ ALEX }}: Officially I was dead for seven minutes. But believe me, seven minutes in Hell is a lifetime. Ambulance heads toward that dying RED SUN.	EXT. LOS ANGELES The ambulance moves through a city that is transforming. From this world's Los Angeles to a barren Hell version. {{ P0 }}: Officially I was dead for seven minutes. But believe me, seven minutes in Hell is a lifetime. Ambulance heads toward that dying RED SUN.	[ [ "john", "alex" ], [ "chaz", "casey" ], [ "angela", "jordan" ] ]	[ [ "john", "alex", "P0" ] ]
constantine	40	train	INT. MORGUE Hennessey's hand jerks back from the plastic. His eyes fix on Isabel's wrist. That odd circular SYMBOL is back. Hennessey's unsettled, quickly shoves the drawer closed. He rushes out, slams right into a SECURITY GUARD coming in. SECURITY GUARD: Hey, what're you doing in here? Guard looks back into the body...	INT. MORGUE Hennessey's hand jerks back from the plastic. His eyes fix on Isabel's wrist. That odd circular SYMBOL is back. Hennessey's unsettled, quickly shoves the drawer closed. He rushes out, slams right into a SECURITY GUARD coming in. SECURITY GUARD: Hey, what're you doing in here? Guard looks back into the body...	INT. MORGUE Hennessey's hand jerks back from the plastic. His eyes fix on Isabel's wrist. That odd circular SYMBOL is back. Hennessey's unsettled, quickly shoves the drawer closed. He rushes out, slams right into a SECURITY GUARD coming in. SECURITY GUARD: Hey, what're you doing in here? Guard looks back into the body...	[ [ "john", "alex" ], [ "chaz", "casey" ], [ "angela", "jordan" ] ]	[ [ "john", "alex", "P0" ] ]
constantine	41	train	EXT. MORGUE - HENNESSEY runs as fast as a very obese man can -- aiming for that PHONE BOOTH on the corner. He grabs the receiver, punches numbers as fast as he can. RING -- RING -- HENNESSEY: Be there, {{ John }}... please... Something shivers up Hennessey's leg and into his body. Eyes glaze over and Hennessey settles...	EXT. MORGUE - HENNESSEY runs as fast as a very obese man can -- aiming for that PHONE BOOTH on the corner. He grabs the receiver, punches numbers as fast as he can. RING -- RING -- HENNESSEY: Be there, {{ Alex }}... please... Something shivers up Hennessey's leg and into his body. Eyes glaze over and Hennessey settles...	EXT. MORGUE - HENNESSEY runs as fast as a very obese man can -- aiming for that PHONE BOOTH on the corner. He grabs the receiver, punches numbers as fast as he can. RING -- RING -- HENNESSEY: Be there, {{ P0 }}... please... Something shivers up Hennessey's leg and into his body. Eyes glaze over and Hennessey settles o...	[ [ "john", "alex" ], [ "chaz", "casey" ], [ "angela", "jordan" ] ]	[ [ "john", "alex", "P0" ] ]
constantine	42	train	INT. LATE NIGHT RESTAURANT HENNESSEY barges in, squeezes past the MAITRE D'. MAITRE D': Sir, you need a reservation! But Hennessey is on a quest. For food. And it's everywhere. He starts grabbing meals right off of plates. Fish, pasta, prime rib. Shovels it all in. Patrons are yelling -- screaming. He's eating as if h...	INT. LATE NIGHT RESTAURANT HENNESSEY barges in, squeezes past the MAITRE D'. MAITRE D': Sir, you need a reservation! But Hennessey is on a quest. For food. And it's everywhere. He starts grabbing meals right off of plates. Fish, pasta, prime rib. Shovels it all in. Patrons are yelling -- screaming. He's eating as if h...	INT. LATE NIGHT RESTAURANT HENNESSEY barges in, squeezes past the MAITRE D'. MAITRE D': Sir, you need a reservation! But Hennessey is on a quest. For food. And it's everywhere. He starts grabbing meals right off of plates. Fish, pasta, prime rib. Shovels it all in. Patrons are yelling -- screaming. He's eating as if h...	[ [ "john", "alex" ], [ "chaz", "casey" ], [ "angela", "jordan" ] ]	[ [ "john", "alex", "P0" ], [ "angela", "jordan", "P1" ] ]
constantine	43	train	EXT. RESTAURANT - LATER The morgue is seen across the street. The Guard that chased Hennessey is just outside. WEISS: Security Guard spotted him near the body, chased him out. We MOVE PAST Angela standing with Weiss. Around them is a complete shambles of fine dining -- WEISS: He comes over here, makes a run at the ent...	EXT. RESTAURANT - LATER The morgue is seen across the street. The Guard that chased Hennessey is just outside. WEISS: Security Guard spotted him near the body, chased him out. We MOVE PAST Angela standing with Weiss. Around them is a complete shambles of fine dining -- WEISS: He comes over here, makes a run at the ent...	EXT. RESTAURANT - LATER The morgue is seen across the street. The Guard that chased Hennessey is just outside. WEISS: Security Guard spotted him near the body, chased him out. We MOVE PAST Angela standing with Weiss. Around them is a complete shambles of fine dining -- WEISS: He comes over here, makes a run at the ent...	[ [ "john", "alex" ], [ "chaz", "casey" ], [ "angela", "jordan" ] ]	[ [ "john", "alex", "P0" ] ]
constantine	44	train	INT. 20 LANES - BEHIND THE LANES With a loud crowd and 20 huge PIN MACHINES GRINDING AWAY the noise back here is DEAFENING. But this is Beeman's home. See the desk, the TV. The fold-away bed. Beeman is on the phone. There's a conversation but it's way too noisy to hear. All we see are the emotions on Beeman's face. No ...	INT. 20 LANES - BEHIND THE LANES With a loud crowd and 20 huge PIN MACHINES GRINDING AWAY the noise back here is DEAFENING. But this is Beeman's home. See the desk, the TV. The fold-away bed. Beeman is on the phone. There's a conversation but it's way too noisy to hear. All we see are the emotions on Beeman's face. No ...	INT. 20 LANES - BEHIND THE LANES With a loud crowd and 20 huge PIN MACHINES GRINDING AWAY the noise back here is DEAFENING. But this is Beeman's home. See the desk, the TV. The fold-away bed. Beeman is on the phone. There's a conversation but it's way too noisy to hear. All we see are the emotions on Beeman's face. No ...	[ [ "john", "alex" ], [ "chaz", "casey" ], [ "angela", "jordan" ] ]	[ [ "john", "alex", "P0" ] ]
constantine	45	train	EXT. EAST LA - NIGHT Graffiti-adorned walls give way to a tall iron fence, heavily-shadowed grounds and finally the six-story hospital complex of RAVENSCAR. CONTINUED: A rim-lit figure stands on the roof. But this one isn't wearing a hospital gown, he's wearing a trench coat. {{ ANGELA }}: Seances, crystals -- channeli...	EXT. EAST LA - NIGHT Graffiti-adorned walls give way to a tall iron fence, heavily-shadowed grounds and finally the six-story hospital complex of RAVENSCAR. CONTINUED: A rim-lit figure stands on the roof. But this one isn't wearing a hospital gown, he's wearing a trench coat. {{ JORDAN }}: Seances, crystals -- channeli...	EXT. EAST LA - NIGHT Graffiti-adorned walls give way to a tall iron fence, heavily-shadowed grounds and finally the six-story hospital complex of RAVENSCAR. CONTINUED: A rim-lit figure stands on the roof. But this one isn't wearing a hospital gown, he's wearing a trench coat. {{ P0 }}: Seances, crystals -- channeling.....	[ [ "john", "alex" ], [ "chaz", "casey" ], [ "angela", "jordan" ] ]	[ [ "angela", "jordan", "P0" ] ]

End of preview. Expand in Data Studio

Dataset Card for ToM-in-AMC

The dataset consists of ∼1,000 parsed movie scripts from IMSDb, each corresponding to a character understanding task.

Citation

BibTeX:

@inproceedings{yu2024few,
  title = {Few-Shot Character Understanding in Movies as an Assessment to Meta-Learning of Theory-of-Mind},
  author = {Yu, Mo and Wang, Qiujing and Zhang, Shunchi and Sang, Yisi and Pu, Kangsheng and Wei, Zekai and Wang, Han and Xu, Liyan and Li, Jing and Yu, Yue and Zhou, Jie},
  booktitle = {Proceedings of the 41st International Conference on Machine Learning},
  year = {2024}
}