Sci-Fi stringlengths 0 500 |
|---|
TERMINAL - BAY
CLOSE ON A FACE. A nine year old boy, YOUNG COLE, his eyes wide
with wonder. watching something intently. We HEAR the sounds of
the P.A. SYSTEM droning Flight Information mingled with the
sounds of urgent SHOUTS, running FEET, EXCLAMATIONS.
YOUNG COLE'S POV: twenty yards away, a BLONDE M... |
AN DRYLANDS - DROUGHT
The remorseless drought had lasted now for ten million years,
and would not end for another million. The reign of the ter-
rible lizards had long since passed, but here on the continent
which would one day be known as Africa, the battle for survival
had reached a new climax of ferocity, and... |
d Draft
February 19th, 2008
OVER BLACK
We listen to the immortal music of Mozart's Adagio of the
Clarinet Concerto in A.
... |
tunning violence. Looped.
Soldiers in a foreign war shoot an unarmed civilian at point-
blank range; a man is set on by a frenzied crowd wielding
clubs and machetes; a woman is necklaced while her killers
cheer and howl.
... |
SEQ. 05 - PROLOGUE
The Focus Features logo appears on screen and we slide INTO
the "O" in Focus.
Stock dissolves from 35mm to 16mm. BLACK & WHITE. GRAINY,
like OLD DOCUMENTARY FOOTAGE.
SCIENTIST'... |
TOWN - MAIN ST. - LATE AFTERNOON 1
We come up on... a streetlight. There is no illumination...
and no movement. We hold on it for a long moment when
suddenly... The streetlight bobs... and then begins to sway.
We slowly begin to rise up on the streetlight to reveal... a
... |
TOWN - MAIN ST. - LATE AFTERNOON 1
We come up on... a streetlight. There is no illumination...
and no movement. We hold on it for a long moment when
suddenly... The streetlight bobs... and then begins to sway.
We slowly begin to rise up on the streetlight to reveal... a
... |
Director's Revision
------------------------------------------------------------------------------
THE ABYSS
OMITTED 1
OMITTED 2
TITLE: THE... |
rowd, but muffled, as if we're inside,
and hearing the crowd through a window or door. FADE IN ON:
INT. SOME SORT OF LOBBY -- DAY
DAVID NORRIS, 33, is having a private moment, looking down,
thinking. He wears a suit and tie. He seems relaxed and
confident. Cont... |
: Project Sawtooth
FADE IN:
EXT. SMALL TEXAS TOWN - DAY 1
Beside a 1950 Ford, a quartet of elite intellectuals poses
playfully...dressed in the local custom of boots and cowboy hats, the
TOW ORIENTAL MEN, A CAUCASIAN MAN, AND A CAUCASIAN WOMAN squint into
the hot sun and then down at the jiggling home ... |
February 18, 1982
FADE IN:
EXT. JUNGLE - DAY
A machete slashes INTO FRAME. An American in battered
fedora and leather jacket, accompanied by two gunbearers,
hacks his way through d... |
1976
SYNOPSIS
En route back to Earth from a far part of the galaxy, the crew of the
starship SNARK intercepts a transmission in an alien language,
originating from a nearby storm-shrouded planet.
Mankind has waited centuries to contact another form ... |
- Hesse
ALIEN III
THE SCREEN IS BLACK
A pinpoint of light appears.
Red. An ember.
Unseen BELLOWS blow.
GLASS FURNACE
The embers glow. Flame.
The fire GROWS.
A RIVER OF MOLTEN GLASS
Heated by the furnace to over 1,300 degrees fahrenheit.
White Hot.
GLASS FACTORY
Flickering fl... |
NS SHOT of a far distant metallic object hovering
just above the ground -- maybe two or three miles away.
The heat waves and the light refraction off the desert-
scape make the object undulate rhythmically, keeping its
true shape and appearance indistinct.
The VIDEO CAMERA recording this scene zooms back, then
... |
ne of them picking up acceleration and
racing toward us. Our perspective changes, and we catch a quick
glimpse as it HURTLES past, and into the gravitational pull of a large
brownish planet. Kicking up SPARKS of FRICTION as it hits atmosphere.
It seems to be manmade. Or at least artificial.
EXT. PLANET ... |
URIGA
along the silent, empty corridors, coming at last to a door with two
guards standing rigid in front of it. Full armour, powerful
shockrifles, expressions empty and cold.
INT. MEDLAB
Along a row of screens, where we see the first signs of life readouts,
lights, data -- all shifting and collating on... |
ay 28, 1985
-----------------------------------------------------------------------------
ALIENS
FADE IN
SOMETIME IN THE FUTURE - SPACE 1
Silent and endless. The stars shine like the love of
God...cold and remote... |
cing by. So quick we barely
perceive them. Like the sparks you imagine when your eyes are closed.
BREATHING,
slow and hollow, filling up the entire world. It's eerie as hell. A
feeling of utter loneliness.
And now the breathing recedes, fading into the darkness. Whatever it
was...it's gone now.
MAIN... |
to ten thousand nuclear weapons
detonating simultaneously.
A HUGE DINOSAUR FOOT steps down hard and is VAPORIZED with a
deafening ROAR.
Voice One hundred trillion tons of dirt and rock hurled into the
atmosphere.
EARTH, seen from space, is rocked with an IMMENSE SHOCKWAVE. A
SHEET OF DEBRIS washes a... |
FADE IN:
WE ARE FLYING through mist, a dimly glimpsed forest below.
VOICE (V.O.)
When I was lying there in the VA
hospital, with a big hole blown through
the middle of my life, I started ... |
's
mightiest heroes and heroines found themselves united against a
common threat. On that day, the Avengers were born--to fight the
foes no single superhero could withstand! Through the years,
their roster has prospered, changing many times, but their glory
has nev... |
FROM SPACE, a view of the EARTH. The vibrant BLUE of its
OCEANS is striking against the vast BLACK VOID of space.
MOVE CLOSER TO THE EARTH, where the shimmering PACIFIC OCEAN
meets the CALIFORNIA COASTLINE...
A bird's-eye view of LOS ANGELES comes into relief-- a criss-
... |
Baba?
FATHER
Yes, my son?
SON
Tell me a story .
FATHER
Which one?
SON
The story of home .
A meteorite drifts into frame , heading towards tiny Ea... |
its roll as we
FADE UP ON:
INT. HOSPITAL, INNER-CITY TRAUMA WARD - NIGHT
It's 1967, the Summer of Love and --
BOOM! Entry doors swing open as PARAMEDICS wheel in a FEMALE BLEEDER,
VANESSA (20s, black, nine months pregnant). She's deathly pale,
spewing founts of blood from a savagely slashed throat -- ... |
s Inc.
1420 No. Beachwood Drive
Hollywood, Calif. 90028
****************
INT. TYRELL CORPORATION LOCKER ROOM - DAY 1
THE EYE ... |
A civilization is destroyed only when its gods are destroyed.
-
Emil Cioran
EXT. FOREST - DAWN
Bare as all hell. The trees stripped of their ba... |
Richard Matheson
Sep 30th, 2006
OVER A BLACI: SCREEN:
Crickets chirp in the night.
A DOORBELL rings.
Sheets rustle...
A BEDSIDE LAMP is turned on... |
e neon sign rises
into shot. It rests on top of a skyscraper and fills the
frame. The building is neither past nor future in design
but a bit of both.
Slowly we pan downwards revealing the city that spreads
below ... A glittering conglomeration of elevated
transport tubes, smaller sq... |
her exquisite face and she drinks it in, as if
the wind itself were telling something to her...
Catherine sees a FLICKERING LIGHT in the sand. She pulls the
reins and the horse stops moments before the dune drops into
nothingness. She dismounts, affectionately scratches the
horse's neck, and follows the L... |
RESIDENCE - ANDREW'S ROOM
The room is dingy. Unkempt. The camera sits on the bed, on
its side, facing the door. We can hear someone moving around
off screen.
The door handle clicks; someone's trying it. Then nothing.
Then, suddenly, loud pounding on the door.
Andrew's voice is scratchy ... |
ke a cube. There is a kind of door on each side. Each
door has a handle. On the walls are weird-looking pictures.
They doesn't seem to look like anything seen before. The man
stands up in the middle of the room. The camera pans around him.
Then he makes some sounds and opens a door in one of the walls.
As he looks... |
DARKNESS
A LOW RUMBLE increases in volume.
FADE UP:
A BLACK-GLOVED HAND wraps around a bulky electrical lever,
thrusts FORWARD.
SNAP! - Electricity arcs through darkness.
O.S. sound of MACHINERY turning ON.
TITLES OVER
MONTAGE OF CLOCKS starting - vari... |
ises, hollow, metallic.
FADE IN on a long TRACKING SHOT through the universe. As the NARRATOR
speaks we move through galaxies, nebulae, solar systems, moving from
the infinite slowly down to a particular planetary system deep within
a maze of suns.
NARRAT... |
BANG!!
A shock chord as we cut from black to a harshly toplit
CLOSE SHOT:
A man is talking into a cellular phone. He is a paunchy
but powerful looking black man, bald with a gray fringe.
His baldness makes his head look muscular; he is a tough
... |
ITY - DAY
We hear THE SOUND OF A STRONG WIND. DEBRIS flutters through the
streets. A LARGE ALLIGATOR slithers into frame, stops and looks
around.
MONTAGE: as MORE GATORS explore the empty streets, knocking over
GARBAGE CANS, upsetting the MANNEQUINS in A DEPARTMENT STORE WINDOW.
A GATOR crawls out through... |
ebruary 21, 1951
EXT. BEACH - PACIFIC ISLAND - MED. SHOT - DAY
Backgrounded by palm trees and rolling surf, an American
army radar operator sits at his huge instrument, intently
tracking a target. Without interrupting this, he spe... |
ebruary 21, 1951
EXT. BEACH - PACIFIC ISLAND - MED. SHOT - DAY
Backgrounded by palm trees and rolling surf, an American
army radar operator sits at his huge instrument, intently
tracking a target. Without interrupting this, he spe... |
. INT. ROCK LEDGE - SIETCH TABR - NIGHT
BLACK
FADE IN to the dark eyes of the mysterious face of
the REVEREND MOTHER RAMALLO, who sits against smooth
black rock. Her eyes are deep blue-within-blue and
her skin is a haunting translucent white. Her voice
ECHOES as if in a great ca... |
wers to show a
forest against the night sky.
EXT: LANDING SITE: NIGHT
In an opening in the forest stands a spacecraft. The view of the craft is
obscured by tree branches. The atmosphere is misty, with blue lights coming
from the spacecraft.
[The opening scene is misty and diffused. This forces the audience ... |
HIGHWAY (DESERT) - NIGHT
Three trucks from Chemical Technologies carry barrels of
toxic waste. They pass a sign: PROSPERITY, NEVADA, POP
454.
INT. THIRD TRUCK (HIGHWAY, DESERT) - NIGHT
A sleepy trucker called PIG PEN drives the third truck.
SELF-HELP TAPE (V.O.)
I wi... |
SUPERIMPOSE: "1998"
FEMALE NARRATOR
Forces hostile to the United States grow
strong in the late 20th Century.
A DARK TABLEAU - CITY STREET - LOS ANGELES - NIGHT
Graffiti-smeared walls. Fire... |
VOICE
In 1988, the crime rate in the United States rises four hundred percent.
GRAPHIC -- Line-graphic of New York, MANHATTAN ISLAND highlighted.
VOICE
The once-great city of New York becomes the one maximum-security prison
for the entire country.
GRAPHIC -- MANHATTAN ISLAND lights up. The word "Prison" is... |
s haunted, hollow-eyed, sickly. The young receptionist,
dressed in a shiny, stretchy one-piece pantsuit, looks up.
RECEPTIONIST
Oh, hi.
OLD WOMAN
(apologetically)
Hi, I was in the neighborhood and thought
I'd see --
RECEPTIONIST
I think he's in a conference.
Unfortunately. I'm really sorr... |
s. The gas giant Neptune slowly spins
into view. Brilliant and blue and cold against the void.
EXT. NEPTUNE - MODEL A BLACK SILHOUETTE
stands out against the planet, tiny against Neptune's scale.
EXT. NEPTUNE - MODEL DRIFT CLOSER
t... |
y are typed.
main( ) {
extrn a, b, c;
putchar(a); putchar (b);putchar (c); putchar('!'*n');
}
a `hell';
b `o, w';
c `or
CUT TO -
- a view above an ultra-cool, ultra-designed open-plan
office.
In a kitchen area, young m... |
Shooting Script
FADE IN:
CLOSE ON A MASSIVE STEEL HEAD
Our first thought: DR. DOOM? But it's not moving. A
welder's torch sparks into frame in the hands of a sculptor
on scaffolding. This is art, an epic 20 foo... |
e desert.
CREDITS ROLL
WRITTEN: EGYPT 1913
OMAR and his mule zigzag along the bottom of sun scorched dunes.
2 EXT. TEMPLE EXCAVATION - DAY
The mule and the boy finally reach a camp. A few tents dwarfed by a huge
temple door jutting out of the sand. The camp is deserted except for
some kids by ... |
SEVENTH DRAFT
January 12, 1992
INT. REGIS & KATHIE LEE SHOW SET
A horribly deformed figure--hunchback, misshapen head--sits
on a stool in complete silhouette. This is RICK COOGAN.
... |
following words sear onto screen:
Whenever a new breed of evil
emerges, a new breed of solider
must fight it.
-- GENERAL CLAYTON "HAWK" ABERNATHY
EXT. THE BASTILLE - PARIS - NIGHT
A HEAVY NIGHT MIST swirls around the imposing stone walls of
... |
want to abuse you
Some of them want to be abused
- Eurythmics
Some years from this exact moment...
1 INT. TRAIN - DAY 1
DARKNESS - NOW
The beautiful CHIMING SOUNDS OF SPACE TRAVEL ... |
ADE IN
A white title appears on a black screen.
"As night-fall does not come at once, neither
does oppression...It is in such twilight that
we all must be aware of change in the air
- however slight - lest we become victims of
the dark... |
FADE IN
INT. BARGE - DAY
Crewman EPPS (29), wearing a life vest and tool belt, jumps
down into the darkness. She stands in a great hollow cavern,
oily, wet, resonant with the sound of creaking, rusty steel
and WATER MOVING OVER ITS HULL on the other side.
INT. BARGE - LATER - DAY
Epps comes to ... |
ACT ONE
-------
FADE IN:
EXT. -- A FARMHOUSE OUTSIDE NEW YORK CITY -- NIGHT
On the farmhouse roof a CHICKEN-SHAPED WEATHERVANE stands silhouetted
against a FULL, BLOOD-RED MOON. The wind HOWLS and the vane swivels with
an EERIE SQUEAK. Then a weird ANIMAL CRY is heard--a cross between a
chicken CRO... |
harbor, OVER the
Battery and Lower Manhattan to Greenwich Village.
EXT. EAST 77TH STREET - DAY
A car is being hoisted up by a municipal tow truck while its owner is
having a terrible screaming arguement with a parking enforcement officer.
DANA BARRETT comes home pushing a baby buggy, struggling with two full
... |
FADE IN:
An iguana...
Crawling off its nest, leaving its eggs exposed.
1 EXT. MORUROA ATOLL ISLANDS, FRENCH POLYNESIA - PACIFIC 1
Grainy, Kodak color, nineteen sixties documentary
footage of a beautiful Polynesian island. We SEE quick
shots of Kimono Dragons, Gila Monst... |
PRODUCTION DRAFT
November 10, 2010
Production Draft - PINK
Revised, November 16, 2010
Production Draft - BLUE
... |
CARD 1
AT 600 KM ABOVE PLANET EARTH THE
TEMPERATURE FLUCTUATES BETWEEN 120 AND
-100 DEGREES CELSIUS.
SILENCE.
CARD 2
THERE IS NOTHING TO CARRY SOUND, NO
OXYGEN, AND NO ... |
ltzer first
found Gizmo the Mogwai. As LOCALS bustle past, ANGLE FAVORS
the stairs to the basement curiosity shop.
2 INT. MR. WING'S STORE
MR. WING, the storekeeper who took Gizmo home after the
Gremlins' night of carnage, opens the door, beginning his day.
... |
at glistens in the morning sun.
As the camera skims overtop, titles start to roll. Ahead
of us an odd-looking service van comes into view, sputtering
along a dirt road. Getting closer, we can see the driver, a
thin, bookish man with a neat mustache. This is AUSTIN GRIMALDI.
The truck pulls up to a strange Vic... |
M - INTERVIEW 1
In a photographic DARKROOM: old optical enlargers, porcelain
trays, timers, and stills hanging out to dry.
GEORGE MATLIN, a slightly obese, nearsighted man in his
seventies.
OLD MATLIN
... |
nto a small
microphone.
THEODORE
To my Chris, I have been thinking
about how I could possibly tell you
how much you mean to me. I remember
when I first started to fall in
love with you like it was last
night. Lying naked beside yo... |
hat shroud a land still
in its infancy. Cathedral spires of granite. Cradled lakes. A solitary vastness.
VOICE (cont'd)
WE HAVE BEEN WORSHIPPED AS GODS MISTAKEN FOR DEMONS AND REVILED'AS WITCHES. WE ARE THE SEEDS OF A MILLION LEGENDS BUT OUR TRUE ORIGINS ARE UNKNOWN. WE SIMPLY ARE.
ANCIENT CASTLES dot the landsca... |
Douglas Adams
Revisions
by
Karey Kirkpatrick
8/8/03
3rd Revised Draft
1 2.
HHGG 3rd Revised Draft 8/8/03
... |
gloved hand dangling a rat. The hand shoves the
frightened rat into the tube and closes the door behind
it. The rat s stark white fur bristles and it begins to
pad down the tube s length.
After several feet, the tube opens up into a dimly lit
cubicle. The rat hesitates and stops.
The SOUNDS of gentle BR... |
Leppard, Styx, Journey, Poison, or Whitesnake
Water cranked to a hundred and three
Got my tunes, my snacks, my booze, my skis
(Got the) freshest moves you ever seen
When I'm soakin in my Hot Tub Time Machine
When you're going back to the 80s...
And you... |
ts in this film are real.
Names and places have been changed to protect the Lorien Six,
who remain in hiding.
Take this as your first warning. Other civilizations do exist.
Some of them seek to destroy you.
... |
..YELLOW...as we realise...It's FIRE...
A SOUND. Something SHATTERING...
Then. A DISEMBODIED VOICE. Muted. We can't quite make out
What it's saying. As it gets LOUDER. And LOUDER. When we
finally. Understand...
DISEMBODIED VOICE
You are in danger...
... |
he
castoff remains of the Apollo mission. Slowly the discarded
equipment begins to RATTLE and SHAKE.
AN ENORMOUS SHADOW creeps towards us blotting out the horizon,
a loud RUMBLE is heard.
Suddenly we are covered in DARKNESS as the SHADOW engulfs us.
Only the lonely image of our EARTH hangs in the air, ... |
he
castoff remains of the Apollo mission. Slowly the discarded
equipment begins to RATTLE and SHAKE.
AN ENORMOUS SHADOW creeps towards us blotting out the horizon,
a loud RUMBLE is heard.
Suddenly we are covered in DARKNESS as the SHADOW engulfs us.
Only the lonely image of our EARTH hangs in the air, ... |
STORY BY
Jonathan Nolan, Kip Thorne & Lynda Obst
... |
more apartments, above and
below, the tiers linked by ramps and crosswalks. It might be a
prison cellblock but there are no guards apparent. Indeed, the
residents move freely, all notably male, all clad in shearlings,
polo shirts and slacks. It is just another day in Sector Four.
3 INT. NUTRITI... |
The 13ths.
AGAIN, DARKNESS.
OPEN ON:
The year is 2455. The place is Old Earth. Barren, void of life, a
hazardous and violent planet. The sky is blood red with spiked clouds of
dark gray. It is beautiful, but frighteningly foreign.
BLUE LIGHTNING CRACKLES as several figures rush through a... |
March 17, 1994
JUDGE DREDD
FADE IN:
BLACK SCREEN.
NARRATOR
In the third millennium, the
world... changed.
1 MONTAGE (STOCK - IF DESIRED) 1
Vicious e... |
SCOTCH MARMO
3/14/92
------------------------------------------------------------------------------
EXTREME CLOSEUP of glowing honey-colored stones. Their shapes ABSTRACT
as THE CAMERA EXAMINES air bubbles and crystalline patterns.
MOVING UP AND OVER this amber abstractio... |
EXT. BOAT - DAY 2
Illegal Costa Rican parasail operator ENRIQUE CARDOSO helps
Americans BEN HILDEBRAND and twelve-year-old ERIC KIRVY --
already wearing life-vests -- strap themselves into a two-
person PARASAIL HARNESS.
3 EXT. BOAT - DAY 3
Ben and Eric clamber onto a makeshift PLATFOR... |
escent of white
sand at the jungle fringe, utterly deserted.
ISLA SORNA
87 miles southeast of Nublar
Two SHIP HANDS, dressed in white uniforms, have set up a
picnic table with three chairs on the sand and are carefully
laying out luncheon service -- fine china, silver, crystal
decanters with red a... |
tuart
Revised Draft
September 8, 1987
FACE IN ON
THE SURFACE OF THE OCEAN
sunny and placid then slowly WE BEGIN DESCENDING UNDERWATER
Moving down from the brigh... |
Alan Glynn
December 21, 2009
INT. A BLACK SCREEN
EDDIE (V.0.)
They found me.
... |
FINAL SHOOTING DRAFT - August 23, 2016
AN LCD BILLBOARD WITH DEFECTIVE PIXELS
A BEAUTIFUL COUPLE dance on a giant can of a Red-Bull-like
drink-- HYPNO! The label morphs to different flavors.
... |
OTE THE CRYSTAL WILL BE USED IN THE
LEFT HAND OF ALL CHARACTERS.
FADE IN:
BEFORE AND DURING TITLES
1 EXT. - SKY NIGHT
The moon and stars are visible, but as CAMERA looks down, the SCREEN
fills with dark, billowing clouds. CAMERA moves into the clouds and
just as they blank out ... |
pocket watch. Open. Ticking. Swinging from a chain.
Held by a young man named JOE in a clearing beside a Kansas
corn field. Sky pregnant with rain.
Waiting. He checks the watch, removes his earbud headphones,
stands.
Without much ceremony a BLOODIED MAN in a suit a... |
FADE IN[1]
Over the titles we see SUPERIMPOSED
the snow-capped mountains leading to
Shangri-La.
CLOSE-UP of an impressive-looking book.... |
iangular CARGO SHIP descends from the dark of space.
PILOT (OVER)
Mars mining base, this is Grissom One,
Request final descent vector.
REVERSE ANGLE
EXT.-MARS
A row of giant red mountains and beneath, on the planet's surface, the
spires of A MINING BASE. Illumi... |
BLACK AND WHITE ACADEMY FORMAT
THE WASTELAND. DAY.
Flurries of dust and sand swirl around us as we move
through an eerie, barren land. The only sound is the
howl of a rising wind.
Ahead something looms out of the storm. As we approach
we see that i... |
IN BLACK:
1 Restless bodies. Scuffing of feet. Somebody coughs. 1
MARCO'S VOICE
Approximately sixty four hundred hours
before Desert Storm, we were on a routine
recon inside Iraqi-controlled terrain,
assessing t... |
EXT. SPACE - MARS - TO ESTABLISH
THE RED PLANET momentarily eclipses the Sun. As sunlight
breaks across the edge, warming the surface...
EXT. MARS - DAY
We're MOVING THROUGH the channels of Acida... |
sail, like a glider, over the black atmosphere.
We DIVE DOWN into the murkiness, through the clouds, into the darker
world of the dead surface of Earth, the desert of the real. The
rotted skeleton of a massive city is sprawled everywhere. We approach
a fissure in the Earth's crust, and as we do, we hear... |
sing with phosphorous light, burning beneath
the derma of black-neon glass.
A PHONE begins to RING, we hear it as though we were
making the call. The cursor continues to throb,
relentlessly patient, until --
MAN (V.O.)
Hello?
Data now slashes across the screen, information flashing
faster ... |
"UBERMAN - METRO CITY'S HERO AFTER DEFEATING MASTER MIND!
PHOTO: A chiseled, statuesque man wearing the COOLEST SUPER
HERO SUIT IMAGINABLE, COMPLETE WITH FLOWING CAPE, shines a
confident smile at the lens. This is UBERMAN, champion of
METRO CITY.
"UBERMAN DEFEATS MASTE... |
tlessly on the breeze, wafting along through the crisp Texas air.
The insect dips, it banks, it does loop-the-loops -- and then SPLATS
unceremoniously against the windshield of a white van that's tearing down
the road.
INT. VAN -- TEXAS/MEXICO BORDER -- NIGHT
The DRIVER of the van, a fifty-year-old American,... |
Widen to reveal that, indeed, these glasses are on the
sneering face of just such a man.
We follow the guard
DOWN A DINGY PRISON HALLWAY
Paint peeling off the rusty bars. Somewhere, someone is
playing harmonica. Prisoners yell complaints as he passes.
... |
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