poem name stringlengths 7 245 | content stringlengths 4 88.7k | author stringlengths 2 57 | type stringlengths 4 411 ⌀ | age null |
|---|---|---|---|---|
Objects Used to Prop Open a Window
|
Dog bone, stapler,
cribbage board, garlic press
because this window is loose—lacks
suction, lacks grip.
Bungee cord, bootstrap,
dog leash, leather belt
because this window had sash cords.
They frayed. They broke.
Feather duster, thatch of straw, empty
bottle of Elmer's glue
because... | Michelle Menting | null | null |
The New Church
|
The old cupola glinted above the clouds, shone
among fir trees, but it took him an hour
for the half mile all the way up the hill. As he trailed,
the village passed him by, greeted him,
asked about his health, but everybody hurried
to catch the mass, left him leaning against fences,
measuring the road wi... | Lucia Cherciu | null | null |
Look for Me
|
Look for me under the hood
of that old Chevrolet settled in weeds
at the end of the pasture.
I'm the radiator that spent its years
bolted in front of an engine
shoving me forward into the wind.
Whatever was in me in those days
has mostly leaked away,
but my cap's still screwed on tight
and I know t... | Ted Kooser | null | null |
Wild Life
|
Behind the silo, the Mother Rabbit
hunches like a giant spider with strange calm:
six tiny babies beneath, each
clamoring for a sweet syringe of milk.
This may sound cute to you, reading
from your pulpit of plenty,
but one small one was left out of reach,
a knife of fur
barging between the others.
... | Grace Cavalieri | null | null |
Umbrella
|
When I push your button
you fly off the handle,
old skin and bones,
black bat wing.
We're alike, you and I.
Both of us
resemble my mother,
so fierce in her advocacy
on behalf of
the most vulnerable child
who'll catch his death
in this tempest.
Such a headwind!
Sometimes it requires
all my... | Connie Wanek | null | null |
Sunday
|
You are the start of the week
or the end of it, and according
to The Beatles you creep in
like a nun. You're the second
full day the kids have been
away with their father, the second
full day of an empty house.
Sunday, I've missed you. I've been
sitting in the backyard with a glass
of Pinot waiting... | January Gill O'Neil | null | null |
Invisible Fish
|
Invisible fish swim this ghost ocean now described by waves of sand, by water-worn rock. Soon the fish will learn to walk. Then humans will come ashore and paint dreams on the dying stone. Then later, much later, the ocean floor will be punctuated by Chevy trucks, carrying the dreamers’ decendants, who are going to ... | Joy Harjo | Living,Time & Brevity,Relationships,Family & Ancestors,Nature,Landscapes & Pastorals,Seas, Rivers, & Streams,Social Commentaries,History & Politics | null |
Don’t Bother the Earth Spirit
|
Don’t bother the earth spirit who lives here. She is working on a story. It is the oldest story in the world and it is delicate, changing. If she sees you watching she will invite you in for coffee, give you warm bread, and you will be obligated to stay and listen. But this is no ordinary story. You will have to end... | Joy Harjo | Religion,The Spiritual,Mythology & Folklore,Fairy-tales & Legends | null |
The One Thing That Can Save America
|
Is anything central?
Orchards flung out on the land,
Urban forests, rustic plantations, knee-high hills?
Are place names central?
Elm Grove, Adcock Corner, Story Book Farm?
As they concur with a rush at eye level
Beating themselves into eyes which have had enough
Thank you, no more thank you.
And the... | John Ashbery | null | null |
["Hour in which I consider hydrangea"]
|
Hour in which I consider hydrangea, a salt or sand plant, varietal, the question of varietals, the diet of every mother I know, 5 pounds feels like 20, I have lost … I have lost, yes, a sense of my own possible beauty, grown external, I externalize beauty. Beauty occurs on the surface of plants; the sun darkens the ... | Simone White | Living,Parenthood,The Body,The Mind,Nature,Trees & Flowers | null |
Stung
|
She couldn't help but sting my finger,
clinging a moment before I flung her
to the ground. Her gold is true, not the trick
evening light plays on my roses.
She curls into herself, stinger twitching,
gilt wings folded. Her whole life just a few weeks,
and my pain subsided in a moment.
In the cold, she h... | Heid E. Erdrich | null | null |
Nothing But Good...
|
I will not speak ill of Jack Flick.
I will rarely look
at the scar he made on my cheek
one summer at the lake.
I won't speak ill of Jack whose freckles
and gangly legs are gone.
So is the drained face I saw when he saw
what he'd done with a sharp rock
nonchalantly skipped.
I will speak well, for it... | Sarah White | null | null |
How Quiet
|
How quiet is the spruce,
the wind twills
through the uppermost tier
of splayed leaves.
Now the song of a bird
like the squeaky lock
over a canoe's oar,
followed by startling chirps,
the sky pushing its clouds
like sailboats,
and I think, what kind of God
keeps himself secret
so that to find h... | Judith Harris | null | null |
Porcupine
|
You think we are the pointed argument,
the man drunk at the party showing off
his gun collection, the bed of nettles.
What we really are is hidden from you:
girl weeping in the closet among her stepfather's boots;
tuft of rabbit fur caught in barbed wire; body of the baby
in the landfill; boy with th... | Kelly Madigan | null | null |
Summer Apples
|
I planted an apple tree in memory
of my mother, who is not gone,
but whose memory has become
so transparent that she remembers
slicing apples with her grandmother
(yellow apples; blue bowl) better than
the fruit that I hand her today. Still,
she polishes the surface with her thumb,
ho... | Cathryn Essinger | null | null |
Visiting the Neighborhood
|
The entrance at the back of the complex
led onto a road, where an upended couch
tilted into a ditch and a washing machine
gleamed avocado beneath pine needles.
From the end, you turned left and left again,
then cut a trail to find the cul-de-sac
of bright brick houses. We'd walk as far
as we dared ... | P. Ivan Young | null | null |
scars
|
my father’s body is a map
a record of his journey
he carries a bullet
lodged in his left thigh
there is a hollow where it entered
a protruding bump where it sleeps
the doctors say it will never awaken
it is the one souvenir he insists on keeping
mother has her own opinionsbố cùa con điên—your... | Truong Tran | The Body,Family & Ancestors | null |
what remains two
|
it has long been forgotten this practice of the mother
weaning a child she crushes the seeds of a green
chili rubs it to her nipple what the child feels
she too will share in this act of love
my own mother says it was not meant
to be cruel when cruelty she tells me
is a child’s lips torn from breas... | Truong Tran | Infancy,Parenthood,The Body | null |
West of Myself
|
Why are you still seventeen
and drifting like a dog after dark,
dragging a shadow you’ve found?
Put it back where it belongs,
and that bend of river, too. That’s not the road
you want, though you have it to yourself.
Gone are the cars that crawl to town
from the reactors, a parade of insects, m... | Debora Greger | Coming of Age | null |
Yes
|
Yes, your childhood now a legend of fountains
—jorge gullén
Yes, your childhood, now a legend
gone to weeds, still remembers the gray road
that set out to cross the desert of the future.
And how, always just ahead,
gray water ... | Debora Greger | Coming of Age,Youth | null |
Bounden Duty
|
I got a call from the White House, from the
President himself, asking me if I’d do him a personal
favor. I like the President, so I said, “Sure, Mr.
President, anything you like.” He said, “Just act
like nothing’s going on. Act normal. That would
mean the world to me. Can you do that, Leon?”... | James Tate | Humor & Satire,History & Politics | null |
History
|
Of course wars, of course lice, of course limbs on opposing sides
to remind a body about ambivalence, of course orphans and empty beds and eyes
exiled for blinking in the harsh light. Of course Khrushchev gave Crimea
to the Ukraine in a blind drunk, and yes, land mines and burning skin
and of course organs, ... | Barbara Ras | History & Politics,War & Conflict | null |
What It Was Like
|
If they ask what it was like, say it was like the sea
rolling barrels of itself at you in the shadowless light of the shore,
say it was like a spider, black as night, large as a campesino’s hand,
a deepness that could balance a small world of dirt as easily as a gift
of gleaming red tomatoes held out to you ... | Barbara Ras | Money & Economics | null |
All
|
The prisoner can’t go any longer, but he does.
The beggar can’t go on begging, but watch—
Tomorrow he’ll be in the alley, holding out a bowl
To everyone, to even a young, possibly poorer, child.
The mother can’t go on believing,
But she will kneel for hours in the cathedral,
Holding silence in her arms.
... | Barbara Ras | Life Choices,Faith & Doubt | null |
Sleeping with Butler’s Lives of the Saints
|
After Octavio Paz
What’s most human must drive
an arrow to the heart.
Ghosts, too, must abide by this directive
& remain transparent,
going about their business in old houses.
Before I was an I, I longed to be ethereal.
Sprouting wings at will & gliding through
cul-de-sa... | Eugene Gloria | Language & Linguistics,Poetry & Poets | null |
Hoodlum Birds
|
The fearless blackbirds see me again
at the footpath beside the tall grasses
sprouting like unruly morning hair.
They caw and caw like vulgar boys
on street corners making love to girls
with their “hey mama
this” and their “hey mama that.”
But this gang of birds is much too slick.
They are my homeys ... | Eugene Gloria | Animals | null |
Wilde's Tomb
|
But these, thy lovers are not dead.…They will rise up and hear your voice. . .. and run to kiss your mouth.
–The Sphinx
In the garden of Père Lachaise,
city of the dead, we passed angels
covering their faces in shame,
& nineteenth-century trees, with tops bowed
as if their onl... | Michael Gessner | Poetry & Poets | null |
The Poem of Death
|
This is the poem of death.
There is only one
and no other.
Every one is an occasion,
one way or another,
and the last poem is this poem of death.
It is an occasion like no other.
I will no longer lope after elegance,
beauty’s body, or love’s wonder.
I will be sorry for everything
I wa... | Michael Gessner | Death | null |
The Innocents at Sandy Hook
|
Nothing can reach you now, not lead or steel,
or what life itself eventually reveals.
No more studies of kindness or courtesy,
nor grace or charity, all is needless now.
All is needless now, sky, world, family
grieving for their bundles of purity,
now beyond disgrace, failure, winter streets,... | Michael Gessner | Sorrow & Grieving | null |
Fiddlers at the Desert Valley County Care Center
|
Among physicians rich in their death watch
In hallways crowded with locked wheelchairs,
Cradles of a century’s platitudes,
The stale air smelling of disinfectant
And weeping wounds enough to stupefy nurses,
Among the staring insomniacs of the day room,
The stroke victims on their rented gurneys,
Compla... | Michael Gessner | Death,Sorrow & Grieving | null |
Face
|
Imagine half your face
rubbed out yet
you are suited up
and walking
to the office.
How will your mates
greet you?
with heavy hearts,
flowers,
rosary beads?
How shall we greet
the orphan boy,
the husband whose hand
slipped, children
and wife swept away?
How to greet
our new yea... | Indran Amirthanayagam | Sorrow & Grieving | null |
Order
|
Jesus did not ride that monstrous wave,
not Yahweh, Jah, Allah, none of the major
Gods or the minor ones, not even the godless
strode that bugger which sliced our lives
in two: the past where we danced ballroom
while the children played carom, and mangos
stained our lapels, and today, hobblin... | Indran Amirthanayagam | Faith & Doubt | null |
The City, with Elephants
|
The elephants of reckoning
are bunches of scruff
men and women picking up
thrown out antennae
from the rubbish
bins of the city
to fix on their tubular
bells and horn about
by oil can fires
in the freezing midnight
of the old new year
We ride by their music
every hour in cabs on train... | Indran Amirthanayagam | Travels & Journeys,Class | null |
Words for the Sri Lanka Tourist Office
|
The King Cobra slides
through our jungles,
and tucked in bushes
by the riverbanks
the grand Kabaragoya
holds court among lizards—
but if you want to swim
at Mount Lavinia, or fly kites
on Galle Face Green, or ride
horse carts in the Jaffna peninsula
of your ancestors, or bear a child
in Col... | Indran Amirthanayagam | Weather | null |
Kiss
|
Kissing your lips
I try to forget roses
or the fruit of palmyra trees
sweet and strong
Tongue lolling upon tongue
heart beating
against heart beating,
these are my words
signifying our human bodies
which poetry does not capture,
the absolute desire I have
to kiss your lips
on this hot and... | Indran Amirthanayagam | Realistic & Complicated | null |
hamsters are heads with little characteristics on the head, part one
|
in florida a giant hamster lays in bed worrying about its future
the hamster has bad eyesight
and many other problems
later that night the hamster drives its car around
listening to sad music; the master lightly drums its paws on the steering wheel
the hamster is alone
but not for long: at home three waf... | Tao Lin | Pets | null |
hamsters are heads with little characteristics on the head, part three
|
in the evening the hamster sits at the computer
watermelon juice and coffee sit by the computer
the hamster drinks all of the coffee
after a few minutes the hamster drinks all of the watermelon juice
the hamster lays its paw atop a neatly folded to-do list; this is a resourceful hamster
with a strong will,... | Tao Lin | Pets | null |
thirteen of twenty-four
|
notice how my forehead approaches you at a high speed
notice the contortions on my face; hear and feel the impact
of my forehead against your eyebrow
never get angry if someone doesn’t do things for you
react to disappointment by being quiet and nice
and alone, not by being confrontational or frustrated
... | Tao Lin | The Body | null |
Turtle Came to See Me
|
The first story I ever write
is a bright crayon picture
of a dancing tree, the branches
tossed by island wind.
I draw myself standing beside the tree,
with a colorful parrot soaring above me,
and a magical turtle clasped in my hand,
and two yellow wings fluttering
on the proud shoulders of my ruffled... | Margarita Engle | null | null |
Kinship
|
Two sets
of family stories,
one long and detailed,
about many centuries
of island ancestors, all living
on the same tropical farm...
The other side of the family tells stories
that are brief and vague, about violence
in the Ukraine, which Dad's parents
had to flee forever, leaving all their
loved... | Margarita Engle | null | null |
Ritmo/Rhythm
|
Mad has decided to catch a vulture,
the biggest bird she can find.
She is so determined, and so inventive,
that by stringing together a rickety trap
of ropes and sticks, she creates
a puzzling structure that just might
be clever enough to trick a buzzard,
once the trap’s baited with leftover pork
... | Margarita Engle | null | null |
More Dangerous Air
|
Newsmen call it the Cuban Missile Crisis.
Teachers say it's the end of the world.
At school, they instruct us to look up
and watch the Cuban-cursed sky.
Search for a streak of light.
Listen for a piercing shriek,
the whistle that will warn us
as poisonous A-bombs
zoom close.
Hide under a desk.
Pr... | Margarita Engle | Coming of Age,Social Commentaries,Cities & Urban Life,History & Politics,Race & Ethnicity,War & Conflict | null |
Napalm
|
I have come to realize the body is its own pyre, that degree
rises from within, the fatty acids a kind of kindling.
Like a scientist in a lab, this much I have established, blood jelled
like gasoline, the years spread before me like a map
pinned with targets, where I’m raging even now.
It works both ways. ... | Quan Barry | The Body | null |
vigil
|
And both the girls cried bitterly (though they hardly knew why) and clung to the Lion and kissed his mane and his nose and his paws and his great, sad eyes. Then he turned from them and walked out onto the top of the hill. And Lucy and Susan, crouching in the bushes, looked after him and this is what they s... | Quan Barry | Animals,War & Conflict | null |
loose strife [Somebody says draw a map]
|
Somebody says draw a map. Populate it with the incidents
of your childhood. Mark the spot where the lake receded
after a winter of light snow. The stairs on which someone
slapped you. The place where the family dog hung itself
by jumping over the back fence while still on the dog run,
hours later its body ... | Quan Barry | Poetry & Poets,War & Conflict | null |
loose strife [Listen closely as I sing this]
|
Listen closely as I sing this. The man standing at the gate
tottering on his remaining limb is a kind of metronome, his one
leg planted firmly on the earth. Yes, I have made him beautiful
because I aim to lay all my cards on the table. In the book review
the critic writes, “Barry seeks not to judge but t... | Quan Barry | Poetry & Poets,War & Conflict | null |
loose strife [Say, when we woke those icy spring mornings]
|
Say, when we woke those icy spring mornings they were still there.
The upper portion of their faces long ruined but you could still see
the meaning in their hands,
palms once covered in gold. We knew better than to call them
by their names, Light that Shines Throug... | Quan Barry | War & Conflict | null |
Craft [The first great poet]
|
The first great poet of
the crisis the one whose
generation was left as if
firebombed though if
you look back at the
seminal work you will
see that only a handful of
of the poems explicitly
touch on that dark time
the blood f... | Quan Barry | Sorrow & Grieving,War & Conflict | null |
Someone once said we were put on this earth to witness and testify
|
Nowhere in the Halakha’s five thousand years of rules
does it specifically state Thou shall not [ ]
but sometimes tradition carries more weight than law
and so for much of the past year we have ... | Quan Barry | Birth & Birthdays | null |
crossing the South China Sea as analgesia
|
One day we will all be like this—the boat’s sickening pitch, & the delicateness
needless, consumable.
How everything here naturally passes into night, a room
w/o walls.
Could mindlessness keep us alive? Could bright colors?
Tonight I am thinking of the young woman who dreams of her fa... | Quan Barry | Travels & Journeys | null |
lion
|
Shagged-gold, at rest the great haunches
as if axled, fur sleeked like a butter rug.
In the Serengeti sun, the male’s harem
like a solar system, each lady kept
exclusive, her seasonal heat for him alone,
estrous belly pressed to the ground,
then the male’s riding her musculature—
throughout evo... | Quan Barry | Animals,War & Conflict | null |
Thanksgiving
|
Literally the thing has been gutted, a ragged gash
carved under its tail to midway up its chest, eyes
like stagnant water, horns intricate as a woodwind.
Where did the viscera go? Where do the viscera ever go?
I am in a car driving to the northernmost point
on this spit. Porte de Mort. Death’s Northern Doo... | Quan Barry | Family & Ancestors,War & Conflict | null |
Allowance
|
I am ten.
My mother sits in a black
rocking chair in the parlor
and tells stories of a country school
surrounded by ricefields
and no roads.
I stand in the kerosene light
behind her,
earning my allowance.
A penny
for each white hair I pull.
| James Masao Mitsui | Jobs & Working,Home Life | null |
Block 18, Tule Lake Relocation Camp
|
—for James I. Ina
1.
The emotion of trucks, buses & troop trains
brings them here,
to the wrong side of another state.
A woman at the Klamath Falls depot
calls it the wrong side of the ocean.
2
Crumbs hide around the table legs
in the mess hall,
dishes & silverware
clink a... | James Masao Mitsui | Realistic & Complicated,History & Politics,War & Conflict | null |
Painting by a Mental Patient, Weaverville City Jail, California, 1922
|
—displayed in the Weaverville Museum
It is the picture of a man who dreams
at night, his dreams a cartoon color
he can’t forget in his blue cell:
a fork chases a hard-boiled egg
across the smooth paper,
cheered on by an angry alarm clock.
The clock rings
and the artist knows it is m... | James Masao Mitsui | Health & Illness,The Mind,Painting & Sculpture | null |
New Lines for Fortune Cookies
|
—after Frank O’Hara
You have been smiling across the table at your date
with a sesame seed stuck in your teeth.
You will gain sophistication, become accepted by Reader’s Digest, and retire in Puyallup.
In your next life you will be a teacher
and no one will ever call you by your f... | James Masao Mitsui | Eating & Drinking,Humor & Satire | null |
Spring Poem For the Sake of Breathing, Written After a Walk to Foster Island
|
The sky wants the water to turn grey,
but if I notice how waves
play with the clumps of yellow flags,
or the way turtles share logs,
or even try to understand a friend’s decision
to walk onto a glacier
and end her life—I will be ready
for any poems that have been waiting.
The horizon ... | James Masao Mitsui | Time & Brevity,Spring | null |
The Sweetest Oranges in Town
|
No, I am not deformed.
I wear these socks
Because I haven't any gloves,
And my fingers are bitten with frost.
They feel like stumps.
Luckily, I finished covering
The citrus tree with sheets of burlap.
Before darkness,
I will light a smudge pot
Near the mummified trunk,
Then anoint my hands in a b... | Rick Noguchi | Health & Illness,Winter | null |
The Breath-Holding Contest
|
That boy, the champion breath holder,
Kenji Takezo, lost his title
This year to Mack Stanton
A retired truck driver
New to the area.
Held in the town swimming pool
Thirty-five participants inhaled
Deeply all at once
Submerged the depth.
The contest went on into twilight.
One by one each person
... | Rick Noguchi | Sports & Outdoor Activities | null |
The Ocean Inside Him
|
After Kenji Takezo fell from a wave,
The turbulence of whitewash confused
His sense of direction.
He breathed in
When he should have
Held tight. By accident, he swallowed
The Pacific. The water poured down his throat,
A blue cascade he could not see.
He felt in his stomach
The heavy life of the... | Rick Noguchi | Seas, Rivers, & Streams | null |
October, Remembering the Ride No One Saw
|
Steel horses nodding
In the petroleum field are beasts
That suck
The crude of earth.
They have lived here for as long as I
Remember. This moment,
I smell wild incense:
Heather, abducted by a desert wind.
Its growth hides
The rain-carved ribs of the foothills.
Evening swallows
The city fasti... | Rick Noguchi | Landscapes & Pastorals,Money & Economics | null |
Human Knowledge
|
About the only thing I thought I knew
was that nothing I’d ever know would do
any good. Sunrise, say, or that the part
of the horse’s hoof that most resembles
a human palm is called the frog;
certain chords on the guitar of no mercantile use;
the abstruse circuitry of an envelope
quatrain; even the mea... | Robert Wrigley | Coming of Age,Stars, Planets, Heavens | null |
Unfunky UFO
|
The first space shuttle launch got delayed until
Sunday, so we had to watch the shuttle’s return
to Earth in class instead—PS113’s paunchy black
& white rolled in, the antennae on top adjusted
sideways & down for better reception. That same
day, Garrett stole my new pencil box. That same
day, Cynthia pee... | Adrian Matejka | School & Learning,Stars, Planets, Heavens | null |
Illinois Abe Lincoln’s Hat
|
blacks painted onto bricks & split vinyl on the East Side,
jaws as tight as window locks with the curtains drawn
& behind that diligent fabric: blacks already tucked
into homemade forts—folding chairs, wobbly backbones
& the whole, snowy world waiting outside like ghost
stories whispered around the last sp... | Adrian Matejka | Cities & Urban Life,Race & Ethnicity | null |
Collectable Blacks
|
This is the g-dropping vernacular
I am stuck in. This is the polyphone
where my head is an agrarian gang
sign pointing like a percussion mallet
to a corn maze in one of the smaller
Indiana suburbs where there aren’t
supposed to be black folks. Be cool & try
to grin it off. Be cool &... | Adrian Matejka | Cities & Urban Life,Crime & Punishment | null |
from Stone: 24
|
Leaves scarcely breathing
in the black breeze;
the flickering swallow
draws circles in the dusk.
In my loving
dying heart
a twilight is coming,
a last ray, gently reproaching.
And over the evening forest
the bronze moon climbs to its place.
Why has the music stopped?
Why is there such s... | Osip Mandelstam | Stars, Planets, Heavens | null |
from Stone: 98
|
The clock-cricket singing,
that’s the fever rustling.
The dry stove hissing,
that’s the fire in red silk.
The teeth of mice milling
the thin supports of life,
that’s the swallow my daughter
who unmoored my boat.
Rain-mumble on the roof—
that’s the fire in black silk.
But even at the botto... | Osip Mandelstam | Time & Brevity,Animals | null |
from Stone: 103 The Twilight of Freedom
|
Let us praise the twilight of freedom, brothers,
the great year of twilight!
A thick forest of nets has been let down
into the seething waters of night.
O sun, judge, people, desolate
are the years into which you are rising!
Let us praise the momentous burden
that the people’s l... | Osip Mandelstam | History & Politics | null |
from Stone: 122
|
Let me be in your service
like the others
mumbling predictions,
mouth dry with jealousy.
Parched tongue
thirsting, not even for the word—
for me the dry air is empty
again without you.
I’m not jealous any more
but I want you.
I carry myself like a victim
to the hangman.
I will not call yo... | Osip Mandelstam | Realistic & Complicated | null |
from Poems: 140 1 January 1924
|
Whoever kisses time’s ancient nodding head
will remember later, like a loving son,
how the old man lay down to sleep
in the drift of wheat outside the window.
He who has opened the eyes of the age,
two large sleepy apples with inflamed lids,
hears forever after the roar of rivers
swollen with the waste... | Osip Mandelstam | History & Politics | null |
from Poems of the Thirties: 286 [The Stalin Epigram]
|
Our lives no longer feel ground under them.
At ten paces you can’t hear our words.
But whenever there’s a snatch of talk
it turns to the Kremlin mountaineer,
the ten thick worms his fingers,
his words like measures of weight,
the huge laughing cockroaches on his top lip,
the glitter of his ... | Osip Mandelstam | History & Politics | null |
Love Letters
|
Many months have passed
since the diagnosis,
and you’re still grieving for her.
She’s not dead yet.
But she’s lost, like a child is lost—
her mind the ocean floor,
where she kicks up sand
and churns in the water.
Al, we call it, or AD—
never by its real name
as if mentioning the word would br... | Juliet Kono | Growing Old,Health & Illness | null |
Shower
|
In her illness
Elizabeth believes we do this deliberately,
the washing of her body.
She blames me,
her Japanese daughter-in-law
for having made keeping her clean a fetish.
Angry, she says we do this to torment
her soul, the shower a hot
spray of needles we subject
on her moon-colored skin.
She ha... | Juliet Kono | Growing Old,Health & Illness,The Body | null |
Womanhood
|
When I was three,
a tsunami hit town.
“Daddy, Daddy, save me,
don’t let me drown.”
He saved me
and my common-type dolls.
When I was sixteen,
another tsunami hit town.
I cried to my daddy,
“Daddy, Daddy, please save me,
don’t let me drown!”
But he let go of my hand!
I still dance
to ... | Juliet Kono | Sorrow & Grieving,Family & Ancestors | null |
Homeless
|
My son lives on the streets.
We don’t see each other much.
Like a mother who puts white lilies
on the headstone of a dead child,
I put money into his bank account,
clothes into E-Z Access storage
and pretend he’s far away—
at a boarding school, or in a foreign country.
Nights, I dream fairy tales abo... | Juliet Kono | Parenthood,Home Life | null |
Bees Were Better
|
In college, people were always breaking up.
We broke up in parking lots,
beside fountains.
Two people broke up
across a table from me
at the library.
I could not sit at that table again
though I did not know them.
I studied bees, who were able
to convey messages through dancing
and could find the... | Naomi Shihab Nye | null | null |
Burning Monk
|
From the remains
of his cremation,
the monks recovered
the seat of Thich Quang Duc’s
consciousness —
a bloodless protest
to awaken the heart
of the oppressor
offered
at the crossing of
Phanh Dinh Phung
& Le Van Duyet
doused in gasoline &
immo... | Shin Yu Pai | Life Choices,Social Commentaries,History & Politics | null |
Model Minorities
|
in the shooter’s
face, she recognizes
her sibling’s coarse
unforgiving hair,
his yellow skin,
& vacant stare,
the year her brother
broke down, she was
still in high
school, seventeen —
w/ a taste for cutting
not class but hands
& arms any outlet
to escape
this ... | Shin Yu Pai | Family & Ancestors,Crime & Punishment | null |
A Day Without an Immigrant, Dallas, Texas
|
At Pearl Street station,
two brown-skinned men
in painter’s pants stand
out in a sea of white
I am just one more face
sticking out in a crowd
& it is my privilege
that prevents me from
understanding why
the workers want to know
how to buy one-way trips
the automated mach... | Shin Yu Pai | Money & Economics,Race & Ethnicity | null |
Search & Recovery
|
For James Kim (1971 — 2006)
it could have
happened to any
of us
a wrong turn
down a logging road
tires tunneled
into snow
a man’s undying
love for his children
moves satellites
maps aerial images
eighteen care packages
dropped over 16
miles of the Siskiyo... | Shin Yu Pai | Parenthood,Travels & Journeys | null |
from What the Heart Longs For When It Only Knows Heat ["We spend the afternoon together watching a docudrama..."]
|
We spend the afternoon together watching a docudrama about wild horses that roamed the ancient Arctic Circle. Surprisingly sleek, built for speed and not the weather, they were remarkable for their recklessness. They careen headlong down ice bluffs to fall into a broken heap. We can hear the small, tinny sounds of t... | Sueyeun Juliette Lee | Animals,Photography & Film | null |
from Solar Maximum ["My skin crawls at odd hours of the day..."]
|
My skin crawls at odd hours of the day, a residual effect of my recent radiation therapies, how they inadvertently synced me to coronal flares. During my morning tea, at the gym, during the drive back home. A simple turn transforms into an avalanching pinprick of tremors one millimeter thick. I’d have preferred a su... | Sueyeun Juliette Lee | Health & Illness,The Body | null |
from Solar Maximum ["How much chemical disorder..."]
|
How much chemical disorder
can be survived depends on medical technology.
A hundred years ago, cardiac arrest was irreversible.
People were called dead
when their heart ... | Sueyeun Juliette Lee | Health & Illness,The Body | null |
Three Blue Butterflies
|
I. MORPHO MENELAUS
Foiled acqua-
moiré wings the
butterfly’s beauty-
mark hydraulic in its
purposes his
hair’s flame lifts
you snarls you
II. MORPHO ACHILLES
Sea-bed in semaphore / an
eyepiece wing-span
delft dye vat-dipped shingle
scintilla : truant
and accl... | Christina Pugh | Animals | null |
["Something I learned about agape when I was young..."]
|
Something I learned about agape when I was young: the Iliad tells
us fellow-feeling is finite in communities. Brotherly love becomes a
number that has to be divided among persons—so if you’re too kind to
others, that might explain your neighbor’s graft. I sometimes wonder if
perception is the same; if the qu... | Christina Pugh | Poetry & Poets | null |
The German word for dream is traume.
|
The coal-dust hushed
parameters of the room.
Outside, my mother stitched
whole dresses for $3.00 a piece.
I slept in a bedroom
which faced the street.
A cheerleader was killed
in a drive-by that year.
She died in her sleep.
I watched the headlights
sweep overhead.
... | Cathy Linh Che | Coming of Age,The Body | null |
Split
|
I see my mother, at thirteen,
in a village so small
it’s never given a name.
Monsoon season drying up—
steam lifting in full-bodied waves.
She chops bắp chuối for the hogs.
Her hair dips to the small of her back
as if smeared in black
and polished to a shine.
She wears a deep side-part
... | Cathy Linh Che | Men & Women,War & Conflict | null |
["My father does his own dental work"]
|
My father does his own dental work.
A power drill and epoxy
and steady hands—
On Christmas Day, he mistook
the Macy’s star
for the Viet Cong flag.
While watchingForrest Gump, he told me
how he too carried a friend.
He squeezedaround my throat so tight,I thought I’d die with him.
| Cathy Linh Che | Home Life,War & Conflict | null |
My Mother upon Hearing News of Her Mother’s Death
|
She opened her mouth and a moose came out, a donkey, and an ox—out of her mouth, years of animal grief. I lead her to the bed. She held my hand and followed. She said, Chết rồi, and like that, the cord was cut, the thread snapped, and the cable that tied my mother to her mother broke. And now her eyes red as a marke... | Cathy Linh Che | Sorrow & Grieving | null |
The Properties of Light
|
Mid-October in Central Park, one of the elms
has changed early, burning with a light
grown accustomed to its own magnificence,
imperceptible until this moment when it becomes
more than itself, more than a ritual
of self-immolation. I think of sacrifice
as nourishment, the light feeding bark and v... | Eric Gamalinda | The Body,The Spiritual | null |
Zero Gravity
|
The dry basin of the moon must have held
the bones of a race, radiant minerals,
or something devoid of genesis, angel-heavy,
idea-pure. All summer we had waited for it,
our faces off-blue in front of the TV screen.
Nothing could be more ordinary—two figures
digging dirt in outer space—while mother re... | Eric Gamalinda | Stars, Planets, Heavens,Sciences | null |
Factory of Souls
|
It takes just two people to bring the world
to ruin. So goes the history of love.
At the end of the day we tally the casualties
of war, victory for the one who gets wounded
the least. You say it’s time for a change
but I don’t know to what end, change being
just the skin of some incandescent creature... | Eric Gamalinda | Realistic & Complicated,Sciences | null |
The Opposite of Nostalgia
|
You are running away from everyone
who loves you,
from your family,
from old lovers, from friends.
They run after you with accumulations
of a former life, copper earrings,
plates of noodles, banners
of many lost revolutions.
You love to say the trees are naked now
because it never happens
... | Eric Gamalinda | Heartache & Loss,Fall | null |
the luams speak of god
|
If there is a god, let it be the hyena
who plunges her mouth into the river after eating
our grandfather’s poisoned bait, who,
dark with thirst, poisons the river
unbeknownst to both of them.
Her ghosts stand in the street where we are called
already through “time” out of our houses. She tells
her ... | Aracelis Girmay | Family & Ancestors,Animals | null |
Second Estrangement
|
Please raise your hand,
whomever else of you
has been a child,
lost, in a market
or a mall, without
knowing it at first, following
a stranger, accidentally
thinking he is yours,
your family or parent, even
grabbing for his hands,
even calling the word
you said then for “Father,”
only to see t... | Aracelis Girmay | Youth | null |
from The Black Maria
|
after Neil deGrasse Tyson, black astrophysicist & director of the Hayden
Planetarium, born in 1958, New York City. In his youth, deGrasse Tyson was
confronted by police on more than one occasion when he was on his way to
study stars.
“I’ve known that I’ve w... | Aracelis Girmay | Stars, Planets, Heavens,Race & Ethnicity | null |
Something Something Something Grand
|
I adore you: you’re a harrowing event.
I like you very ugly, condensed to one
deep green pang. You cannot ask the simplest
question, your hold is all clutch and sinker.
Cannibal old me,
with my heart up my throat, blasting on all sides
with my hundred red... | Sandra Lim | The Body | null |
Pantoum
|
Taking on an aspect of the Orient,
Skies full of hatchets and oranges
Love, uninvited, hangs in the blood:
But what is a kingdom to a dying emperor?
Skies full of hatchets and oranges
Keep the birds singing, sorrows fresh—
But what is a kingdom to a dying emperor,
As the nights grow steadily into m... | Sandra Lim | Realistic & Complicated,Stars, Planets, Heavens | null |
Just Disaster
|
We stopped to watch the accident.
Fire! It had finally come to pass.
Just as surely as I was a coward
carrying a wolf. It stepped out from me,
it was paradise leaving me, running towards
the giant idea of that melting house.
So often you don’t think,
“Little nicks of monstrosity, I shall be splendid in... | Sandra Lim | null | null |
Lucky Duck
|
Be large with those small fears. The whole sky
has fallen on you and all you can do about it is
shout, dragging your fear-ettes by their pinked ears.
They dance a number now: consequence without
sequence. Lovingly broadminded in their
realization and ruin, expert at the parting shot.
Not so small... | Sandra Lim | Life Choices | null |
End of preview. Expand in Data Studio
This file contains nearly all poems from the Poetry Foundation Website.
Content All poems have a title and author. Most poems are also labeled with the tags as available from the Poetry Foundation Website. The word cloud above shows the most used tags!
Inspiration This dataset can be used for a variety of tasks related to poetry writing.
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